Tag Archives: los angeles

Capsule film reviews: Four LGBT movies from the USA

‘Moonlight’
Release Date: Oct. 21, 2016
Director: Barry Jenkins
Starring: Trevante Rhodes, Ashton Sanders and Alex Hibbert
Genre: Drama
Rating: R for some sexuality, drug use, brief violence, and language throughout.
Grade: B+

Photo courtesy of A24.

“Moonlight” is a groundbreaking film — the first film with an all-black cast and the first LGBT film to win the Academy Award for Best Picture. Can’t deny that. But, while “Moonlight” is a well-composed film with great acting, I can’t help feeling disappointed after months of buildup. As a film, it’s good, and I’m happy that it’s been so well-received by mainstream audiences because we do need more diverse representation in cinema. But as a gay film, it’s really nothing special. The plotline is predictable, and this story… it’s been done. Maybe not this artfully, but it’s definitely been done. It’s broken into three distinct chapters, which represent three stages of one man’s coming-of-age. “Little” shows Chiron’s (Alex Hibbert) childhood years, where he seeks refuge from school bullies and his drug addict mother (Naomie Harris) with a mentor (Mahershala Ali) who tells him that it’s okay if he’s gay. Next up is “Chiron,” which depicts Chiron’s (Ashton Sanders) teen years and the problems that amplify therein. Finally comes “Black,” which shows Chiron (Trevante Rhodes) as a miraculously-ripped grown man who is still haunted by his first (probably only?) love. The movie I would have liked to see would focus on Chiron as an adult and really develop that character — a tough, intimidating drug dealer in Atlanta who has had just one sexual experience (with his high school crush, Kevin, years ago). Flashbacks to his childhood and adolescence could help flesh out his background, but a central narrative to come back to would have given the movie a lot more direction.

‘King Cobra’
Release Date: Oct. 21, 2016
Director: Justin Kelly
Starring: Garrett Clayton, James Franco and Christian Slater
Genre: Crime, Drama
Rating: Not Rated
Grade: A

Photo courtesy of IFC Midnight.

I can’t begin to tell you how excited I inexplicably was for this movie. Gay porn, murder, and an all-star cast including the cute male lead from Disney’s “Teen Beach Movie.” That’s all I need in entertainment, really. “King Cobra” is based on the true story of Brent Corrigan (aka. Sean Paul Lockhart), played in the film by the dreamy Garret Clayton. Corrigan is infamous for his successful career in gay porn that began when he was well underage. (Spot the Brent Corrigan reference in my review of “Schoolboy Crush” here!) “King Cobra” chronicles Corrigan’s ascent to pornstardom and his struggles to escape from the grasp of the Cobra Video studio and its lecherous owner Bryan Kocis (called “Stephen” in the film and portrayed unnervingly by Christian Slater). When Stephen refuses to let Corrigan out of his contract, rivals from another porn studio (Keegan Allen of “Pretty Little Liars” fame and James Franco) plot to do whatever it takes to get Stephen out of the way so Corrigan can perform with them. I would say this movie is about 85 percent gay porn, 10 percent murder and 5 percent plot development, which is the perfect equation for any movie. It’s campy and creepy, and if you’re into that, you should definitely watch “King Cobra.”

‘Tangerine’
Release Date: July 10, 2015
Director: Sean Baker
Starring: Mya Taylor, Kitana Kiki Rodriguez and Karren Karagulian
Genre: Comedy, Crime, Drama
Rating: R for strong and disturbing sexual content, graphic nudity, language throughout, and drug use.
Grade: A+

Photo courtesy of Magnolia Pictures.

“Tangerine” is phenomenal, and it’s just the kind of offbeat buddy/revenge comedy we totally needed in our lives. The film received major buzz following its premiere at the 2015 Sundance Film Festival because the entire thing was (amazingly) filmed using only iPhones — particularly impressive considering how cool the cinematography is and how well it captures this Hollywood neighborhood. But even more remarkable is the engaging storyline. “Tangerine” follows two trans women who work the streets near the iconic Santa Monica and Highland Donut Time shop: Sin-Dee (Kitana Kiki Rodriguez), fresh out of prison and on the hunt for her cheating boyfriend Chester (James Ransone), and her best friend Alexandra (Mya Taylor), who just needs to make it to her big singing gig at Hamburger Mary’s that night. The day’s adventure is thoroughly entertaining, and the glimpse into the lives, friendships and relationships of the characters is really wonderful. I even equally enjoyed the subplot that follows Razmik (Karren Karagulian), a married Armenian cab driver and frequent customer of Alexandra’s. Other background characters are portrayed by real-life Instagram stars and Viners found online by director Sean Baker (a lot of the film’s kinetic soundtrack was sourced from Vine and SoundCloud as well). In the end, “Tangerine” is a compelling film that proves big-budget frills aren’t necessary when you have charismatic characters and a unique story to tell.

‘Blackbird’
Release Date: April 24, 2015
Director: Patrik-Ian Polk
Starring: Julian Walker, Mo’Nique and Isaiah Washington
Genre: Drama
Rating: R for sexual content, language and some drug use – all involving teens.
Grade: D+

Photo courtesy of KBiz Entertainment and Tall Skinny Black Boy Productions.

This movie is… really not what I was expecting. With stars like Mo’Nique and Isaiah Washington topping the bill and a strong story to work with about a gay black teenager growing up in Baptist Mississippi, I expected “Blackbird” to be a solid and impressive melodrama. Much to my surprise, it’s actually quite goofy. Campy, even. Which is — at times — enjoyable (I liked the high school drama club preparing to present a gay version of “Romeo & Juliet”), but — at times — very stupid. Julian Walker is not at all convincing or compelling in the lead role of Randy, and Kevin Allesee as Randy’s older love interest Marshall gives me the creeps every time he appears onscreen. The strange subplot about Randy’s missing younger sister is unnecessary and seems added on as an ill-conceived afterthought. But worst of all, the entire film is spoiled in the final moments when Randy dreams up a “vision” that tells him the exact details of the entire rest of his life. Whose idea was it to end the movie like that? Because it’s absolutely terrible. I don’t know what happened, but I feel like “Blackbird” was a really wasted opportunity.

Capsule film reviews: Four horror movies from 2016

‘The Invitation’
Release Date: April 8, 2016
Director: Karyn Kusama
Starring: Logan Marshall-Green, Tammy Blanchard and Michiel Huisman
Genre: Drama, Mystery, Thriller, Horror
Rating: Not Rated
Grade: B+

Photo courtesy of Drafthouse Films.

In “The Invitation,” Will (Logan Marshall-Green) and his girlfriend Kira (Emayatzy Corinealdi) drive deep into the Hollywood Hills to attend a dinner party hosted by Will’s ex-wife Eden (Tammy Blanchard) and her new husband David (Michiel Huisman) at the house Will and Eden used to share. The party is the first time any of their friends have seen them in two years — Will and Eden divorced following the accidental death of their son, and Eden left to join a grief support group in Mexico, where she met David. Throughout the course of the evening, Will becomes increasingly disturbed being back in the house he once shared with a happy family that is no more, and he also begins to grow suspicious of Eden and David, who try to share with the group their new spiritual philosophies that have helped them overcome grief. I like how “The Invitation” slowly turns up the suspense and leaves the audience unsure if there is really something sinister behind Eden’s cultish white dress and David’s calm demeanor, or if it’s just Will suffering from a mental breakdown when confronted with his past. It’s sufficiently creepy and even a bit thoughtful. All-in-all, “The Invitation” is a pretty good thriller.

‘The Neon Demon’
Release Date: June 24, 2016
Director: Nicolas Winding Refn
Starring: Elle Fanning, Jena Malone and Bella Heathcote
Genre: Horror, Thriller
Rating: R for disturbing violent content, bloody images, graphic nudity, a scene of aberrant sexuality, and language.
Grade: B

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Photo courtesy of Amazon Studios, Broad Green Pictures, Scanbox Entertainment and The Jokers.

“The Neon Demon” is the most talked-about and most polarizing horror movie of the year. For the most part, I really liked it. Kind of a tired story: Jesse (Elle Fanning) is a young girl from a small town hoping to make it big as a model in Hollywood, but Hollywood is, unfortunately, full of Illuminati and lesbian necrophiliacs. It’s a higher budget version of 2014’s “Starry Eyes,” which is a much better film, plot-wise. But don’t come to “The Neon Demon” for the plot: come for the artistic visuals, evil female leads and the always excellent Jena Malone who steals the show as Jesse’s eerily too nice, there’s-gotta-be-something-wrong-with-her mentor Ruby. My main issue with “The Neon Demon” is the weird casting of Elle Fanning as the lead — she’s not charismatic enough to propel the movie on her own, and she’s cute, but the very embodiment of natural beauty? Eh. At least the costumes are fabulous.

‘Train to Busan’
Release Date: July 20, 2016
Director: Yeon Sang-ho
Starring: Gong Yoo, Kim Su-an and Jung Yu-mi
Genre: Action, Drama, Horror
Rating: Not Rated
Grade: A+

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Photo courtesy of Next Entertainment World.

“Train to Busan” is one of the best zombie movies I’ve seen in a long while. The Korean horror film expertly showcases comedic moments, high tension, family drama, romance and truly frightening zombie shots. It’s an excellent movie and one of the best horror films of the year. The story follows Seok-woo (Gong Yoo), an absentee father whose focus on his business has crippled his relationship with his 9-year-old daughter Su-an (Kim Su-an). For her birthday, all Su-an wants is to be reunited with her estranged mother, so Seok-woo begrudgingly agrees to accompany her on the high-speed KTX ride from Seoul to Busan. Unfortunately, the train departs just as the country begins to deteriorate into a zombie apocalypse. Only Busan, the country’s southern port city, is safe, and the survivors must fight to get the train to its final destination. The intense zombie action scenes are top tier (my favorite is a stop in Daejeon where the passengers are faced with a horde of zombie soldiers in military uniform charging up the stairs), but where “Train to Busan” really got me is with its heart. The evolving father-daughter dynamic will suck you in, and the supporting characters are all so compelling. “Train to Busan” is not to be missed.

‘31’
Release Date: Sept. 16, 2016
Director: Rob Zombie
Starring: Sheri Moon Zombie, Malcolm McDowell and Meg Foster
Genre: Thriller, Horror
Rating: R for strong bloody horror violence, pervasive language, sexual content and drug use.
Grade: B-

31

Photo courtesy of Saban Films.

As a diehard Rob Zombie fan, I enjoyed “31” and was pleased to find it more straightforward and accessible than Zombie’s last release, 2012’s “The Lords of Salem.” “31” follows a group of carnival workers who are kidnapped on Halloween 1976 and told by three strangers that they will be entered into a game called 31. During the game, they will have 12 hours to escape from a maze-like warehouse of rooms while various clowns will be sent to torture and kill them. The plot isn’t necessarily anything groundbreaking, but Zombie’s characterizations are always the most entertaining. His villains are excellent, particularly Malcolm McDowell as Father Murder, an aristocrat in a powdered wig who oversees the proceedings and announces the carnies’ odds for survival over a loudspeaker, and Richard Brake as Doom-Head, the final and most effective obstacle in the gang’s way of survival. As always, Sheri Moon Zombie is a badass and a delight, and I love that she’s still the ultimate scream queen, wielding chainsaws in barely-there crop tops at 46.

Learn k-pop dance at Dancejoa in Los Angeles

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Dancejoa studio in Koreatown, Los Angeles. SCREAMfmLondon

I’m not even exaggerating when I say that Dancejoa is one of the best things about living in LA. I only wish I had found out about the studio sooner!

It all started when I determinedly decided that I was absolutely going to learn the choreography for G-Dragon and Taeyang’s song “Good Boy.” I did learn it (eventually), but I also learned that dance is perhaps my secret passion in life, and I haven’t quite been the same since. I’ve logged a lot of hours at the studio in the ensuing years, and I like to think I’ve come a long way since I stumbled through my first dance cover video with Dancejoa LA several beats behind everyone else the entire time.


Yireh is an excellent teacher with amazing dancing talent and style. She makes everything look cool and effortless (even when I, myself, am dying and sweating profusely). But most importantly, she is a really effective teacher. Actually, Yireh is one of the best dance teachers I’ve ever had — she breaks everything down so well and teaches so clearly that I never feel confused or left behind even during difficult choreography. The classes are so well-organized and well-run. It’s really a pleasure to attend Dancejoa.

The schedule is also very well thought-out. There are two classes on Tuesdays, two on Thursdays and two on Saturdays. On the weekdays, it’s usually a one-hour girl group dance followed by a one-hour boy group dance. The Saturday classes are a bit longer (one and a half hours) and consist of one k-pop dance and one hip-hop routine.

The songs are broken down and taught in sections spread out over the course of a month so you can learn the entire choreography, which I love!!! You feel so accomplished after learning an entire full-length song. And having four weeks to work on it gives you enough time to digest the lessons and practice at home before coming back to add more.

I also love having so many varied dances to choose from. If you like cutesy Twice dances, they’ve got ’em! If you like super-intricate EXO dances, they’ve got ’em! If you like badass hip-hop dances, they’ve got that too! And if you like it all, you can just come learn everything. The schedule is posted in advance on Facebook.


Last year, Dancejoa moved to a new location. It’s easy to find and has its own (very small) parking lot out back. Some of the classes get quite crowded, so I’d recommend coming early to make sure you can find parking (but what else is new, LA?). There’s also a weird random wall in the middle of the studio that limits the space a lot, but Yireh is great about moving around so everyone can see and splitting big classes into groups so everyone has a good chance to practice.

I really can’t recommend Dancejoa enough. I’ve discovered a love for dance that I didn’t realize I had, and it’s made such a big difference in my life. Thanks, Dancejoa!

Students practicing GD and TOP's "Zutter" choreography at Dancejoa in LA. SCREAMfmLondon

Students practicing GD and T.O.P’s “Zutter” choreography at Dancejoa in LA. SCREAMfmLondon

Dancejoa Dance Studio
3859 W. 6th St., Los Angeles, Calif.
For more information, visit www.dancejoa.com.

My picks: Best Korean skincare for pores

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One of my overflowing skincare shelves. SCREAMfmLondon

The first time I washed my car after moving to Los Angeles, I was really confused. Did I drive through something weird? Why was the water black? It took me a while to realize that’s just the dirt in the air. It was soon in my apartment, gathering on my windowsills. It continued to be black. I was horrified that this was also the air I was breathing and touching with my skin all the time…

And that is how I came to be really diligent with my skincare routine. Soap and water would no longer cut it — I needed to really deep clean my pores and do it regularly. I’ve since tested many dozens of products, gotten a pretty solid routine down, and found that no country creates better skincare products than South Korea.

So, here are my picks for the best Korean skincare products for cleansing, covering and caring for your pores:

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A’PIEU Moisture Pore Cover Balm. SCREAMfmLondon

A’PIEU Moisture Pore Cover Balm

I love this product so much. It is a transparent balm you apply to your skin before makeup to even it out, minimize pores and create a smooth surface. It smells powdery fresh, and it goes on so smoothly. It’s also just delightful to apply this — it feels like you’re gently massaging the most luxurious, velvety serum into your face. The effect is immediate: your skin will look soft and perfect. It’s also moisturizing (obviously, hence the name) and can help hide enlarged pores, fine lines, acne scars, etc. The balm even comes with a little spoon in the package to keep the product hygienic when you scoop some out. They thought of everything.

Etude House Zero Sebum White Sebum Clear. SCREAMfmLondon

Etude House Zero Sebum White Sebum Clear. SCREAMfmLondon

Etude House Zero Sebum White Sebum Clear

This product is amazing! Etude House actually has a small collection of Zero Sebum products, and now I plan to pick up every single one of them because this White Sebum Clear is so wonderful. It is a cream that you apply to afflicted areas (chin, nose, forehead, etc.), leave on for a few minutes and then wipe off. It is supposed to melt away the lumps of oily, waxy sebum that can build up on the face. The first time I used it, I didn’t notice that it did anything and thought it was a dud purchase. However, when I tried it again a while later, I noticed the difference immediately. I applied the cream at night and cleaned it off before bed. The next day, my skin was already noticeably smoother and my pores clearer. Now I use the product regularly, and I can’t recommend it enough.

Mamonde Pore Corset Blackhead Heating Oil

This cleansing oil is really interesting. When you pump it out of the bottle, you can feel it heating up in your hands. It gets even hotter as you apply it to your face. The warming effect helps clear away built-up dirt and makeup in your pores, and then you finish the process by rinsing your face with cold water to tighten the pores again. It’s supposed to cleanse, mildly exfoliate, and control sebum. I like this cleansing oil, and it leaves the skin feeling clean and soft. But, although it boasts Persian lilac as the main ingredient, it definitely feels more chemically. You don’t want to get it in your eyes or mouth because it burns horribly and tastes worse. Not that that’s happened to me, of course.

Caolion Premium Blackhead O2 Bubble Pore Pack. SCREAMfmLondon

Caolion Premium Blackhead O2 Bubble Pore Pack. SCREAMfmLondon

Caolion Premium Blackhead O2 Bubble Pore Pack

It’s very fun to have a reliable face mask to slip into your skincare routine every so often. I like this one from Caolion, which contains charcoal powder, ginkgo balboa leaf extract, oat flour and other ingredients that are supposed to help cleanse pores. You massage the mask into your dry face and, in a few minutes, it will begin to bubble up with tons of micro oxygen bubbles that are intended to deep-cleanse the pores, hydrate, eliminate excess sebum, and remove dead skin cells. I noticed an immediate difference in my skin the day after my first use of this pore pack. My face was clearer and brighter. Plus, it just feels kind of weird and relaxing to have the bubbles fizzing on your face. Definitely try this mask out. It’s an experience.

Theater: Shakespeare OC presents ‘Pirates of Penzance’

Alex Bodrero (The Pirate King, foreground) with Max Black and Nikolai Fernandez (immediately behind him) in Shakespeare Orange County's production of Gilbert and Sullivan's THE PIRATES OF PENZANCE, September 10-26, 2015. In background, left and right, are Jacob Lansberg and James Quesada. Photo by Amelia Barron

Alex Bodrero (The Pirate King) with Max Black and Nikolai Fernandez in Shakespeare Orange County’s production of Gilbert and Sullivan’s “The Pirates of Penzance.” Photo courtesy of Amelia Barron

To close their summer season, Shakespeare Orange County cordially invites the audience aboard the goofiest opera-singing pirate ship around with a uniquely intimate production of Gilbert and Sullivan’s “The Pirates of Penzance.”

Director Peter Uribe, whose background in rock operas includes a six-month tour of the UK working on a Pete Townshend-approved production of The Who’s “Quadrophenia,” said he hopes to infuse Shakespeare OC’s debut musical with this kind of energy.

“The kind of mantra we live by is, ‘This is not your great-grandmother’s Pirates of Penzance,’” he said. “A big fight scene happens that’s kind of an homage to The Who and ‘Quadrophenia.’ We have a sound cue: at the count of four or five, the lights all go out, and it’s just Roger Daltrey screaming at the apex of ‘Won’t Get Fooled Again.’ The lights just go black, that all happens, the lights come back up, and the fight’s over.”

“Penzance” is more of a comic opera that is best known for one specific song (“I am the very model of a modern major-general, / I’ve information vegetable, animal and mineral,” etc.), but Shakespeare OC hopes to show Southern California theatergoers how entertaining it is in its entirety. Because the 1879 opera is now in the public domain, the cast has had more freedom to reshape the material for today’s audiences.

“We’ve thrown in every gag we can,” Uribe said. “While we’re pretty faithful to the script, I encourage the actors the entire time, ‘Any time you see a space for a joke, improv a joke. If it makes me laugh three times in a row and it’s somewhat appropriate, it can stay in the show.’ It’s been kind of fun to work fast and loose with the script.”

The opera’s storyline follows Frederic, a 21-year-old who has just completed an apprenticeship aboard a pirate ship. However, as Frederic is preparing to be on his way (hopefully alongside the Major-General’s beautiful daughter Mabel), the Pirate King discovers a loophole: because Frederic was born on leap year, he won’t technically turn 21 for many more decades and has to rejoin their crew.

Alex Bodrero, who plays the Pirate King in Shakespeare OC’s production, said he’s enjoyed combining elements of serious opera with the comedy of “Penzance.”

“This is probably the most classical singing I’ve done in a long time, despite it being such a crazy, off-the-wall show,” he said. “It’s an interesting dichotomy. It’s got that legit thing while having fun like you’re on the playground in elementary school.”

For “Penzance,” Shakespeare OC decided to make the most of the expansive Garden Grove stage: instead of utilizing all 500 seats in the amphitheater, they will include audience seating right there in the midst of it.

“I don’t think people know what to expect when they’re going to come see this,” said Nikolai Fernandez, who plays Frederic in the production. “What’s exciting about that is you’re going to have audience members who are uncomfortable and look away when you’re trying to talk to them and invite them in, and you’re going to have audience members who want to, like, jump up and be a part of it when you give them that permission.”

In recent years, Shakespeare OC has been working to make classic theater productions more accessible to the local community. Earlier this season, a production of “Romeo and Juliet” staged its famous ball scene as a traditional Mexican quinceañera, and the Montagues delivered their lines in Korean. Uribe hopes “Penzance” will prove that musical theater also has a place in the OC.

“The stigma is that in LA, everything is better, but [Uribe] really brings a lot that you won’t find anywhere else to the theater,” Fernandez said, “and I think that’s a huge reason why I decided to commute down here two hours every day to be a part of it.”

‘The Pirates of Penzance’
12762 Main St., Garden Grove, Calif.
7:30 p.m. Thursday – Sunday through Sept. 26
Tickets are $20
For more information, visit www.shakespeareoc.org.

Live: Big Bang at Olympic Gymnastics Arena

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Fans arrive at Seoul’s Olympic Gymnastics Arena to see Big Bang’s first concert of the 2015 MADE World Tour on April 25. SCREAMfmLondon

Approaching Olympic Park in Seoul this weekend was like arriving in Emerald City at the end of the yellow brick road. The expansive sidewalks were lined with banners billowing in the wind — each one depicting a member of the five-piece K-pop group Big Bang sporting a ridiculous hairstyle. Above them floated giant, luminescent balloons displaying phrases like “빅뱅 IS BACK.” It was magical.

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Big Bang’s official light sticks are so cool until you’re trying to see around them in the crowd. SCREAMfmLondon

The moment had finally arrived for Big Bang’s much-anticipated comeback after about three years of the members focusing on solo work and not releasing any new group material. The momentous occasion was marked with two consecutive concerts at Seoul’s Olympic Gymnastics Arena on April 25 and 26 — and I attended them both.

The MADE 2015 World Tour dates in Seoul served to usher in a new era for the band. Here’s the plan: Big Bang will release an EP on the first day of each month from May to September of this year (“M,” “A,” “D” and “E”). Each EP will feature two new singles — until September, when the full-length studio album “Made” will finally be released. It’s kind of complicated. I love it.

The first two songs — due to be released May 1 — were introduced at this weekend’s concerts. And they are both killer tracks.

The group presented “Loser” first by screening the official music video, which was filmed just a few weeks ago in downtown Los Angeles. One scene shows G-Dragon sprawling out despondently across Spring Street as the ol’ Metro Rapid lumbers past. Truly a merging of my favorite worlds.

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T.O.P rocking that hairstyle like only he can. SCREAMfmLondon

The video is exactly the kind of music video I love — a classic strung-out, rock ‘n roll aesthetic to match the song’s maudlin theme. Taeyang spray paints messages about sin at a trailer park, Seungri smashes some furniture, Daesung gets his ass kicked out front of a convenience store, T.O.P wears his pajamas outside. It’s perfect, and it perfectly matches the song’s gorgeous lyrics. In the first verse, G-Dragon admits, “Honestly, I’ve never fit in… / Love was already forgotten to me, who was alone. / I’ve had enough of hopeful love songs.”

After screening the video, the band reappeared onstage in a revolving platform of windows and mirrors to perform the song live for the first time. In fact, they performed each of the new songs about three or four times each (if you count some of the a capella bits) both nights, which sounds like it would be annoying but was actually wonderful and super effective in harnessing the excitement for the first EP release. Now I don’t want to listen to anything else. ‘Cause I’m just a loser, loner, a coward who pretends to be strong~

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Seungri in the foreground with T.O.P on the big screen. SCREAMfmLondon

During the live performance, Seungri really sold “Loser,” carrying the chorus and adding emotional flourishes to his act. Seungri’s overall performances really stood out at both of the Seoul concerts. In between “How Gee” and “Feeling,” he appeared onstage with a set of turntables to try his hand at DJing, which was a cool way to introduce yet another style of music to Big Bang’s already eclectic repertoire. Seungri was terribly affable and charming during all of his spoken interludes too, but the real highlight was the unexpectedly sexy dance he delivered during “Strong Baby.” Also, his is the only 2015 Big Bang makeover that doesn’t look kinda stupid.

At the midpoint of the band’s three-hour long concerts, each member took the stage solo to show off their individual strengths.

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G-Dragon, Seungri and Daesung perform in Seoul on April 26. SCREAMfmLondon

T.O.P made an impression with his intense rendition of “Doom Dada” in a Piet Mondrian-print suit. Definitely in the running for best wardrobe change, but slightly edged out by G-Dragon in calf-length fur, combat boots and gold, glittery jackets for his “Good Boy” duet with Taeyang and solo performance of “Crooked.” G-Dragon is an incredible artist, and it’s pretty awe-inspiring to be in his presence while he’s doing his thing. What a joy it is to be in the same universe, the same country, the same room as Kwon Ji-yong.

Following G-Dragon’s solo, the band premiered its second new song, “Bae Bae,” with a lyric video followed again by a live performance. “Bae Bae” is another brilliant track — so different in tone from “Loser” but nonetheless cohesive. It’s a more seductive, R&B-style track with a mellow, guitar-driven chorus. G-Dragon and T.O.P both deliver killer verses (GD’s intonation on each repetition of “bae bae” is so perfect — I don’t know how he does it). My favorite line is GD’s “Is she a person or an angel? / Oh, Jesus, bae bae!”

There was never a low point at either of Big Bang’s two Seoul concerts this weekend. Both shows were exceptional from beginning to end.

For two days, I had the pleasure of spending three uninterrupted hours watching pop music at its absolute best. It’s truly a sight to behold. I feel like I have seen a lot of things, but I have never seen anything like Big Bang. Onstage, they bare it all: the dedication and work ethic, the unique talents of each member, the genuine enjoyment of the craft, the fun-loving energy, the limitless creativity, the catchiest hooks of “Fantastic Baby” and “Stupid Liar,” the powerful range of “Blue” and “Bad Boy,” the outfits, the dancing, the special effects, the thought put into every moment.

You may have seen a lot of things, but you have never seen anything like Big Bang.

Great craic at the Celtic Arts Center

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New Irish dancers learn some basic steps at the Celtic Arts Center in North Hollywood. SCREAMfmLondon

I just knew there had to be a place in Los Angeles that gave Irish language lessons. I just knew. If it exists, it probably exists in LA.

That’s how I came across the Celtic Arts Center — An Claidheamh Soluis — in North Hollywood.

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SCREAMfmLondon

Every Monday night, the group gathers at the Mayflower Club, a wood-paneled venue complete with a small stage and, naturally, a well-stocked bar and provides free classes and workshops, then caps the night off with a traditional Celtic jam session.

Upstairs, lessons in Irish and Scots-Gaelic take place in cozy rooms lined with bookshelves full of worn-out classics including Yeats and Seamus Heaney. The beginners’ Irish language classes follow Máiréad Ní Ghráda’s book “Progress in Irish,” and when you graduate to the next level, the Arts Center also offers an intermediate workshop. But good luck with that. I’ve been stuck in a never-ending loop of beginners’ classes for like three years.

After wracking your brain over all the sínte fada, you can head downstairs, where the real céilí atmosphere settles in over a few rounds of dancing. Some of your classmates (like me!) are former competitive Irish dancers, and some are trying it out for the first time that night. Either way , they will grab you and throw you into the middle of the Walls of Limerick or the Siege of Ennis, and it will be a blast. Guaranteed.

And at 9 p.m., musicians set up their fiddles and drums for a traditional Celtic music seisiún.

The Celtic Arts Center is such a cool asset to the SoCal community. Definitely check it out!

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“I have a headache.” SCREAMfmLondon

2015 St. Patrick’s Day Céilí
11110 Victory Blvd.
7 p.m. Monday
Admission is free.
For more information, visit www.celticartscenter.com.