Seongsu-dong is an artsy district in Seoul — home to a number of interesting cafés, shops and pop-up art installations. One such space is S-Factory, a newly-established gallery space in the middle of a cold, industrial Seongsu side street. The gallery has now hosted its share of buzz-worthy art shows, including Klimt Inside, a multimedia homage to Viennese painter Gustav Klimt that ran through April 19.
More like a light show than a traditional art exhibition, Klimt Inside pairs the artist’s works with LED screens, neon bulbs and bits of musical accompaniment.
The first S-Factory room is completely dark except for the images projected onto the carpet showing the different philosophers and artists who influenced Klimt’s early work.
The most popular room at the Klimt Inside exhibit was also its most disappointing. A long line forms out front as visitors wait patiently for the chance to enter a multicolored cube made of windows and neon lights. From the outside, it looks spacious and surrealistic. The wait to take a look inside took so long that I expected some sort of maze to explore, but inside it was only hot and crowded with people doing impromptu 15-minute-long Instagram photoshoots. I don’t even know what this had to do with Klimt, but I had to squeeze myself out after a few minutes.
My favorite room of the exhibition shows Klimt’s body-drawing sketches projected in black and white on large, blank canvases. The projections change at regular intervals, displaying various nudes and portraits.
The final room before you exit into the gift shop is Klimt’s most famous piece, “The Kiss.” The painting is displayed at the end of a long, narrow tunnel lit with two yellow neon lights. An electric current running through the lights in never-ending circles represents the eternal quality of love.