Tag Archives: live music

Live: WAPOP [Collaboration of K-Drama and K-Pop]

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Dance performance team Blue Whale Brothers performs in the WAPOP concert at Children’s Grand Park. SCREAMfmLondon

When a friend offered me free tickets to a “k-drama k-pop concert thing” called WAPOP, I, of course, just had to go see the live combination of these forms of entertainment.

WAPOP is an ongoing event that takes place at 8 p.m. every single Tuesday, Thursday and Saturday. The name comes from some strange combination of “Wow Pop” and “World & Asia,” and the event is clearly marketed toward tourists specifically from China. The website is offered in Chinese, Korean and Japanese, but a lot of the pre-show content deals with the relationship between South Korea and China, and a lot of the dialogue is in Mandarin.

The performers change from night to night, but the current players frequently include 24K (my favorite rookie group from last year’s Dream Concert!), A.Cian (my favorite rookie group from this year’s Dream Concert!), Bloomy and Minx.

In addition to the k-pop concert, WAPOP also offers live k-drama performances, b-boy dancing, and wild laser light tricks. The whole thing is virtually hosted by actor Lee Byung-hun, who escorts the audience on a train ride through space and time via incredibly deluxe 260-degree panorama video projection.

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The duo Meivley performs a song from the original soundtrack of the popular drama “Descendants of the Sun.” SCREAMfmLondon

When I imagined “live k-drama,” I basically just figured they’d show an episode of “Boys Over Flowers” on the big screen and be done with it. However, the k-drama bits are, in fact, very cool. The big screen is used to show key scenes from popular shows like “My Love From Another Star” and “Descendants of the Sun” while live musicians and dancers perform dramatic scenes on the stage.

When Lee Byung-hun first drops us off in the Joseon Dynasty for some Korean culture, the historical drama is augmented with hip-hop dancing to the tune of a traditional Korean stringed instrument, the gayaguem. The k-drama scenes make great use of the stage and the theater’s technology.

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Minx performs T-ara’s “Roly Poly” onstage at the WAPOP concert. SCREAMfmLondon

In between each k-drama performance, a different rookie idol group takes the stage to perform a few songs — usually two original songs and one cover.

On the night I attended, girl group Bloomy performed first, introducing original songs “흥칫뿡” and “Because of You,” which are both surprisingly excellent. The group is really new (they debuted in February), but the performance was legit. The second girl group, Minx, was less impressive, but they performed a fun cover of T-ara’s hit song “Roly Poly,” so that was something.

A.Cian, the only boy group that night, closed the event. I remember loving their catchy single “Touch” the last time I saw them live, and they delivered again at the WAPOP concert. Their dancing is over-the-top cute, their outfits are over-the-top stupid, and they are overflowing with fanservice. The perfect combination. They, naturally, closed the show with a cover of Psy’s “Gangnam Style” because that’s what you do when you’re targeting an audience of tourists.

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A.Cian performs their single “Touch” at the WAPOP concert. SCREAMfmLondon

I actually really enjoyed the whole show, and I ended up downloading both A.Cian’s and Bloomy’s albums when I got home. Loved it and would totally do it again.

That being said, I have no idea who the hell would pay $70 for this experience. There are a million opportunities to see huge k-pop stars perform for free. So why would anyone pay this price to see some random rookie acts perform two songs alongside a video projection of Lee Byung-hun? If they sell any tickets at all, that blows my mind.

But WAPOP is a cool experience, really. I would pay, like… five bucks to see it again.

WAPOP
238 Neungdong-ro Gwangjin-gu
8 p.m. Tuesday, Thursday and Saturday
Tickets range from 50,000 to 70,000 KRW
For more information, visit www.wapophall.com.

Live: Big Bang ‘MADE’ World Tour Final in Seoul

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G-Dragon performs onstage at Big Bang’s MADE World Tour final concert in Seoul on March 6. SCREAMfmLondon

Last year, I saw the first two concerts of Big Bang’s MADE World Tour, where the group introduced the first singles from the “MADE” album series. Over the past few months, Big Bang’s “MADE” songs have dominated the charts and racked up awards while the band has performed a record-breaking tour around the world (the biggest k-pop show held in Canada, the largest k-pop arena tour in the US, the largest crowd a foreign artist has drawn in Japan).

On Sunday, March 6, Big Bang officially performed the final MADE concert back home at Olympic Gymnastics Arena in Seoul. The final show (the last of three Seoul concerts this weekend) was livestreamed worldwide and reached more than 3 million viewers. For those of us in town, the sold-out shows inspired fans to queue for hours in the pouring rain hoping for last-minute tickets (yes, including me, hello).

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Taeyang performs at Olympic Gymnastics Arena in Seoul on March 6. SCREAMfmLondon

The show opened and closed with a bang — three, to be precise. “Bang Bang Bang” was the unofficial song of 2015, sweeping year-end awards and blowing everyone’s minds with its powerful chorus, extraordinary lyrics, and ultra-catchy dance beats. The song’s best lines set the tone for the night’s atmosphere: “Today, this place is lawless. / I’ll set this place on fire to burn up your heart. / I wanna make you go crazy.” Let’s go!

Throughout the night, Big Bang powered through the majority of their “MADE” hits including “Sober” (during which the band members donned fabulous glittery jackets of varying styles), the heart-breaking ballad “If You,” and “Zutter,” the amazing hip-hop duet featuring G-Dragon and T.O.P. Last April, Big Bang introduced “Bae Bae” and “Loser,” the tracks from the first “MADE” EP, at the Seoul concerts. This time around, the group performed “Bae Bae” twice, and fans throughout the arena held up signs proclaiming “Big Bang is my everything.”

The band members treated Korean fans to their usual solo stages as well as some additional silliness. Seungri performed a dance to Beyoncé’s “Single Ladies,” and self-proclaimed dance god/ghost T.O.P also really cut a rug in the strangest manner possible. GD sprawled out on the stage in front of me, cuddled with a stuffed panda, and then descended into the audience to cause some pandemonium — to our utter delight. The Big Bang members are ceaselessly charming and brimming with talent. There is a reason hundreds of us huddled under our umbrellas all day for the chance to see them live.

As the show wound to a close, we were all sad to see the end approaching. In addition to concluding the MADE World Tour, these shows also marked the 10th anniversary of the band’s debut in 2006. Before leaving the stage, Big Bang announced plans to hold a 10th anniversary festival this summer, earning shrieks of joy from fans who have been worried about the band’s future as the time for the members to enlist for their mandatory military service draws closer.

Finally, the band showed off their ten years of experience and expertise with an encore of “Bang Bang Bang” as well as the seminal 2012 hit “Fantastic Baby.” As always, Big Bang is a sight to behold. I fully intend to be there for the day-long anniversary festival this summer, and wherever the road takes them after that. After all, Big Bang is my everything.

Live: Epik High and JYP (separately, of course)

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Epik High appears onstage at Olympic Hall in Seoul on Dec. 12. SCREAMfmLondon

My favorite hip-hop trio Epik High played two high-profile shows at Olympic Hall in Seoul on Dec. 11 and 12 as the final stops of the “Legends 3” concert series. The concert teasers featured Epik High’s Tablo, Mithra Jin and DJ Tukutz hilariously parodying old-school k-pop groups, as well as the heads of SM, YG and JYP Entertainment. And they kept the joke going throughout the concert — Tukutz even bravely came out onstage wearing JYP’s infamous plastic pants. It was one hell of an entertaining show.

The two concerts featured a wide array of guest artists. On the night I attended, performers included JYJ’s Junsu, Nell’s Kim Jong-wan, and Younha, among others. Junsu performed three songs: “OeO,” “Flower,” and a really boring one from the musical “Dracula” that he stars in. The band members’ families were also in attendance, including Tablo’s daughter Haru who appears alongside him on the reality show “The Return of Superman” and has become a celebrity in her own right. At one point, Tablo suddenly appeared beside me in the crowd, rapping his lines as he made his way over to Haru to have her scream into the microphone for him. But the best moments were, obviously, Epik High’s excellent live performances of songs like “Don’t Hate Me,” “New Beautiful,” “Born Hater” and “Burj Khalifa.” My high is epik. So good.

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The first stop on JYP’s Naughty Party “STRIP” was Incheon’s Samsan World Gymnasium on Dec. 5. SCREAMfmLondon

JYP’s Naughty Party “STRIP” show certainly lived up to its name. I don’t know what I was expecting. I definitely was not expecting it to be 44-year-old Park Jin-young himself who was stripping, but hey. I had never before seen anyone take off all their clothes in the middle of a passionate piano solo — only you, JYP.

The concert featured songs spanning the musician/producer/CEO/lecher’s 23-year-long music career, including his most recent hits, “Who’s Your Mama?” and “I’m So Sexy,” as well as a cover of Bruno Mars and Mark Ronson’s “Uptown Funk.” JYP danced impressively and was reasonably entertaining. In between songs, he presented several scenes inspired by “Fifty Shades of Grey,” including one in which he simulates sex with a woman in an elevator and another in which he’s handcuffed inside a metal cell with a dominatrix. At one point, he called a couple from the audience to join him onstage, tied them to two separate beds and grinded all up on the woman while her boyfriend was seduced by backup dancers. I was pretty scandalized, and I don’t think I’ll ever get that image of topless JYP out of my mind. Thanks a lot.

Theater: Blue Square presents ‘In the Heights’

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Seoul’s production of “In the Heights” in the Samsung Card Hall at Blue Square. SCREAMfmLondon

“In the Heights” is a much-acclaimed musical centered on a Dominican-American neighborhood in Washington Heights in New York City. So you might’ve guessed why it’s slightly weird to see this musical put on in Seoul in the Samsung Card Hall at Blue Square.

Seoul’s “In the Heights” production is highly entertaining, of course. The cast even impressively weaves Spanish and English (as well as hip-hop and salsa dancing) into the all-Korean script. The show is executed flawlessly: the singing is superb, the acting is charming and the dancing is lively. All it is lacking is the emotional connection, because so much of the story is deeply connected to the characters’ ethnic backgrounds.

The original Broadway production of “In the Heights” was written by Lin-Manuel Miranda, who won several Tony Awards for his music, lyrics and acting and is currently performing on Broadway as Alexander Hamilton in the hip-hop musical “Hamilton” for which he also wrote the music and lyrics.

“In the Heights” centers on Usnavi, a character born in the Dominican Republic and named after a US Navy ship (one of the first things his parents saw in America). With his comic relief sidekick, Sonny, Usnavi runs a bodega that is frequented by the neighborhood residents.

These include: Benny, the aspiring businessman who works as a dispatcher at the cab company and is the play’s only non-Latino character; Nina, who has returned home for the summer to reveal to her parents that she dropped out of Stanford University; and Vanessa, a hairstylist who dreams of getting an apartment of her own and moving away from the Barrio.

The Seoul production features a rotating group of k-pop stars and actors in the lead roles. The performance I attended saw Infinite’s Jang Dong-woo and Kim Sung-kyu as Usnavi and Benny, Oh So-yeon as Vanessa and Kim Bo-kyung as Nina.

The cast’s talent and passion is unquestionable. The best moments are the musical’s large, ensemble numbers that fully utilize the backup dancers — “Carnaval del Barrio,” “Blackout” and “96,000,” during which the entire neighborhood comes out to fantasize about winning $96,000 in the lottery.

The main cast was, overall, very impressive. So-yeon and Bo-kyung both demonstrated powerful vocals (although Vanessa is an infinitely more interesting character than Nina, who is kind of a drag).

Dongwoo and Sungkyu were incredibly charming in their roles. Dongwoo had great comedic timing and command of the stage, and Sungkyu developed excellent chemistry with his co-stars and was very likeable throughout. It was a pleasure to watch them explore the personalities of their characters. However, this was the first time in my life I’ve ever seen fans rush the stage at the end of a musical theater production, like we were about to open up the mosh pit. I was all but clutching my pearls.

It was worth it, though. “In the Heights” is a good show, and although it makes less sense overseas than it would in the US, the Seoul cast and crew have done nice work with the material. I hope we’ll get to see “Hamilton” next!

‘In the Heights’
294 Itaewon-ro, Yongsan-gu
Weekdays at 8 p.m., weekends at 2 and 6:30 p.m. Tuesday – Sunday through November 22
Tickets range from 70,000 – 130,000 KRW
For more information, visit www.interpark.com.

Theater: Shakespeare OC presents ‘Pirates of Penzance’

Alex Bodrero (The Pirate King, foreground) with Max Black and Nikolai Fernandez (immediately behind him) in Shakespeare Orange County's production of Gilbert and Sullivan's THE PIRATES OF PENZANCE, September 10-26, 2015. In background, left and right, are Jacob Lansberg and James Quesada. Photo by Amelia Barron

Alex Bodrero (The Pirate King) with Max Black and Nikolai Fernandez in Shakespeare Orange County’s production of Gilbert and Sullivan’s “The Pirates of Penzance.” Photo courtesy of Amelia Barron

To close their summer season, Shakespeare Orange County cordially invites the audience aboard the goofiest opera-singing pirate ship around with a uniquely intimate production of Gilbert and Sullivan’s “The Pirates of Penzance.”

Director Peter Uribe, whose background in rock operas includes a six-month tour of the UK working on a Pete Townshend-approved production of The Who’s “Quadrophenia,” said he hopes to infuse Shakespeare OC’s debut musical with this kind of energy.

“The kind of mantra we live by is, ‘This is not your great-grandmother’s Pirates of Penzance,’” he said. “A big fight scene happens that’s kind of an homage to The Who and ‘Quadrophenia.’ We have a sound cue: at the count of four or five, the lights all go out, and it’s just Roger Daltrey screaming at the apex of ‘Won’t Get Fooled Again.’ The lights just go black, that all happens, the lights come back up, and the fight’s over.”

“Penzance” is more of a comic opera that is best known for one specific song (“I am the very model of a modern major-general, / I’ve information vegetable, animal and mineral,” etc.), but Shakespeare OC hopes to show Southern California theatergoers how entertaining it is in its entirety. Because the 1879 opera is now in the public domain, the cast has had more freedom to reshape the material for today’s audiences.

“We’ve thrown in every gag we can,” Uribe said. “While we’re pretty faithful to the script, I encourage the actors the entire time, ‘Any time you see a space for a joke, improv a joke. If it makes me laugh three times in a row and it’s somewhat appropriate, it can stay in the show.’ It’s been kind of fun to work fast and loose with the script.”

The opera’s storyline follows Frederic, a 21-year-old who has just completed an apprenticeship aboard a pirate ship. However, as Frederic is preparing to be on his way (hopefully alongside the Major-General’s beautiful daughter Mabel), the Pirate King discovers a loophole: because Frederic was born on leap year, he won’t technically turn 21 for many more decades and has to rejoin their crew.

Alex Bodrero, who plays the Pirate King in Shakespeare OC’s production, said he’s enjoyed combining elements of serious opera with the comedy of “Penzance.”

“This is probably the most classical singing I’ve done in a long time, despite it being such a crazy, off-the-wall show,” he said. “It’s an interesting dichotomy. It’s got that legit thing while having fun like you’re on the playground in elementary school.”

For “Penzance,” Shakespeare OC decided to make the most of the expansive Garden Grove stage: instead of utilizing all 500 seats in the amphitheater, they will include audience seating right there in the midst of it.

“I don’t think people know what to expect when they’re going to come see this,” said Nikolai Fernandez, who plays Frederic in the production. “What’s exciting about that is you’re going to have audience members who are uncomfortable and look away when you’re trying to talk to them and invite them in, and you’re going to have audience members who want to, like, jump up and be a part of it when you give them that permission.”

In recent years, Shakespeare OC has been working to make classic theater productions more accessible to the local community. Earlier this season, a production of “Romeo and Juliet” staged its famous ball scene as a traditional Mexican quinceañera, and the Montagues delivered their lines in Korean. Uribe hopes “Penzance” will prove that musical theater also has a place in the OC.

“The stigma is that in LA, everything is better, but [Uribe] really brings a lot that you won’t find anywhere else to the theater,” Fernandez said, “and I think that’s a huge reason why I decided to commute down here two hours every day to be a part of it.”

‘The Pirates of Penzance’
12762 Main St., Garden Grove, Calif.
7:30 p.m. Thursday – Sunday through Sept. 26
Tickets are $20
For more information, visit www.shakespeareoc.org.

August 23: Architecture, art and more

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View of Mapo-gu from the 34th floor, overlooking the Han River. SCREAMfmLondon

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Infinite kicked off their Infinite Effect world tour with a concert at Olympic Gymnastics Arena in Seoul on Aug. 8. SCREAMfmLondon

  • Before the Infinite concert on Aug. 8, we were caught in a torrential downpour and had to take shelter in the subway station, where concertgoers had set up little makeshift refugee camps to dry out. We were ridiculously drenched, and my Sungkyu stickers got all warped. But everything was wonderful once our seven boyfriends took the stage. They go above and beyond to create a fantastic experience for the audience: flying signed paper airplanes into the crowd, riding cloud-shaped carts around the arena to hand out actual roses to fans, performing unbelievably in-sync choreography (including the famous scorpion dance move during “Before the Dawn”), and Woohyun’s top coming “”accidentally”” unbuttoned. Also, we did the wave! It was the perfect concert.
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Such picturesque architecture in Samcheong-dong. SCREAMfmLondon

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A collection of Amedeo Modigliani’s portraits are on display at Seoul Arts Center from June 26 – Oct. 4. SCREAMfmLondon

  • The Modigliani exhibition is housed on the uppermost floor of the Hangaram Art Museum within the Seoul Arts Center in Seocho-dong. It is organized into seven themes: Paul Alexandre (Modigliani’s first patron), Portraits of Men, Caryatids (based on the female-shaped columns often present in ancient architecture), Jeanne Hébuterne (Modigliani’s lover, a fellow artist), Portraits of Women, Nudes and Moïse Kisling (a friend of Modigliani’s and another fellow artist). The exhibit is well laid-out and emphasizes Modigliani’s portraits as a means of self-reflection. The subjects of his paintings are usually characterized by their long necks and dark, vacant eyes colored in with no pupils. Modigliani is quoted as saying “When I know your soul, I will paint your eyes”  — a quote that is displayed prominently in the gallery alongside his work.

I performed at the 2015 Summer K-pop Festival

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Infinite closes out the 2015 Summer K-pop Festival with a performance of their recent single, “Bad.” SCREAMfmLondon

I hear the roaring applause of thousands of k-pop fans as I’m nailing every moment of my chicken-inspired choreography. I land my final jumps, and the crowd goes wild. Then, I have to hurry off the stage because world-renowned pop superstar Psy is up next.

That’s (basically) (more or less) how it went down when I performed as a backup dancer for Korean comedian Kim Young-chul’s set at the 2015 Summer K-pop Festival on Aug. 4. The four-hour concert boasted performances from artists such as GOT7, Infinite, T-ara, Crayon Pop and Psy.

And me, of course.

SM Entertainment, sign me up

The adventure began around 7 p.m. the night before the concert, when the dancers were all herded en masse through several crowded subway transfers until we reached our stage at Seoul City Hall.

At the venue, we were quickly taught the moves and positioned onstage, where we ran the dance until 9 p.m. We had no idea what song we were dancing to until the next day, but, boy, were we dancing. We danced and danced, were given disapproving looks, and then we danced some more.

The choreographer seemed quite exasperated every time we failed to perform our dance in perfect synchronization, but I’m pretty sure that the steps were different every time we ran through it. I’m also pretty sure that they were making it up as we went along.

He was terribly intimidating (even when he congratulated us on a job well done at the end of the concert). I felt like I was in an audition for a Very Serious entertainment agency. Which was actually super fun for me. I was having a blast. I could do that all day every day. SM Entertainment, sign me up!

SM Entertainment, don’t call me — I’ll call you

The next day, we arrived bright and early to our dance team holding tent backstage while fans were already staking out spots on the lawn to watch their favorite groups.

“We just saw some k-pop stars!” one of the girls exclaimed excitedly as she ran up to our group. “I think it was Infinite!”

‘No way,’ I thought. ‘I am sitting around in this sweltering tent backstage for six hours because I don’t actually have a life, and what else would I be doing? If I was an actual k-pop star, I’d show up like five minutes before I had to be onstage. And I’d demand a dressing room or something.’

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Super Junior’s Zhou Mi gets ready backstage before emceeing the concert on Aug. 4. SCREAMfmLondon

But no sooner had the thought occurred to me than Infinite themselves popped out of their own black tarp tent and made the glamorous journey toward a shared porta-potty. Along the way, they resignedly waved at the jittery fans who were intently watching said journey to the porta-potty.

Amazing! Not only were they, in fact, sitting around in their backstage tent longer than I was, but they also had a lot more pressure surrounding the general porta-potty experience than I have ever dealt with. Possibly, I do not want to be a k-pop star after all. SM Entertainment, don’t call me — I’ll call you.

Make it happen

Once the seats were beginning to fill, we went onstage for our soundcheck. This was the first time we’d heard the song we’d be dancing to — a remix of Kim Young-chul saying “Cheer up, superpower” on an episode of “Infinity Challenge.” It was also the first time we’d met him, but we were pumped. I was pumped. I was ready to roll, ready to party, ready to dance on the very floor where Nam Woo-hyun would also dance.

I felt even better when we came off the stage from our soundcheck, hurrying down the right side of the staircase because Infinite was making their way up the left for their own soundcheck. ‘Yes, this feels right. This is where I belong. Me and Psy — we’re like peers, really.’

Finally, the time came for our official, broadcast-ready performance. We waited patiently in the wings while MCs Zhou Mi of Super Junior, Lee Hong-bin of VIXX and Park Ji-yeon of T-ara gave an introduction. As they passed us on the stairs, Zhou Mi gave us a thumbs-up and whispered, “Fighting!” I grinned. We’re totally peers.

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Why aren’t there any better-quality videos of my moment?! Yours truly, second from the left. SCREAMfmLondon

I felt so alive with all of those confused eyes on me as I wildly flapped my arms in tune to the song. ‘Yep, this is the life,’ I thought. My face was projected on the screens at both sides of the stage as I danced my heart out. I hope Psy saw it, and I hope he appreciates my passion. My face was broadcast on SBS MTV throughout South Korea as I danced my heart out. I hope everybody saw it, and I hope they appreciate my passion.

It went great. The crowd didn’t know what to do with themselves. It was the greatest thing they’d ever seen, I assume.

The Summer K-pop Concert

Exhilarated from the performance, we eventually took our seats in the audience to watch the rest of the concert clutching towels and posters painted with the phrase “I LOVE K-POP.”

It was awesome. Psy was electrifying, and he got the entire crowd up and dancing to “Gentleman” (such a jam) and other hits that shall not be named. He played an unprecedented four songs, and I loved every moment of it. He’s such an incredible entertainer — I’m absolutely certain that I screamed louder for him than any of the boy bands.

GOT7 was awfully super adorable with “Just Right,” which was tragically the only song they performed at the show. The bubbly you’re-perfect-just-the-way-you-are vibe is the cutest and will never fail to warm my heart. I also love the accompanying dance. Watching professionals like GOT7 command the stage really reminded me what dancing is supposed to look like after spending so much time looking at myself dance (or try to, anyway).

Infinite was wonderful, as always. They performed “Bad” from the recently-released mini-album “Reality,” and then closed the show with a more somber ballad. “Bad” is a really awesome song with a theatrical, Hans Zimmer-style introduction and a dark, sexy overtone. It shows off the strengths of several band members — namely Dongwoo, whose rap verse and featured dance were some of the highlights of the performance.

Altogether, I had a blast at the concert. It was one of the most entertaining strange situations I’ve ever inserted myself into. I sincerely hope I get to do it again. SM Entertainment, I’m back onboard.

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Psy performs at the 2015 Summer K-pop Festival. SCREAMfmLondon

Theater: Sejong Center presents ‘Chess’

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The musical “Chess” at the Sejong Center for the Performing Arts in Seoul. SCREAMfmLondon

This June and July, the Sejong Center for the Performing Arts hosts the musical “Chess,” marking its debut in Asia.

The musical was composed in the early 1980s by two former members of ABBA. The story follows a Cold War-era chess tournament between the American grandmaster, Freddie, and the Soviet grandmaster, Anatoly. The two men conflict not only over chess but also over their mutual attraction to Freddie’s manager, Florence. It’s a story of betrayal, ambition and… chess.

I feel like there was a rather weird phase of pop culture interest in chess during the 1980s and ‘90s, traceable back to the brief fame of Bobby Fischer. I definitely studied a disproportionate amount about chess while I was in school (compared to how useful it’s been in life, which is not at all).

During my lifetime, I have seen exactly zero evidence that the paparazzi and/or the general public would ever care about chess championships, but it comes up all the time in literature.

Unfortunately, chess is not actually that exciting as a subject for musical theater.

The Seoul production was basically carried by the ensemble dancers and the spectacular choreography from Seo Byung-goo and Hong Yoo-sun. The cast made interesting use of the stage, set and props to keep each scene at its most visually stimulating. And “One Night in Bangkok” is a total jam. But there’s only so much dancing rooks can do for your show, y’know?

The main cast rotates throughout the week and includes a number of well-known k-pop stars. The performance I attended featured Ken from the band VIXX as Anatoly, Shin Sung-woo as Freddie, and An Si-ha as Florence.

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Fans leave well-wishes for VIXX’s Ken outside of the theater on the day of his performance. SCREAMfmLondon

Ken has a powerful voice, which was particularly evident during his cynical solo song “Where I Want to Be.” This number was definitely one of the highlights of the show and showed off his smooth vocals.

However, Ken’s acting did not seem on par with his singing — he struggled to come across mature enough to accurately portray Anatoly. His musical talent is certain, but his acting failed to bring any emotional depth to the character. He also failed to create any real chemistry with the other actors; certainly not with Florence, for whom he was supposed to feel some heart-wrenching passion.

I’d be curious to see the performance again with a change in cast to see how the different actors would alter the experience, or if “Chess” is just unsalvageable. I dunno. Let’s call it a stalemate.

‘Chess’
175 Sejong-daero, Jongno-gu
Weekdays at 4 and 8 p.m., weekends at 3 and 7 p.m. Tuesday – Sunday through July 19
Tickets range from 40,000  130,000 KRW
For more information, visit www.musicalchess.co.kr.

Live-ish: G-Dragon ‘AWAKE’ Hologram Concert

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K-live: the k-pop experience. SCREAMfmLondon

The future is now.

Your watch doubles as a cell phone, cars can drive themselves, and I have appeared onstage as part of a hologram concert.

This is no glitchy “Star Wars”-style hologram, either. This is the real deal. Hologram concerts should be everywhere — this cutting-edge telepresence technology is impressive, interactive and super fun.

K-live, located near the Dongdaemun Design Plaza, is a dedicated k-pop hologram concert hall hosting regular hologram performances from artists including Psy, Big Bang, 2NE1 and, for a limited time, a G-Dragon solo show.

Before the main event, you’re able to mill around K-live and enjoy various interactive stations. There’s a “welcome square” where you can get in a car with Big Bang holograms and, later, dance to “Fantastic Baby” with them. There’s a window where you can ring a doorbell and wait for Psy to appear (if there’s any reason you’d like to do that). There’s a garden from which you can get a great view of Seoul and sip very expensive music-themed drinks. There are bronze handprints where you can compare your gigantic monster hands to the stars’ delicate and dainty ones (I’m about 60 times larger than Park Bom, in case you were wondering).

My favorite is the live photo booth where the life-size hologram of your choice will appear onscreen beside you. Not only will they pose for a photo with you, but they will look right at you and talk to you as well. G-Dragon gave me such a tantalizing once-over in the photo booth that I felt a little flushed moving into the concert hall for the show.

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Such small hands. SCREAMfmLondon

Once the doors are opened, the fans are led into the holograms’ air-conditioned lair, where we first have individual headshots taken. Floor-to-ceiling screens show a variety of different flickering images of G-Dragon, which immediately brings life to the room. There is a designated “standing zone” near the front of the stage as well as some bleacher seating in the back. Both options are awkward, as there are only about nine people in attendance, but we all mostly opt to stand up front.

When the show begins, it’s with a brief film on G-Dragon through the ages: footage shows his baby rapping at age eight (adorable!), his trainee days, the debut of Big Bang, the launch of his solo career. But, still, (the narration tells us) he wonders who he really is… And then he remembers… He’s G-Dragon!

The curtain lifts, and the G-Dragon hologram appears onstage particle-by-particle like he’s traveling by Wonka Vision. When he takes a swipe at the air, his hands appear on screens at either side of the audience. It’s spectacular.

Finally, the hologram becomes completely fleshed-out. It no longer looks like virtual reality — it could really be G-Dragon as he breaks into his first song, “Heartbreaker.”

There are dazzling visuals coming from every angle, costume changes and bubble machines as GD’s hologram powers through a medley of “Crayon” and Big Bang’s hit “Fantastic Baby.” The crowd goes wild! Girls are screaming all around me, and it’s hard to believe that none of this is real.

After “Fantastic Baby,” the energy shifts as GD explores his sensitive side. Onscreen, he rifles through a box of mementos from past loves, including (of course) the photo booth pictures of us, his adoring audience. He flips through them, commenting on a few.

“It’s totally over with you!” he announces about one girl, crumpling up her photo and crushing it underfoot. Beside me, she gasps indignantly.

“I wonder if you still turn red when you drink?” he asks wistfully about another.

Then, oh, god, my photo appears onscreen.

“I really miss you,” he tells me. He flips through more photos — my goofy face photoshopped next to him in romantic embraces. The indignant gasping from the crowd intensifies as GD approaches the telephone and begins to dial.

As I’m watching, I’m grabbed from behind by staff members who escort me swiftly up the stairs toward the back of the stage, where a payphone has suddenly become illuminated. It rings, so I answer it.

“Uh, hello?” I literally say out loud, even though I’m well aware I’m talking to a hologram. Instead of an answer, I see my own image materialize onstage as a hologram. Whoa.

As the opening bars of “Who You?” begin playing, GD walks casually back out onstage, heading straight toward me. Our holograms coexist on the same astral plane, and all is right with the world.

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Doesn’t it look like we exist in the same dimension? But he is a hologram and I am a human — it can never be. SCREAMfmLondon

He proceeds to serenade me — it’s very suave. He even gets down on one knee and reaches for me. The other girls in the audience are panicking, but I’m fully engrossed in My Moment. It’s truly magical. GD’s hologram twirls around me, playfully interacting with my hologram. I’m still standing at the phone booth and, in hologram world, light rain begins to fall as the song comes to a close. GD produces an umbrella from thin air and smoothly pops it open over both of us. Then, he tilts it toward the audience, covering our faces as he leans in for the kill.

I don’t know what to do with myself. It’s just so realistic. Feels just like a real kiss! Who needs space travel? This is the most exciting use of technology I’ve ever seen.

A K-live staffer offers me his hand as I stumble back to my original position in the audience, trembling slightly with adrenaline after my adventure through space and time with G-Dragon.

I’m taking some time to recover when the YG “KRUNK” bear appears in the crowd and starts reeling people in to high five and dance with him. After this brief interlude, KRUNK is whisked backstage and then reappears as a hologram onstage. He removes the head of his bear suit to reveal none other than G-Dragon himself! Natch.

The bear suit dissolves as “Crooked” begins. This performance is the most surreal of them all. They take full advantage of the medium to play with the size and position of GD and his backup dancers, as well as his interaction with the scenery. It’s very cool, and I wish I could live in this hologram wonderland.

It’s a little sad rejoining reality after such a strange, futuristic experience. But on my way out, I’m handed two free tickets to another hologram concert for my participation in the show.

So, maybe I will get to live in hologram wonderland after all…

G-Dragon “AWAKE” Hologram Concert
100-196 9th Floor Lotte Fitin, 264 6-ga Eulji-ro Jung-gu
7 p.m. and 8 p.m. Tuesday – Sunday through July 31
Tickets are 33,000 KRW.
For more information, visit www.klive.co.kr.

Live: 2015 Dream Concert at Seoul World Cup Stadium

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The Seoul World Cup Stadium aglow with the passion of k-pop fans. SCREAMfmLondon

On May 23, I attended the 21st annual Dream Concert. The concert is a k-pop smorgasbord: emceed by Leeteuk from Super Junior and featuring performances from more than 30 k-pop groups from rookies to chart-dominating stars.

Yeah, I know. More than 30 bands. I feel like everyone who’s ever had a song in their heart was invited to perform at this event. So, strap yourselves in for this intensive band-by-band recap of the 2015 Dream Concert:

24K

24K performed “Hey You,” and the moves for the chorus of this song were some of my favorites from the whole event. That’s a pretty suave dance and a catchy beat. But I want to know why two of the band members were wearing facemasks during the red carpet procession and through the entire performance. Is this their concept? Who cares about a boyband that doesn’t have faces? Don’t they know that the faces are like 70 percent of the appeal of a boyband?

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4Minute and EXO stand together awkwardly at the end of the 2015 Dream Concert. SCREAMfmLondon

4Minute

4Minute was one of the groups I was most looking forward to at the Dream Concert. Their performance of this year’s hit “Crazy” was excellent, but the second number (“What’s Your Name?”) was kind of uninspired. HyunA, I still love you, though, girl.

9Muses

I found “Drama” to be a boring song with some boring costumes. And I know they’ve gone through a lot of lineup changes, but it kind of bothers me that there are only eight members of 9Muses.

B1A4

B1A4 put on a really engaging performance — probably one of the best of the night. I was not feeling their outfits (nice shorts, y’all), but the live show sold me on the song “Solo Day.” Quite adorable and good stage presence.

BTS

BTS (short for Bangtan Boys) performed “I Need U” and “Fun Boys.” BTS is more on the hip-hop end of the spectrum (one of the guys is named Rap Monster), but, like, as hip-hop as you get wearing Bermuda shorts with suspenders. “Fun Boys” is kind of a jam, though.

Berry Good

Berry Good was probably my favorite of the rookie groups. Definitely my favorite outfits of the night with flouncy pink miniskirts, matching pink ties, chunky heels and glittery wrist cuffs. “Because of You” was also a good song: I was into the juxtaposition of the sweet verses against the weird dubstep pre-chorus.

Boys Republic

Boys Republic was one of several groups working the sexy schoolboy angle at the Dream Concert. Unfortunately for them, the sound was pretty screwed up during their set (although the sound mixing was pretty awful throughout). However, they put on an amusing show — by that, I mean that they came out with the kind of drippy “Hello” and then switched it up by ripping off all their clothes during “The Real One.”

BTOB

Man, am I the only one who has a hard time telling the difference between BTS, BTOB and B1A4? Not enough variety in these band names. BTOB performed “Wow” and “Beep Beep,” which were fun songs, but not that memorable.

CLC

CLC performed a remix of the song “Pepe,” but it was not anything to write home about, so I will refrain.

EXID

I was quite looking forward to EXID’s performance — as was everyone else, I think. Both “Ah Yeah” and “Up & Down” are excellent songs with really recognizable trademark dances, and I especially love LE’s unique rapping voice. For their set, EXID covered the stage with about 5 million backup dancers, but they had to perform a watered-down version of “Up & Down” to appease the family-friendly audience, I guess. Still, EXID put on a great show and had the entire venue buzzing.

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EXO at the 2015 Dream Concert. SCREAMfmLondon

EXO

EXO is a fantastic band, and both “Call Me Baby” and “Growl” are phenomenal songs. EXO’s fanbase at the Dream Concert was also kind of awe-inspiring and terrifying. I’m not sure why exactly EXO didn’t close the show, as they clearly should have. The well-orchestrated fanchants during EXO’s set could be heard clearly outside of the venue, across a few streets of traffic. All of the band members looked great (Chanyeol’s styling was particularly cool), but I’m just afraid they’re going to drop dead of exhaustion at any moment.

GOT7

GOT7 came to the Dream Concert straight from some rigorous promoting schedule, and it showed. The sound quality was also pretty wack during their set, which affected the show. Mark still did a lot of sweet acrobatic moves during “Stop Stop It” and “Girls Girls Girls,” but it wasn’t the best performance. It was a bummer because they looked visibly frustrated coming offstage, and they’re usually so affable and charming.

HALO

I don’t remember HALO’s performance of “Grow Up” as much as the impression they made walking the red carpet. Nice shorts, y’all.

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This is a crummy picture of Infinite standing dramatically during the intro to “Back.” SCREAMfmLondon

Infinite

Infinite was such a delight. I was really looking forward to Infinite, and I’m still stoked about it. They looked sharp in sleek black-and-white suits as they performed “Back” and “Paradise.” And what’s more: while some bands look so dead behind the eyes while going through the motions of their dances, Infinite seemed so glad to be there. Literally no one was having more fun than Dongwoo. They couldn’t get him offstage after the show. They had to cut the sound from his microphone, and he still kept jumping around and playing with the fans long after everyone else had left. It was so damn endearing.

Hyoseong

Jun Hyo-seong of Secret performed her solo song “Into You.” She is super attractive, but she appeared creepily robotic during her passionless performance. I was very scandalized, however, when one of her dance moves included having a female backup dancer reach around from behind and give her breasts a firm squeeze. Whoa! And EXID can’t do their “Up & Down” pelvic thrusting?!

Kara

Kara revealed “Cupid,” the first track from the group’s newest mini-album, “In Love,” for the first time at the concert. They also wore some white, fringed vests. I felt ambivalent toward all of it.

LABOUM

LABOUM was another of my favorites from the rookie stages, but I took off points for the sexy baby concept. “Sugar Sugar” is such a cute bubblegum pop song, though. It’s very reminiscent of American girl group sounds from the 1950s — even the adorable, simple dance.

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Lovelyz at the 2015 Dream Concert. SCREAMfmLondon

Lovelyz

Lovelyz performed “Hi~” in cute mismatched schoolgirl outfits and released a ton of multicolored balloons into the sky during their set. It looked cool, but, damn, that’s a lot of litter.

MFBTY

MFBTY’s performance was a pleasant surprise at the dream concert. The hip-hop group consists of Korean hip-hop greats Drunken Tiger/Tiger JK, Yoon Mi-rae and Bizzy. Together, they played “Bang Diggy Bang Bang” and “Monster” with guest appearances from many of the other Dream Concert artists — Chanyeol from EXO, Wendy from Red Velvet, LE from EXID, Baro from B1A4, and Rap Monster and Suga from BTS. The songs are good and the collaborations were interesting, but they actually messed up their set and had to start all the way from the beginning again, which killed my buzz, as well as the illusion that this was a live concert.

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Monsta X at the 2015 Dream Concert. SCREAMfmLondon

Monsta X

Monsta X was so much fun. The performance of “Trespass” began with a guy popping out of a trap door a few feet from my face and aggressively ripping off his shirt. He was then joined onstage by his bandmates — as well as a slew of backup dancers dressed in cheap police uniforms. Hell yeah, is this the Dream Concert or a bachelorette party? I don’t even remember what the song sounded like, but who cares?

Oh My Girl

OMG performed “Cupid” dressed in cheerleader uniforms. I feel like there are a million bands who have performed a song called “Cupid” dressed in cheerleader uniforms, but at least the chorus of this song is catchy.

Red Velvet

Red Velvet opened the show, for some reason. I was really looking forward to their performance, but I wasn’t ready for it when they began — and then it was over just as quickly. Plus, they released some giant Red Velvet beach balls during this set, so I had to concentrate on not getting bonked instead of watching the show. “Ice Cream Cake” is a jam, though, and Red Velvet should’ve performed a bit later on in the evening.

ROMEO

I had the best seats in the house, I think — especially for backstage insight. One of my favorite behind-the-scenes moments was when Romeo was running onstage to perform: one of the guys tripped over the plastic mats covering the soccer field and totally ate it right in front of me. Also, they performed “Lovesick.” But that guy fell down! Comedy gold.

Secret

In addition to Hyoseong’s solo stage, Secret performed “Magic” and “Madonna.” Neither were very interesting! Moving on.

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SHINee closing the 2015 Dream Concert like pros. SCREAMfmLondon

SHINee

SHINee closed the show like pros. They performed “View” and “Love Sick” from their latest album, “Odd,” which was just released on May 18. “View” is a really catchy, kind of clubby song that is (dare I say it?) probably my favorite SHINee song to date. The band executed their moves flawlessly, and Jonghyun and Key looked super cool. But Taemin… Taemin wore a strange oversized sweater and a pair of oversized pants with the phrase “OPEN HERE” printed boldly down the fly. It was a killer performance, but somebody needs to dispose of that outfit.

SISTAR

A great behind-the-scenes moment came after Sistar’s techno remix of “Touch My Body.” When the backup dancers climbed offstage before the group’s second number, Bora casually left right alongside them while her bandmates were introducing the next song, “I Swear.” Somebody had to grab her by the arm and throw her back onstage to finish the performance. Anyway, I think I enjoyed the re-imagined rendition of “Touch My Body,” but the sound was so blown out, I could barely hear anything. C’mon, Dream Concert.

Sonamoo

When you see 30 bands in one sitting, it can feel like you’re seeing the same thing over and over again… No, wait, I’m sorry, that’s just Sonamoo performing “Deja Vu.” Ha. Ha ha.

SPEED

I thought Speed was cool. The boys looked casual yet powerful, and like they were having a lot of fun. They wore schoolboy uniforms and shoes equipped with skates, so the dance for “What U” could incorporate some effortless gliding as well as their typical acrobatic tricks. Throughout their set, they skated back and forth across the stage in backwards caps. Kind of a “Smokin’ in the Boys Room” aesthetic.

T-ara

T-ara performed “Little Apple,” followed shortly by Eun-jung’s solo performance of “I’m Good.” Eun-jung, the lead vocalist and rapper in T-ara, made her solo debut as Elsie at the beginning of the month. Her solo stage was an unusual change of pace — more lyrical and easy-listening than the pop and hip-hop that dominated the Dream Concert.

Topp Dogg

What I really enjoyed about Topp Dogg was that the band name was misspelled as “ToppGogg” on the official Dream Concert poster. There are also like 500 people in this band. They performed “Top Dog” with some impressive pyrotechnic effects that coincided with the song’s chorus (“T. O. Double P. / D. O. Double G. / Topp Dogg!”). Their set was highly entertaining.

VIXX

VIXX is such an embarrassing breed of ultra-adorable that it’s kind of likeable. Their style is almost too cutesy for me, but I found their Dream Concert performance to be one of the best. They performed “Love Equation” and “Error,” and I was officially sold on the goofy move where they spell out their band name with their arms. Also, Leo’s voice is beautiful, and I enjoy how vaguely uncomfortable he always looks because I’m hoping he feels as conflicted as I do about that VIXX choreography.

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The 2015 Dream Concert. SCREAMfmLondon