Tag Archives: rap

I recorded a k-pop song at King Studio in Gangnam

The next big thing in k-pop: me. SCREAMfmLondon

“I’m not good at singing,” I whispered into the microphone.

“I know,” came the engineer’s frank reply through my headphones. My self-deprecating cackle resounded through the recording booth.

Last weekend, I visited the King Studio in Gangnam — a professional recording studio where Korean stars like VIXX, Seo In-guk and Apink’s Jung Eun-ji have recorded music — for my own solo recording session.

Now, I’m pretty far from being a k-pop star myself. One main obstacle I tend to encounter is that I have no talent. But don’t worry! For a price, anything is possible.

At King Studio, customers can choose any song they’d like to record, and the staff will prepare your debut single for as low as 78,000 KRW. And the staff is phenomenal. The engineer is exactly the kind of tough-love vocal coach I dream about having in my fantasies starring me as a JYP trainee. They put forth incredible effort to make nervous customers feel at ease and offer all the guidance you need to nail your track.

For some totally absurd reason, I chose to sing “Spring Day” by BTS, which would have been difficult even if I had singing talent.

I know!

But you have to let King Studio know your song choice ahead of time so they can prepare for your recording session. I spent the day and a half I had before my scheduled time practicing the two rapped verses at 50 percent speed and slowly working my way up until I was able to kind of proudly and kind of confidently rap along with the original song. I didn’t practice the singing bits at all.

I know!

Great place to give yourself a pep talk before recording at King Studio in Gangnam. SCREAMfmLondon

When I finally arrived at King Studio, I was given a short tour of the cozy basement space. They took some photos and videos of me fixing my hair in the vanity mirror and admiring the framed album art that hung on the walls.

Before recording, they gave me a chance to listen to the music they’d prepared for me and to peruse the lyrics. I was shaking when I entered the booth, pulled on my headphones and began to rap.

Unfortunately, despite all my preparedness, I struggled a lot with the first verse. I had a hard time keeping up with the song’s rhythm, and as a non-native speaker, I stumbled over quite a few of the Korean words. And this was the rap! The slower rap of the two! It bummed me out that I wasn’t totally killing it as I’d envisioned.

And then it was time to sing. Until that very moment, it hadn’t even occurred to me that I’d actually have to try to hit the actual notes in the song. I’d always just sung it jokingly in a weird kind of monotonous baritone.

But — bless their hearts — the lovely King Studio staff was totally patient with me and didn’t even recoil in horror that much. They kindly coached me and praised me when I tried harder. It wasn’t long until we’d grown comfortable with each other and understood the best methods for working together.

My wonderful sound engineer hard at work at King Studio. SCREAMfmLondon

By the time I reached the second rap, I was feeling way more confident. And I didn’t really kill it (like, AOMG isn’t going to be knocking on my door any time soon), but I definitely maimed it, at least.

“Wow!” the engineer exclaimed after I finished spitting my sick verse.

“Yeah, I practiced a lot.”

“I can tell.”

“Only this part.”

“I can tell.”

After that, I felt much more at ease in the studio. We worked in the booth for about an hour and a half, until it was starting to get really hot in there and not just because of my fire Korean rapping skills. They kept playing the track back to me to see if I was happy with it, and I kept trying not to cringe and/or laugh hysterically at my terrible pronunciation and tuneless voice.

But it was so much fun! I had the best time, and I didn’t want to leave. Forget a single — I want to record a whole EP!

This is where the magic happens at King Studio. SCREAMfmLondon

After my recording session was finished, they did a quick interview with me and took a few more photos for their Facebook page (where, by the way, you can listen to the first line of my song, which is the most of that song I’ll ever play for anyone ever).

King Studio was such a blast, and now that I’ve tried it, I’d really love to go back. I’d love to go back and choose a different song. A much easier song. But, hey, no regrets! You’re only an idol trainee once.

For more information on King Studio, visit www.kingstudio.asia, or check out www.onemoretrip.net for booking information.

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Live: Epik High and JYP (separately, of course)

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Epik High appears onstage at Olympic Hall in Seoul on Dec. 12. SCREAMfmLondon

My favorite hip-hop trio Epik High played two high-profile shows at Olympic Hall in Seoul on Dec. 11 and 12 as the final stops of the “Legends 3” concert series. The concert teasers featured Epik High’s Tablo, Mithra Jin and DJ Tukutz hilariously parodying old-school k-pop groups, as well as the heads of SM, YG and JYP Entertainment. And they kept the joke going throughout the concert — Tukutz even bravely came out onstage wearing JYP’s infamous plastic pants. It was one hell of an entertaining show.

The two concerts featured a wide array of guest artists. On the night I attended, performers included JYJ’s Junsu, Nell’s Kim Jong-wan, and Younha, among others. Junsu performed three songs: “OeO,” “Flower,” and a really boring one from the musical “Dracula” that he stars in. The band members’ families were also in attendance, including Tablo’s daughter Haru who appears alongside him on the reality show “The Return of Superman” and has become a celebrity in her own right. At one point, Tablo suddenly appeared beside me in the crowd, rapping his lines as he made his way over to Haru to have her scream into the microphone for him. But the best moments were, obviously, Epik High’s excellent live performances of songs like “Don’t Hate Me,” “New Beautiful,” “Born Hater” and “Burj Khalifa.” My high is epik. So good.

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The first stop on JYP’s Naughty Party “STRIP” was Incheon’s Samsan World Gymnasium on Dec. 5. SCREAMfmLondon

JYP’s Naughty Party “STRIP” show certainly lived up to its name. I don’t know what I was expecting. I definitely was not expecting it to be 44-year-old Park Jin-young himself who was stripping, but hey. I had never before seen anyone take off all their clothes in the middle of a passionate piano solo — only you, JYP.

The concert featured songs spanning the musician/producer/CEO/lecher’s 23-year-long music career, including his most recent hits, “Who’s Your Mama?” and “I’m So Sexy,” as well as a cover of Bruno Mars and Mark Ronson’s “Uptown Funk.” JYP danced impressively and was reasonably entertaining. In between songs, he presented several scenes inspired by “Fifty Shades of Grey,” including one in which he simulates sex with a woman in an elevator and another in which he’s handcuffed inside a metal cell with a dominatrix. At one point, he called a couple from the audience to join him onstage, tied them to two separate beds and grinded all up on the woman while her boyfriend was seduced by backup dancers. I was pretty scandalized, and I don’t think I’ll ever get that image of topless JYP out of my mind. Thanks a lot.

Live: 2015 Dream Concert at Seoul World Cup Stadium

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The Seoul World Cup Stadium aglow with the passion of k-pop fans. SCREAMfmLondon

On May 23, I attended the 21st annual Dream Concert. The concert is a k-pop smorgasbord: emceed by Leeteuk from Super Junior and featuring performances from more than 30 k-pop groups from rookies to chart-dominating stars.

Yeah, I know. More than 30 bands. I feel like everyone who’s ever had a song in their heart was invited to perform at this event. So, strap yourselves in for this intensive band-by-band recap of the 2015 Dream Concert:

24K

24K performed “Hey You,” and the moves for the chorus of this song were some of my favorites from the whole event. That’s a pretty suave dance and a catchy beat. But I want to know why two of the band members were wearing facemasks during the red carpet procession and through the entire performance. Is this their concept? Who cares about a boyband that doesn’t have faces? Don’t they know that the faces are like 70 percent of the appeal of a boyband?

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4Minute and EXO stand together awkwardly at the end of the 2015 Dream Concert. SCREAMfmLondon

4Minute

4Minute was one of the groups I was most looking forward to at the Dream Concert. Their performance of this year’s hit “Crazy” was excellent, but the second number (“What’s Your Name?”) was kind of uninspired. HyunA, I still love you, though, girl.

9Muses

I found “Drama” to be a boring song with some boring costumes. And I know they’ve gone through a lot of lineup changes, but it kind of bothers me that there are only eight members of 9Muses.

B1A4

B1A4 put on a really engaging performance — probably one of the best of the night. I was not feeling their outfits (nice shorts, y’all), but the live show sold me on the song “Solo Day.” Quite adorable and good stage presence.

BTS

BTS (short for Bangtan Boys) performed “I Need U” and “Fun Boys.” BTS is more on the hip-hop end of the spectrum (one of the guys is named Rap Monster), but, like, as hip-hop as you get wearing Bermuda shorts with suspenders. “Fun Boys” is kind of a jam, though.

Berry Good

Berry Good was probably my favorite of the rookie groups. Definitely my favorite outfits of the night with flouncy pink miniskirts, matching pink ties, chunky heels and glittery wrist cuffs. “Because of You” was also a good song: I was into the juxtaposition of the sweet verses against the weird dubstep pre-chorus.

Boys Republic

Boys Republic was one of several groups working the sexy schoolboy angle at the Dream Concert. Unfortunately for them, the sound was pretty screwed up during their set (although the sound mixing was pretty awful throughout). However, they put on an amusing show — by that, I mean that they came out with the kind of drippy “Hello” and then switched it up by ripping off all their clothes during “The Real One.”

BTOB

Man, am I the only one who has a hard time telling the difference between BTS, BTOB and B1A4? Not enough variety in these band names. BTOB performed “Wow” and “Beep Beep,” which were fun songs, but not that memorable.

CLC

CLC performed a remix of the song “Pepe,” but it was not anything to write home about, so I will refrain.

EXID

I was quite looking forward to EXID’s performance — as was everyone else, I think. Both “Ah Yeah” and “Up & Down” are excellent songs with really recognizable trademark dances, and I especially love LE’s unique rapping voice. For their set, EXID covered the stage with about 5 million backup dancers, but they had to perform a watered-down version of “Up & Down” to appease the family-friendly audience, I guess. Still, EXID put on a great show and had the entire venue buzzing.

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EXO at the 2015 Dream Concert. SCREAMfmLondon

EXO

EXO is a fantastic band, and both “Call Me Baby” and “Growl” are phenomenal songs. EXO’s fanbase at the Dream Concert was also kind of awe-inspiring and terrifying. I’m not sure why exactly EXO didn’t close the show, as they clearly should have. The well-orchestrated fanchants during EXO’s set could be heard clearly outside of the venue, across a few streets of traffic. All of the band members looked great (Chanyeol’s styling was particularly cool), but I’m just afraid they’re going to drop dead of exhaustion at any moment.

GOT7

GOT7 came to the Dream Concert straight from some rigorous promoting schedule, and it showed. The sound quality was also pretty wack during their set, which affected the show. Mark still did a lot of sweet acrobatic moves during “Stop Stop It” and “Girls Girls Girls,” but it wasn’t the best performance. It was a bummer because they looked visibly frustrated coming offstage, and they’re usually so affable and charming.

HALO

I don’t remember HALO’s performance of “Grow Up” as much as the impression they made walking the red carpet. Nice shorts, y’all.

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This is a crummy picture of Infinite standing dramatically during the intro to “Back.” SCREAMfmLondon

Infinite

Infinite was such a delight. I was really looking forward to Infinite, and I’m still stoked about it. They looked sharp in sleek black-and-white suits as they performed “Back” and “Paradise.” And what’s more: while some bands look so dead behind the eyes while going through the motions of their dances, Infinite seemed so glad to be there. Literally no one was having more fun than Dongwoo. They couldn’t get him offstage after the show. They had to cut the sound from his microphone, and he still kept jumping around and playing with the fans long after everyone else had left. It was so damn endearing.

Hyoseong

Jun Hyo-seong of Secret performed her solo song “Into You.” She is super attractive, but she appeared creepily robotic during her passionless performance. I was very scandalized, however, when one of her dance moves included having a female backup dancer reach around from behind and give her breasts a firm squeeze. Whoa! And EXID can’t do their “Up & Down” pelvic thrusting?!

Kara

Kara revealed “Cupid,” the first track from the group’s newest mini-album, “In Love,” for the first time at the concert. They also wore some white, fringed vests. I felt ambivalent toward all of it.

LABOUM

LABOUM was another of my favorites from the rookie stages, but I took off points for the sexy baby concept. “Sugar Sugar” is such a cute bubblegum pop song, though. It’s very reminiscent of American girl group sounds from the 1950s — even the adorable, simple dance.

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Lovelyz at the 2015 Dream Concert. SCREAMfmLondon

Lovelyz

Lovelyz performed “Hi~” in cute mismatched schoolgirl outfits and released a ton of multicolored balloons into the sky during their set. It looked cool, but, damn, that’s a lot of litter.

MFBTY

MFBTY’s performance was a pleasant surprise at the dream concert. The hip-hop group consists of Korean hip-hop greats Drunken Tiger/Tiger JK, Yoon Mi-rae and Bizzy. Together, they played “Bang Diggy Bang Bang” and “Monster” with guest appearances from many of the other Dream Concert artists — Chanyeol from EXO, Wendy from Red Velvet, LE from EXID, Baro from B1A4, and Rap Monster and Suga from BTS. The songs are good and the collaborations were interesting, but they actually messed up their set and had to start all the way from the beginning again, which killed my buzz, as well as the illusion that this was a live concert.

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Monsta X at the 2015 Dream Concert. SCREAMfmLondon

Monsta X

Monsta X was so much fun. The performance of “Trespass” began with a guy popping out of a trap door a few feet from my face and aggressively ripping off his shirt. He was then joined onstage by his bandmates — as well as a slew of backup dancers dressed in cheap police uniforms. Hell yeah, is this the Dream Concert or a bachelorette party? I don’t even remember what the song sounded like, but who cares?

Oh My Girl

OMG performed “Cupid” dressed in cheerleader uniforms. I feel like there are a million bands who have performed a song called “Cupid” dressed in cheerleader uniforms, but at least the chorus of this song is catchy.

Red Velvet

Red Velvet opened the show, for some reason. I was really looking forward to their performance, but I wasn’t ready for it when they began — and then it was over just as quickly. Plus, they released some giant Red Velvet beach balls during this set, so I had to concentrate on not getting bonked instead of watching the show. “Ice Cream Cake” is a jam, though, and Red Velvet should’ve performed a bit later on in the evening.

ROMEO

I had the best seats in the house, I think — especially for backstage insight. One of my favorite behind-the-scenes moments was when Romeo was running onstage to perform: one of the guys tripped over the plastic mats covering the soccer field and totally ate it right in front of me. Also, they performed “Lovesick.” But that guy fell down! Comedy gold.

Secret

In addition to Hyoseong’s solo stage, Secret performed “Magic” and “Madonna.” Neither were very interesting! Moving on.

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SHINee closing the 2015 Dream Concert like pros. SCREAMfmLondon

SHINee

SHINee closed the show like pros. They performed “View” and “Love Sick” from their latest album, “Odd,” which was just released on May 18. “View” is a really catchy, kind of clubby song that is (dare I say it?) probably my favorite SHINee song to date. The band executed their moves flawlessly, and Jonghyun and Key looked super cool. But Taemin… Taemin wore a strange oversized sweater and a pair of oversized pants with the phrase “OPEN HERE” printed boldly down the fly. It was a killer performance, but somebody needs to dispose of that outfit.

SISTAR

A great behind-the-scenes moment came after Sistar’s techno remix of “Touch My Body.” When the backup dancers climbed offstage before the group’s second number, Bora casually left right alongside them while her bandmates were introducing the next song, “I Swear.” Somebody had to grab her by the arm and throw her back onstage to finish the performance. Anyway, I think I enjoyed the re-imagined rendition of “Touch My Body,” but the sound was so blown out, I could barely hear anything. C’mon, Dream Concert.

Sonamoo

When you see 30 bands in one sitting, it can feel like you’re seeing the same thing over and over again… No, wait, I’m sorry, that’s just Sonamoo performing “Deja Vu.” Ha. Ha ha.

SPEED

I thought Speed was cool. The boys looked casual yet powerful, and like they were having a lot of fun. They wore schoolboy uniforms and shoes equipped with skates, so the dance for “What U” could incorporate some effortless gliding as well as their typical acrobatic tricks. Throughout their set, they skated back and forth across the stage in backwards caps. Kind of a “Smokin’ in the Boys Room” aesthetic.

T-ara

T-ara performed “Little Apple,” followed shortly by Eun-jung’s solo performance of “I’m Good.” Eun-jung, the lead vocalist and rapper in T-ara, made her solo debut as Elsie at the beginning of the month. Her solo stage was an unusual change of pace — more lyrical and easy-listening than the pop and hip-hop that dominated the Dream Concert.

Topp Dogg

What I really enjoyed about Topp Dogg was that the band name was misspelled as “ToppGogg” on the official Dream Concert poster. There are also like 500 people in this band. They performed “Top Dog” with some impressive pyrotechnic effects that coincided with the song’s chorus (“T. O. Double P. / D. O. Double G. / Topp Dogg!”). Their set was highly entertaining.

VIXX

VIXX is such an embarrassing breed of ultra-adorable that it’s kind of likeable. Their style is almost too cutesy for me, but I found their Dream Concert performance to be one of the best. They performed “Love Equation” and “Error,” and I was officially sold on the goofy move where they spell out their band name with their arms. Also, Leo’s voice is beautiful, and I enjoy how vaguely uncomfortable he always looks because I’m hoping he feels as conflicted as I do about that VIXX choreography.

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The 2015 Dream Concert. SCREAMfmLondon

Album review: Epik High, ‘Shoebox’

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Photo courtesy of YG Entertainment.

“Shoebox” is Epik High’s eighth studio album since its inception in 2003. The trio, comprised of Tablo, Mithra Jin and DJ Tukutz, returned from serving their mandatory years in the military to release “99” (a nod to the 99 percent) in 2012. Which isn’t that great of an album. “Shoebox,” on the other hand, is a real return to form for the killer alternative rap group.

So, let’s talk about “Born Hater.”

“Born Hater” is a masterpiece. (“Dali, Van, Picasso, / I’m Velazquez, Millet, El fuckin’ Greco,” as Tablo puts it.) The song features powerful rappers from three different generations of Korean rap: the well-established Verbal Jint, the second generation Beenzino, and the up-and-coming B.I., Mino and Bobby. Mino, a rapper from the boyband WINNER, has a standout verse about the criticism he’s drawn for being signed to the YG Entertainment label.

The song’s accompanying vertical music video uses the Seven Deadly Sins as a theme, and it’s all brilliant. “Born Hater” is a much-hyped song, but it’s totally worthy of all the praise. It’s a sick, stripped-down rap jam in its rawest form.

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Epik High’s “Shoebox.” Photo courtesy of YG Entertainment.

The whole album gives off a vibe reminiscent of the authenticity and awareness of early ‘90s hip-hop with a modern, cutting-edge twist. The songs are substantial, touching on issues such as religion in “Amor Fati,” which opens with Tablo declaring “God doesn’t love me,” and contains the refrain “I believe in myself, / I believe in the sweat on my hands, / I believe in my heart, / I believe in love, / But they call me a non-believer.”

A few simpler, straight-up party jams include “Burj Khalifa” and “Life is Good.” The former features Yankie of TBNY and Gaeko of Dynamic Duo; it has a strong beat and name-drops a lot of drugs. What more do you need in a party anthem? Layered over this, a robotic female voice echoes, “My high is epic.”

As for the slower tracks, “Spoiler” is a gorgeous, broken-hearted ballad, and the cover of Taeyang’s “Eyes, Nose, Lips” is a fabulous spin on the original. Tablo really elevates the song: the Epik High version is significantly less drippy than Taeyang’s without losing the emotional impact and is, thereby, much better. The climax of the song comes toward the end, when Taeyang harmonizes with Tablo’s lower-pitched vocals, and it really brings the track together.

Taeyang (of Big Bang fame) is also featured on “Rich” and provides some uncredited background vocals for “Amor Fati.” “Rich” is another great track — a play on Wu-Tang Clan’s seminal “C.R.E.A.M.” In the song’s hook, Taeyang sings, “I wish, I wish, I wish I was rich. / My drive rules everything around me.”

There is so much variation on “Shoebox” and so many different featured artists, but it’s still such a cohesive album that reinforces Epik High’s place in hip-hop. Excellent release.

Epik High
Shoebox
Release Date: Oct. 21
Genre: Hip-hop, Rap
Grade: A-

I took a sightseeing tour of my own neighborhood

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The famed RastaBus. SCREAMfmLondon

I hear talk that sightseeing tours are a great way to explore unfamiliar neighborhoods in big tourist destinations full of historical landmarks, just like Hollywood. I wasn’t sure what I’d take away from one, considering I happen to live in the aforementioned big tourist destination full of historical landmarks that is Hollywood. Maybe I’d learn something new and come away with a fresh perspective? Maybe it would suck and be boring. I was down to find out.

I set off on an “A Day in LA” tour hosted by the RastaBus — a tri-colored van, carefully decorated with “One Love” bumper stickers and peace signs, that played one reggae song at the very beginning of the day.

At 10 a.m., we clamored onto the bus from our starting point at the Santa Monica Pier. It didn’t take long for my boisterous fellow riders to commandeer the sound system, start blasting “No Diggity” and pop open a few bottles of champagne. Whenever I’d previously encountered a RastaBus in the wild, the passengers have always been really drunk and exceptionally annoying. But the thing about annoying, drunk people is that it’s much more fun to be with ‘em than against ‘em. So, I filled a red Solo cup and kicked back as we headed up the Pacific Coast Highway.

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Brunch on the water at our first stop on the Malibu Pier. SCREAMfmLondon

Malibu

The first stop was definitely the best part of the whole damn thing, and it was totally an anomaly. This is kind of deluxe treatment is highly atypical for a RastaBus tour, I assume. I just happened to be rolling with some well-connected sightseers who managed to surprise us with a hook up for free food. Individual results may vary.

We were dropped off at the Malibu Pier, where we were served an elaborate array of breakfast food at Malibu Farm, a ritzy farm-to-table restaurant located at the end of the pier. After weaving our way through fishermen with their wriggling mackerels, we were escorted into the Surfrider Room, a private dining area on the second floor of the restaurant that overlooks the gorgeous Malibu beaches.

We were treated to fresh-squeezed orange juice and local syrah rosé wine. Quinoa oatmeal with pomegranate and chia seeds. Swedish mini pancakes with homemade whipped cream and fresh strawberries. Vegan chop salad. Grilled chocolate and whole wheat olive oil cakes. And my personal favorite: a fried egg sandwich made with bacon, arugula and baby potatoes on top of country wheat toast.

Next time, I’d skip the rest of the tour and come straight here.

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Malibu Farm’s fried egg sandwiches that made it all worthwhile. SCREAMfmLondon

Beverly Hills

There was supposed to be a tour of celebrity homes, but we mostly just peered up at Will Smith’s and Prince’s houses as we headed back eastward on the freeway. Seriously, that was it. Oh, and the tour guide also pointed out some scenery that appeared in a panoramic shot of “Two and a Half Men.” You know, just the essentials.

We drove in abject silence to a backing track of old school East Coast rap (for some reason) toward Beverly Hills, where our driver shared some fun facts about Rodeo Drive and offered to let us stop to walk around for a while.

“Keep driving!” someone yelled from the front of the bus. “Unless anyone has a black credit card we can use.”

The Grove

We had a scheduled lunchtime stop at the Grove and Original Farmers Market, where we had about 45 minutes to explore by ourselves. It’s a cool place to hang if you have a pocket full of cash and longer than 45 minutes.

As we left the Grove, we took Melrose Avenue followed by Sunset Boulevard, and our tour guide finally began sharing some information about the area via the RastaBus intercom system.

I was glad to finally hear from him. I was beginning to worry that he had fallen asleep at the wheel. Unfortunately, just as I feared, most of his information was pretty basic. Like, he explained who Judy Garland was. I kind of wished I was giving the tour myself; I’m full of useless historical and pop culture trivia. It took a lot of self-restraint to keep from interrupting his monologues.

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Griffith Observatory. Not pictured: nachos. SCREAMfmLondon

Griffith Park

Our next stop was the Griffith Observatory, where we were given another 45 minutes to wander aimlessly and not really accomplish anything. I must admit I was getting a little tired of being forced out of the pleasantly air-conditioned bus into the actual great outdoors.

Since there isn’t much science you can accomplish in 45 minutes, I headed straight for the café and emerged with a plate of nachos. The Café at the End of the Universe is significantly less cool than it sounds with a name like that, but they did sell me a plate of tortilla chips covered in fake cheese, guacamole and pico de gallo, so what more can you ask for?

Hollywood

Cruising through Hollywood, the tour guide actually shared some interesting information! Did you know that the blinking light atop the Capitol Records Tower spells out the word “Hollywood” in Morse code? I did not.

Shortly, my tourmates grew jealous of my uncanny ability to locate and devour nachos under strange circumstances, so they insisted that our driver stop at Chibiscus Asian Café and Restaurant on Sunset for some food. We called the restaurant from the van (“Hello, there are about 13 of us, and we’re coming in right now.”) and filled the entire small space with our raucous presence. I watched K-pop music videos while everyone else ate ramen.

And, then, very awkwardly, I said, “Hey… Would it be weird if I asked you to leave me here?”

They didn’t seem to think so, so I ditched the RastaBus and hiked back home by myself rather than sticking around for the ride back to Santa Monica.

And, well. I did learn the thing about the Capitol Records Building.

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View of my ‘hood from the RastaBus. SCREAMfmLondon

Here are some cool tours to take in LA that will circumvent the RastaBus experience:

Pamela Des Barres Rock Tour

Rock groupie Pamela Des Barres guides groups around Hollywood and Laurel Canyon, reading excerpts from her book, “I’m with the Band,” which details her escapades with Led Zeppelin and other classic rockstars.

Esotouric Literary LA Tours

Tour the hangouts of famous Los Angeles writers, including a jaunt to Charles Bukowski’s favorite liquor store, a Raymond Chandler-themed gelato shop and settings from James M. Cain’s “Mildred Pierce.”

Dearly Departed Tours

Creepy tours include the classic Tragical History Tour of celebrity death locations, the epic three-hour Helter Skelter tour of the Manson Family murder locations, and a horror movie location tour, among others.

Esotouric True Crime Tours

These morbid tours dig into LA’s most famous crimes, including the Black Dahlia murder, the serial killings of the Night Stalker and “hotel horrors” at hotspots like the Alexandria and the Cecil.

Drag roundup: Adore Delano, ‘Till Death Do Us Party’

Photo courtesy of Sidecar Records and Producer Entertainment Group.

Photo courtesy of Sidecar Records and Producer Entertainment Group.

Adore Delano is absolutely (absolutelyyyyy) the best singer who has appeared on “RuPaul’s Drag Race,” and “Till Death Do Us Party” is the most solid album released by any of the show’s alumni. Not that there’s much competition in that category. But, still.

It’s also become the most commercially successful album of any “Drag Race” alumni, for good reason.

And I’ve been slowly cobbling together this review over the course of the last month, so without further ado, here is my rundown of “Till Death Do Us Party”:

“Speak My Sex”

This honestly isn’t the best opening track. There’s not much to say about it — it’s kind of a nonsensical electronic dance song about sex or something. I’m not sure what it’s about. Skip this one. I usually do.

“DTF”

“DTF” is the album’s lead single, and, while it’s not the strongest song on the album, it’s a pretty good one. The languid, sensual beat complements Adore’s laid-back vocal style perfectly and reflects the unromantic casual sex celebrated in the song. “Paper bag bitch, busted in the face. / Got that bomb dick, not a total waste,” she declares. “DTF” has been called the Grindr anthem, and I can get down with that.

“Party”

The adorable music video for “Party” was released on July 1, featuring Adore and friends causing a ruckus at a neon pink birthday party. The visuals are so cute, I ended up enjoying the track a lot more than I initially did. It’s still a little bit of a disappointment, though, and seems like it was rushed through the songwriting process rather than giving it the consideration it deserves — particularly since “Party!” has become such a marketable catchphrase for Adore.

“I Adore U”

The album’s lead ballad “I Adore U” is simply extraordinary. I only wish the rest of the album incorporated Adore’s hip-hop influences as flawlessly as this song does. The melancholy love song allows Adore to show off her incredibly strong vocal talent on slower verses and a soulful bridge, as well as her trademark rough-around-the-edges persona with a rap chorus that is catchy, effective and modern. “I Adore U” is really beautiful and powerful; it deserves mainstream radio play.

“Calling All Goddesses,” “Jump the Gun,” “Give Me Tonight” and “The Creeps”

“Till Death Do Us Party” excels with its more personal songs — the rest is, unfortunately, pretty forgettable (if not fun and danceable) filler. “Calling All Goddesses,” “Jump the Gun” and, later, “The Creeps” are some of the more unremarkable tracks. “Give Me Tonight” is a cover of the 1984 Shannon single that’s, well, better than the original, at least.

“I Look Fuckin Cool (feat. Alaska Thunderfuck)”

This duet with fellow “Drag Race” alum Alaska Thunderfuck is one of the album’s best upbeat songs. It is highly weird, which is enhanced by Alaska’s exaggerated vocals, and it’s a great track to blast while getting ready to go out on the town. There are so many genius, quotable one-liners: “My nails are broke and busted, / But I’m still fucking dusted,” “Dirt poor but spirit wealthy, / Dead battery from selfies,” “So I’m like a coloring book, even a child could read me.” The list goes on. “I Look Fuckin Cool” is fuckin’ inspirational.

“Hello, I Love You”

“Hello, I Love You” is probably the best straightforward pop song on the album. On this track, Adore channels the same manic, ditzy persona that appears in “Party,” but the structure of “Hello, I Love You” is superior and the chorus is undeniably catchy. This is another song that could easily fit in with mainstream pop music.

“My Address is Hollywood”

“My Address is Hollywood” is one more standout track — a slower, harder dance song about show business. Adore’s heartfelt bridge is great, as she sings, “I’m a city angel, / but it doesn’t pay well. / Baby, that’s okay. / Heaven wouldn’t have me / ‘cause I’m all about me. / Hell, I’m on my way.” This is a very strong closing track for an, overall, quite legit album. I hope to see Adore do great things in the future. She’s got it.

Adore Delano
Till Death Do Us Party
Release Date: June 3
Genre: Pop, Dance
Grade: B-

Drag roundup: Trannyshack LA at The Dragonfly

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Toxic Waist performs at The Dragonfly in Hollywood. SCREAMfmLondon

It was my birthday, and a drag queen clocked me in the head with a cauldron during a dramatic reenactment of “The Silence of the Lambs.” So, that happened.

Trannyshack LA was the scene of the aforementioned cauldron incident. For the record, I’m pretty sure it wasn’t intentional; she was just generally throwing a cauldron, and my head was in the line of fire. Story of my life.

Since 1996, Heklina has hosted Trannyshack, a regularly-occurring drag event in San Francisco. It’s become a relatively big deal over the years, and the event occasionally takes the show on the road — to LA, for instance.

On May 31, Heklina emceed the event at the Dragonfly Bar in Hollywood. It was one of the last of her events to use the name “Trannyshack” before making the switch over to “T-shack” (at least in the interim). She addressed the issue onstage, explaining that the ultimate point of her show was to be inclusive, and that includes eliminating language that makes others feel oppressed. Although the use of transphobic words has been a divisive issue in the drag community in the past few months, Heklina handled it professionally and with a good attitude. Right on.

As for the show, it was pretty tame (save Toxic Waist, who closed the evening with a great Leatherface-in-a-jockstrap number during which the audience was sprayed with fake blood).

My favorite act was Devan M., who performed a high-energy routine in a “Phantom of the Opera”-style half-face mask and cape. I really appreciate the added androgynous factor of bearded drag queens such as Devan. The trend of wearing facial hair while in drag has been gaining momentum recently, likely influenced by RuPaul’s phenomenal hair and makeup artist Mathu Andersen and by Conchita Wurst, the Austrian drag queen who won the 2014 Eurovision Song Contest.

More traditional drag performances came from Ambrosia Salad and Killer. The “traditional” element of Ambrosia’s act being the lip-sync to Madonna’s “Like a Prayer,” not necessarily the sexy Jesus backup dancers nailed with glittery blood to “YOLO” crosses. Killer brought out a great long-form Judy Garland impression, and there can never be too much Judy Garland.

Also impressive was Cupcake Canne, who performed a “Black Swan”-themed routine entirely on pointe. Although it’s really difficult to see anything that takes place low to the stage at a drag show because everyone in the crowd is about 20 feet tall in gigantic heels and hair.

The special guests of the evening were rapper Cazwell and “RuPaul’s Drag Race” alum Manila Luzon, who joined him onstage for their duet, “Helen Keller.” Cazwell performed “I Seen Beyonce at Burger King,” which is somehow the weirdest, catchiest song in existence. (My favorite verse is “She was looking around for some customer service. / I walked up to her, made her security nervous. / She said, ‘How much for a case of beer?’ / I says, ‘Girl, are you drunk? I don’t work here!’”).

The rest of Cazwell’s set was okay. Meaning, he played “Ice Cream Truck,” and it was the first time I’ve listened to that song without watching the accompanying video. I’m not sure that song should even exist separately from the video.

All head injuries aside, I’m really glad I attended. I feel like this is a pivotal time for drag, and I’m excited to watch the evolution of mainstays such as “the club formerly known as Trannyshack.”