Tag Archives: thriller

Capsule film reviews: Four horror movies from 2017

‘Get Out’
Release Date: Feb. 24, 2017
Director: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams and Bradley Whitford
Genre: Horror, Mystery, Thriller
Rating: R for violence, bloody images and language including sexual references.
Grade: A+

Photo courtesy of Universal Pictures.

Obviously, I loved “Get Out.” If you somehow have not seen and loved “Get Out” by now, I hope you do so immediately. What more can be said about this hugely successful movie? It’s easily the best horror film of 2017 and one of the defining horror films of our generation. So many things about “Get Out” are brilliantly executed, thanks to Jordan Peele’s excellent writing and directing talents. It’s frightening, savvy and thought-provoking — so topical it’s inspired countless analyzations, memes and major award nominations. The film follows Chris (Daniel Kaluuya), a black photographer, who is going to meet his white girlfriend Rose’s (Allison Williams) family for the first time. He quickly notices something off about the countryside neighborhood, the father who is swift to brag about voting for Obama, and the only two other black people present — a highly-strung maid (Betty Gabriel) and a silent groundskeeper (Marcus Henderson). As the visit goes on, the film’s clever twists and turns lead the viewer on a terrifying and all too real journey. Best of all is the brilliant conclusion and electrifying final scene that seems to succinctly sum up the film’s overall message.

‘XX’
Release Date: Feb. 17, 2017
Director: Jovanka Vuckovic, Annie Clark, Roxanne Benjamin and Karyn Kusama
Starring: Natalie Brown, Melanie Lynskey and Breeda Wool
Genre: Horror
Rating: R for horror violence, language and brief drug use.
Grade: C

Photo courtesy of Magnet Releasing.

I enjoy horror anthologies for a lot of reasons. I appreciate the short story format, and I love the opportunity to see multiple directors’ takes on the genre. “XX” is a 2017 horror anthology featuring the work of only female directors, which is also cool. It would’ve been cooler if the shorts were better, but what can you do? The best piece is “The Birthday Party,” also known as “The Memory Lucy Suppressed From Her Seventh Birthday That Wasn’t Really Her Mom’s Fault (Even Though Her Therapist Says It’s Probably Why She Fears Intimacy).” This short was written and directed by indie musician Annie Clark, who performs under the stage name St. Vincent. Starring Melanie Lynskey as neurotic housewife Mary, “The Birthday Party” is the most put-together and well-acted story. It’s darkly funny, slightly creepy and thoroughly entertaining. The scariest piece is the anthology’s most simple, Roxanne Benjamin’s “Don’t Fall,” which is straightforward in its depiction of a group of friends who encounter a demonic creature while camping. They hear it, then it gets ‘em, and that’s it. The end. Karyn Kusama, who brought us “The Invitation” last year, presents “Her Only Living Son,” a complex piece that could absolutely be expanded into a full-length feature tackling the idea of Rosemary’s baby growing up to be Rosemary’s pubescent teenager. And, finally, Jovanka Vuckovic attempts an adaptation of a Jack Ketchum short story with “The Box.” It’s a thought-provoking and eerie story, but it’s poorly executed and the acting is abysmal.

‘Raw’
Release Date: March 10, 2017
Director: Julia Ducournau
Starring: Garance Marillier, Ella Rumpf and Laurent Lucas
Genre: Drama, Horror
Rating: R for aberrant behavior, bloody and grisly images, strong sexuality, nudity, language and drug use/partying.
Grade: A

Photo courtesy of Focus World.

“Raw” is a great horror film. It’s so disturbing and bloody that viewers reportedly fainted during early screenings, but it’s also very relatable! There are some really sick, depraved scenes that are all kinds of fun for gore aficionados, and some excellent character development to elevate the story beyond the surface level. Justine (Garance Marillier), a lifelong vegetarian raised in an all-vegetarian family, is heading off for her first semester at the same veterinary school her older sister Alexia (Ella Rumpf) attends. She is shocked by the unfamiliar environment and struggles to fit in. During a hazing ritual for incoming freshman, Justine is pressured to eat raw meat and finally does so after seeing her sister do the same. Unfortunately, this small taste awakens a dark thirst inside her for more. Like “Ginger Snaps” before it (which equated girls’ coming of age to becoming a werewolf), “Raw” appropriately compares cannibalism to female adolescence. Despite the strict protectiveness of her upbringing, Justine eventually finds a way to become free and explore her own identity. She is no longer able to suppress her inevitable growing desires — both sexual desires and the desire to eat human flesh. It’s an interesting film and a nicely-done take on the monstrosity of young adulthood.

‘It’
Release Date: Sept. 8, 2017
Director: Andy Muschietti
Starring: Jaeden Lieberher, Bill Skarsgård and Sophia Lillis
Genre: Drama, Horror, Thriller
Rating: R for violence/horror, bloody images and language.
Grade: C

Photo courtesy of Warner Bros. Pictures.

“It” was definitely the high-budget, must-see horror film of the year, but I wasn’t too impressed. I was hoping this remake would fill in some of the gaps where the 1990 Stephen King adaptation was lacking (there were a lot), but it didn’t really do that. The 2017 “It” mostly excelled in its visuals. Bill Skarsgård’s Pennywise the Dancing Clown is fabulously constructed and aesthetically impressive with his creepy, lurky smile and a costume ruffled for the gods. Several of the film’s phenomenal sets seem ready to be transported directly to Universal Studios for a Halloween Horror Nights maze. But the plot was as convoluted as ever. Basically, a group of youngsters have to work together to defeat a mysterious evil being that lives in the town’s sewer system, dresses in a clown costume and kidnaps children. Why does no one mention how strange this story is? It’s super weird and makes no sense for this monster to appear as a clown. Like, WHY is it a clown? In the original novel, It is actually a shapeshifting demon that takes the form of your greatest fear, which is an important bit of explanation that is never, ever brought up in the film. I guess they’re just assuming everyone’s greatest fear is a clown with a gigantic forehead?

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Capsule film reviews: Four horror movies from 2016

‘The Invitation’
Release Date: April 8, 2016
Director: Karyn Kusama
Starring: Logan Marshall-Green, Tammy Blanchard and Michiel Huisman
Genre: Drama, Mystery, Thriller, Horror
Rating: Not Rated
Grade: B+

Photo courtesy of Drafthouse Films.

In “The Invitation,” Will (Logan Marshall-Green) and his girlfriend Kira (Emayatzy Corinealdi) drive deep into the Hollywood Hills to attend a dinner party hosted by Will’s ex-wife Eden (Tammy Blanchard) and her new husband David (Michiel Huisman) at the house Will and Eden used to share. The party is the first time any of their friends have seen them in two years — Will and Eden divorced following the accidental death of their son, and Eden left to join a grief support group in Mexico, where she met David. Throughout the course of the evening, Will becomes increasingly disturbed being back in the house he once shared with a happy family that is no more, and he also begins to grow suspicious of Eden and David, who try to share with the group their new spiritual philosophies that have helped them overcome grief. I like how “The Invitation” slowly turns up the suspense and leaves the audience unsure if there is really something sinister behind Eden’s cultish white dress and David’s calm demeanor, or if it’s just Will suffering from a mental breakdown when confronted with his past. It’s sufficiently creepy and even a bit thoughtful. All-in-all, “The Invitation” is a pretty good thriller.

‘The Neon Demon’
Release Date: June 24, 2016
Director: Nicolas Winding Refn
Starring: Elle Fanning, Jena Malone and Bella Heathcote
Genre: Horror, Thriller
Rating: R for disturbing violent content, bloody images, graphic nudity, a scene of aberrant sexuality, and language.
Grade: B

neondemon

Photo courtesy of Amazon Studios, Broad Green Pictures, Scanbox Entertainment and The Jokers.

“The Neon Demon” is the most talked-about and most polarizing horror movie of the year. For the most part, I really liked it. Kind of a tired story: Jesse (Elle Fanning) is a young girl from a small town hoping to make it big as a model in Hollywood, but Hollywood is, unfortunately, full of Illuminati and lesbian necrophiliacs. It’s a higher budget version of 2014’s “Starry Eyes,” which is a much better film, plot-wise. But don’t come to “The Neon Demon” for the plot: come for the artistic visuals, evil female leads and the always excellent Jena Malone who steals the show as Jesse’s eerily too nice, there’s-gotta-be-something-wrong-with-her mentor Ruby. My main issue with “The Neon Demon” is the weird casting of Elle Fanning as the lead — she’s not charismatic enough to propel the movie on her own, and she’s cute, but the very embodiment of natural beauty? Eh. At least the costumes are fabulous.

‘Train to Busan’
Release Date: July 20, 2016
Director: Yeon Sang-ho
Starring: Gong Yoo, Kim Su-an and Jung Yu-mi
Genre: Action, Drama, Horror
Rating: Not Rated
Grade: A+

train-to-busan

Photo courtesy of Next Entertainment World.

“Train to Busan” is one of the best zombie movies I’ve seen in a long while. The Korean horror film expertly showcases comedic moments, high tension, family drama, romance and truly frightening zombie shots. It’s an excellent movie and one of the best horror films of the year. The story follows Seok-woo (Gong Yoo), an absentee father whose focus on his business has crippled his relationship with his 9-year-old daughter Su-an (Kim Su-an). For her birthday, all Su-an wants is to be reunited with her estranged mother, so Seok-woo begrudgingly agrees to accompany her on the high-speed KTX ride from Seoul to Busan. Unfortunately, the train departs just as the country begins to deteriorate into a zombie apocalypse. Only Busan, the country’s southern port city, is safe, and the survivors must fight to get the train to its final destination. The intense zombie action scenes are top tier (my favorite is a stop in Daejeon where the passengers are faced with a horde of zombie soldiers in military uniform charging up the stairs), but where “Train to Busan” really got me is with its heart. The evolving father-daughter dynamic will suck you in, and the supporting characters are all so compelling. “Train to Busan” is not to be missed.

‘31’
Release Date: Sept. 16, 2016
Director: Rob Zombie
Starring: Sheri Moon Zombie, Malcolm McDowell and Meg Foster
Genre: Thriller, Horror
Rating: R for strong bloody horror violence, pervasive language, sexual content and drug use.
Grade: B-

31

Photo courtesy of Saban Films.

As a diehard Rob Zombie fan, I enjoyed “31” and was pleased to find it more straightforward and accessible than Zombie’s last release, 2012’s “The Lords of Salem.” “31” follows a group of carnival workers who are kidnapped on Halloween 1976 and told by three strangers that they will be entered into a game called 31. During the game, they will have 12 hours to escape from a maze-like warehouse of rooms while various clowns will be sent to torture and kill them. The plot isn’t necessarily anything groundbreaking, but Zombie’s characterizations are always the most entertaining. His villains are excellent, particularly Malcolm McDowell as Father Murder, an aristocrat in a powdered wig who oversees the proceedings and announces the carnies’ odds for survival over a loudspeaker, and Richard Brake as Doom-Head, the final and most effective obstacle in the gang’s way of survival. As always, Sheri Moon Zombie is a badass and a delight, and I love that she’s still the ultimate scream queen, wielding chainsaws in barely-there crop tops at 46.

Film review: The Handmaiden (Agassi)

Kim Tae-ri and Kim Min-hee star in “The Handmaiden.” Photo courtesy of CJ Entertainment.

It’s always been interesting to me how deeply twisted and delightfully macabre Korean cinema can be — in sharp contrast to the conservative cuteness in popular television dramas. And no one has mastered the perverse and gory in this genre like director Park Chan-wook, who brought the world “Oldboy,” “Sympathy for Mr. Vengeance” and, most recently, “The Handmaiden.”

His latest creation takes place in 1930s Korea, during the Japanese occupation of the country. Lady Hideko (Kim Min-hee) is a beautiful but frail heiress living on an expansive estate with her tyrannical, book-collecting uncle Kouzuki (Cho Jin-woong). When she hires Sook-hee (Kim Tae-ri) to be her new maid, she has no idea that the woman is secretly a double agent, raised from childhood as a pickpocket and chosen by a conman (Ha Jung-woo) to help him seduce the heiress and steal her fortune.

Although it runs for nearly two and a half hours, “The Handmaiden” never seems to drag and each scene keeps the audience anticipating more. The first half of the film moves along at a pleasant pace as Sook-hee and Hideko begin to get to know each other. The building sexual tension between the two women is masterfully executed, and Tae-ri is particularly charismatic in her role as the endearing criminal-with-a-heart-of-gold.

handmaiden

Photo courtesy of CJ Entertainment.

When the film finally reaches its peak of excitement, it never relents. There are nonstop twists that constantly change the audience’s perception of the characters’ alliances, as well as flashbacks and revelations that reveal deeper levels to every element of the story. It’s a thrill to watch and try to keep pace with the film’s progression.

And when it gets grisly (because of course it has to), it does not disappoint. The climactic conclusion is absolutely satisfying and every bit as fucked up as is expected of Park Chan-wook.

“The Handmaiden” is also filmed beautifully — each scene is a pleasure to observe. The scenery is complemented with skillful framing and camera angles that complete the film’s artistic aesthetic. “The Handmaiden” is a great thriller and pleasing to the eye as well.

I love the kind-of feminist focus on the powers of the two female heroines, as well as the unique love story that develops between them. My only real complaint about the film is that the lesbian romance is so completely shot for the male gaze it’s a bit cringe-worthy in parts. The entirety of “The Handmaiden” is pretty kinky, and it’s clear a straight male director was behind the helm.

But, hey, no one could claim this film is not aesthetically exceptional, and the story is quite an exhilarating ride. I highly recommend “The Handmaiden.”

‘The Handmaiden’
Release Date: June 1, 2016
Director: Park Chan-wook
Starring: Kim Min-hee, Ha Jung-woo and Kim Tae-ri
Genre: Drama, Romance
Rating: Not Rated
Grade: A

Theater: Arts Council Korea presents ‘Save the Green Planet’

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“Save the Green Planet” at Daehakro Arts Theater in Seoul. SCREAMfmLondon

Ever felt that Stephen King’s “Misery” was lacking in aliens? Director Jang Joon-hwan thought so too. So, he devised the 2003 genre-bending film “Save the Green Planet!” inspired by the aforementioned psychological thriller as well as the exciting internet theory that Leonardo DiCaprio is an alien.

The resulting film contains elements of horror, comedy, science fiction and thrillers, and has gained a cult fanbase following its success at several international film festivals.

This April, “Save the Green Planet” made its official debut as a stage drama at the Daehakro Arts Theater in Seoul’s most famous theater district, Daehangno. The script was adapted for the stage by playwright Jo Yong-shin and directed by Lee Ji-na.

The story centers on Lee Byeong-gu, who believes only he can keep aliens from destroying the Earth. In order to get in touch with the Prince of Andromeda, Byeong-gu kidnaps the man he perceives to be the highest-ranking incognito alien in Seoul: pharmaceutical executive Kang Man-shik. Once he has Man-shik secured in his basement dungeon, the torture begins to get the answers he’s looking for before local detectives can find him.

It’s a very good movie: a beautiful combination of goofy, disturbing and titillating. Definitely one to check out for fans of black comedy and zany sci-fi.

The stage adaptation is quite a bit different — everything about the production is scaled down, which is intriguing. The set is very, very minimal and relies heavily on lighting, video projection and sound to create the scenes. The theater itself is small, holding only 500 seats with little space between the audience and stage. And the cast is comprised of only four actors.

savethegreenplanet

Shin Ha-kyun and Baek Yoon-sik star as Byeong-gu and Man-shik in the 2003 film “Save the Green Planet!” Photo courtesy of CJ Entertainment and Koch-Lorber Films.

Like the film, the play is character-driven, relying on the actors’ performances to sell the story. As is customary, “Save the Green Planet” features a rotating cast for its characters. The show I attended featured SHINee’s Key as Byeong-gu, Kim Do-bin as Man-shik, Ham Yeon-ji as Byeong-gu’s henchman/girlfriend Su-ni, and Yuk Hyun-wook as literally everyone else.

Hyun-wook is excellent onstage, and I was super impressed with his ability to make each of his many characters seem different in such a short period of time. He keeps the play’s momentum going and even interacts with the audience and improvises well.

Key and Do-bin have great chemistry during the torture sequences, and all of the actors had good comedic timing. I was often amused by the perfectly choreographed, slow-motion fight sequences and chunks of dialogue delivered in the language of Andromeda.

The play really excels in its comedy, and it is super entertaining. The best thing about “Save the Green Planet” is its ability to garner so many laughs despite the gruesome and weird plot progression.

However, the play was not as successful as the movie at achieving the truly dark, twisted and emotional side of the story.

I was very curious to see Key take on the role of Byeong-gu because he’s such a cute boybander, and he’s so different from the older, grittier actors who also star as Byeong-gu (as well as the film’s excellent Shin Ha-kyun). I would have loved to see him go all out into the addled mind of the character, but I get that he’s a pop star, he’s got other stuff to do, and he can’t fully dedicate himself to such method acting. But if they ever want to film a remake, I’m still curious.

Overall, I really enjoy both the “Save the Green Planet!” film and play, and I would definitely see the stage production again. I appreciate how the actors work with the set-up onstage, as well as the source material. Ultimately, it’s a cool story about humanity.

Now who will save the Earth?

‘Save the Green Planet’
110-809 Daehak-ro 10-gil 17, Jongno-gu
8 p.m. Tuesday – Friday, 3 and 6 p.m. Saturday and Sunday through May 29
Tickets range from 45,000 to 55,000 KRW
For more information, visit www.koreapac.kr.

Capsule film reviews: Four horror movies from 2015

‘It Follows’
Release Date: March 13, 2015
Director: David Robert Mitchell
Starring: Maika Monroe, Keir Gilchrist and Daniel Zovatto
Genre: Horror, Mystery, Thriller
Rating: R for disturbing violent and sexual content including graphic nudity, and language.
Grade: C+

itfollows

Photo courtesy of RADiUS-TWC and Dimension Films.

“It Follows” has definitely been one of the most-hyped horror movies this year, but it unfortunately doesn’t live up to those expectations. In the grand tradition of sexually-transmitted monsters in horror films, “It Follows” is about a girl, Jay (Maika Monroe), who has sex with her boyfriend and then realizes that by doing so, he has passed a curse onto her. There will just be a creepy person that only she can see walking steadily toward her at all times. If it catches her, she dies, and the only way to distance herself from it is to pass it on to someone else. Bummer deal. The film is shot well, and some of the scenes of “it” following her are genuinely creepy and unsettling. The movie begins to fall apart at the end, though, as Jay and her friends attempt to defeat “it.” The movie doesn’t have a strong conclusion at all, which leaves the audience feeling dissatisfied after watching.

‘Spring’
Release Date: March 20, 2015
Director: Justin Benson and Aaron Moorhead
Starring: Lou Taylor Pucci, Nadia Hilker and Francesco Carnelutti
Genre: Horror, Romance, Sci-fi
Rating: Not Rated
Grade: B+

spring

Photo courtesy of Drafthouse Films and FilmBuff.

I enjoy horror-romance almost as much as I enjoy horror-comedy, so I was excited to check out Justin Benson and Aaron Moorhead’s “Spring” (they also directed 2013’s “Resolution,” which I enjoyed). “Spring” is quite good as well (with a few caveats). After his mother’s death, Evan (Lou Taylor Pucci) takes a spontaneous finding-himself trip to Italy, where he starts working on a small farm and meets a beautiful woman named Louise (Nadia Hilker) that he begins dating. Of course, there has to be a catch when beautiful, exotic women show an interest in down-on-their-luck American dudes, and Louise’s hidden secret is both creepy and intriguing. “Spring” is Lovecraftian in its horror, but it’s mostly romantic. Which is my main complaint: I just don’t buy the romance. There is no way Evan is the best person she’s ever met. No way! Louise is such a complex, interesting character, but his main redeeming quality is that he still really likes her even when he discovers her grotesque secret. Eh, she could do way better.

‘Creep’
Release Date: June 23, 2015
Director: Patrick Brice
Starring: Mark Duplass and Patrick Brice
Genre: Drama, Horror
Rating: R for brief violence and language.
Grade: A-

creep

Photo courtesy of The Orchard.

I actually got quite a kick out of “Creep.” It’s a simple, independent found-footage horror film featuring only two actors. Patrick Brice and Mark Duplass not only star in the film, they also wrote the story. Additionally, Brice directed and Duplass co-produced it alongside Jason Blum of Blumhouse fame. This creates a real personal touch to the movie and allows the audience to really get to know the strange two characters. Duplass is excellent in his role as Josef, a man who places an ad on Craigslist for a videographer to help him film a message for his unborn son. Brice is less impressive but still alright as Aaron, the unlucky artist who answers the ad and becomes involved in Josef’s life. There are some really tense quiet moments, but overall, the film is pretty amusing with sarcastic jump scares and the increasingly absurd connection between Josef and Aaron. The conclusion is absolutely perfect, and I definitely recommend this movie.

‘Cooties’
Release Date: Sept. 18, 2015
Director: Jonathan Milott and Cary Murnion
Starring: Elijah Wood, Alison Pill and Rainn Wilson
Genre: Action, Comedy, Horror
Rating: R for horror violence and gore, language including sexual references, and some drug use.
Grade: B-

Photo courtesy of Lionsgate Premiere.

Elijah Wood has produced and starred in some great horror movies in the past few years — “Grand Piano,” “Maniac,” “A Girl Walks Home Alone at Night,” “The Boy.” He also produced and stars in “Cooties,” a goofy horror-comedy in which infected chicken nuggets served as school lunch turn elementary school students into zombies across the nation, leaving a group of teachers to fight for their lives. Wood is pretty funny as Clint Hadson, a substitute teacher who would rather be working on his novel than working with children. The movie definitely has some failed attempts at humor — the same run-of-the-mill stuff you’d see on “Saturday Night Live.” But it’s overall pretty entertaining to watch the mismatched group of teachers fight their way through the monstrous children. “Cooties” is a satisfactory movie, but it’s not going to become one of my favorites.

Capsule drama reviews: Healer, Little Mom Scandal, etc.

‘Little Mom Scandal’
Starring: Hwang Jung-eum, Im Sung-uhn and Song In-hwa
Genre: Drama, Comedy
Episodes: 16

Photo courtesy of CGV.

“Little Mom Scandal” is an awesome drama if you’re looking for a story with many strong female characters and a straightforward look at female sexuality and sex work. It’s rare to see these issues presented at all on television — let alone as well as they are covered in “Little Mom Scandal.”

The show is split into two eight-episode seasons, and it tells the story of Hye-jung and Sun-hee, two high school best friends. Hye-jung is super smart and rich, but struggles with some real daddy issues that have led her to become a prolific sugar baby, dating rich older men. Sun-hee is such a typical teen girl: she just cares about finding a cute boyfriend and getting him into bed with her. The girls befriend Sung-sook and Hyo-won, two employees of the local gentleman’s club, but things go south when Sun-hee finds out she’s pregnant.

“Little Mom Scandal” has so much going for it. It’s really a great drama with a shockingly realistic, honest and unbiased depiction of sex work from many different perspectives. It also really gets into the truth of teen pregnancy and, later, teen motherhood. And what’s more! It also features a ton of multifaceted, interesting female characters all pursuing their individual dreams. Highly recommend “Little Mom Scandal.”

‘A Werewolf Boy’
Release Date:
Oct. 31, 2012
Director: Jo Sung-hee
Starring: Song Joong-ki, Park Bo-young and Lee Young-lan
Genre: Fantasy, Romance
Rating: Not Rated

werewolfboy

Photo courtesy of CJ Entertainment.

“A Werewolf Boy” is one of the most successful Korean melodramas of all time, and it is no joke. It is a beautiful, bittersweet story of ill-fated young love — the best and most painful stories to tell. And it features the best and most relatable of all the movie monsters— the romantic werewolf.

The film begins in the modern day: Kim Sun-yi has traveled with her granddaughter back to Korea to sell her childhood home. When she arrives, she remembers her time spent there as a chronically-ill teenager — particularly a darling feral boy named Chul-soo she and her mother discovered living in the surrounding woods and adopted into the family.

Song Joong-ki gives a fantastic performance as the sympathetic wolf boy with huge, expressive eyes. Likewise, Park Bo-young’s emotional delivery as Sun-yi is stellar, and the two actors create excellent chemistry in their scenes together. The first half of the film is very well crafted, funny and sweet as Chul-soo learns to become more “human” and forms a bond with Sun-yi and her family. The film’s weakest points revolve around the cartoonish villain Ji-tae (a random rich asshole thrown in there to advance the plot with his rich asshole behavior) and the weird secret-government-experiment werewolf origin story that’s thrown in unnecessarily. Really, the movie’s success rests solely on the intense connection between Sun-yi and Chul-soo.

The ending of “A Werewolf Boy” is like getting your heart run over by a train, though. I sobbed loudly. Those last 20 minutes will knock you on your ass. I’m just warning you now. It’s a deeply heart-wrenching conclusion that is fitting for the star-crossed lovers’ overall story, but that doesn’t make the tragedy any easier to bear. It’s actually perfect and thoughtful and so, so sad — it’s the kind of poignant conclusion that you’ll be thinking about for weeks after finishing the film.

‘Healer’
Starring:
Ji Chang-wook, Park Min-young and Yoo Ji-tae
Genre: Romance, Comedy, Drama, Thriller
Episodes: 20

healer

Photo courtesy of Kim Jong-hak Productions.

Action-romance is done right in “Healer.” It’s a winning combination: a cast of strong and likable characters, a murder mystery storyline that doesn’t let up on the excitement even toward the end, a substantial and complex villain backstory, sweet fight scenes, even sweeter wardrobe changes, and an incredibly darling male lead. For real, Ji Chang-wook might be the most attractive actor ever to appear in a drama. He is unbelievably gorgeous, and his felon-with-a-heart-of-gold “Healer” persona doesn’t hurt one bit.

The show centers on Seo Jung-hoo (or, as most know him, Healer), a “night courier” who is known for his martial arts skills and an illegal business of breaking-and-entering, petty larceny and the like. He is planning to save up enough money to live alone on a deserted island as the only person he has any connection to is an ajumma he’s never met in person who serves as his hacker accomplice. Unfortunately for him, he takes a job from a famous television anchor that sets him on a path toward unraveling the mystery of his father’s death in 1992 and its connection to his present.

“Healer” really is great. Even the wild, unbelievable puzzle pieces that perfectly come together are presented so well they aren’t even too ridiculous, which is a sign of a remarkable drama. “Healer” is also one of the rare dramas that doesn’t lose momentum halfway through its 20 episodes. I wish there were more so I could continue being thrilled by each new revelation and, of course, admiring Ji Chang-wook all the while.

‘EXO Lives Next Door’
Starring:
Moon Ga-young, Park Chan-yeol and Do Kyung-soo
Genre: Romance, Drama, Comedy
Episodes: 16

exonextdoor

Photo courtesy of Naver TV.

I am so pleased to live in a world where actual famous boybands are required to act out bad fanfiction on camera for our amusement. What a time to be alive. “EXO Lives Next Door” is all the standard self-insert fanfic tropes you may remember from LiveJournal circa 2006, but with the adorable, accommodating boys from EXO at the helm.

“EXO Lives Next Door” is a short web drama that packs a lot of zaniness into 16 quick episodes. Ji Yeon-hee is an underachieving 20-something who lives with her mother and younger brother and has never had a boyfriend because her face turns unnaturally red and she is unable to speak when faced with cute boys. Conveniently, several members of the 10-piece k-pop group happen to move into the house next door to her and immediately begin fighting over her, as this is how fanfiction usually goes. First, she slips on a banana peel and tosses her pads at them in the dark. Embarrassing! Then, she breaks into their house and chokes on rice cakes. Oh, no! At one point, Sehun and Baekhyun catch her spying on them with binoculars, so they decide to make out with each other to freak her out. Who even wrote this script? I’m not entirely convinced they didn’t just lift it from some 13-year-old’s FanFiction.net profile.

The best thing about “EXO Lives Next Door” is that the episodes are only 12-15 minutes long, which is exactly my attention span. The next best thing is that it’s completely ridiculous. Yeon-hee is not an interesting or likeable character at all, but no fanfiction heroines ever are (see: Bella Swan). The storyline, however, is so ludicrous it’s amazing. Personally, I’d stick around just for Sehun’s unlikely bromance with Yeon-hee’s kung fu-obsessed brother.

P.S. How can I get a job writing for one of these?!

Capsule film reviews: Four more horror movies from 2014

‘Starry Eyes’
Release Date: March 8, 2014
Director: Kevin Kölsch and Dennis Widmyer
Starring: Alex Essoe, Amanda Fuller and Noah Segan
Genre: Horror
Rating: Not Rated
Grade: A-

starryeyes

Photo courtesy of Snowfort Pictures, Parallactic Pictures and Dark Sky Films.

This film borrows heavily from its predecessors: it’s got a bit of “Suspiria” (Alex Essoe, who stars as Sarah, even looks just like Jessica Harper) with a dash of “Eyes Wide Shut.” The body horror is exactly the same as 2013’s “Contracted,” which was itself borrowed from 2012’s “Thanatomorphose.” And yet I still really, really liked “Starry Eyes.” It follows Sarah’s struggles as a part-time waitress/aspiring actress living in Hollywood with a group of self-centered frenemies. She finally has some success at an audition run by an eerie-yet-powerful production company with strange Illuminati-esque ties that promises to “transform” her life — quite literally. “Starry Eyes” is pretty campy, and it’s great. At its core, it’s just a classic Hollywood story. How far are you willing to go for success? How much are you willing to sacrifice? How squeamish are you around maggots?

‘Oculus’
Release Date: April 11, 2014
Director: Mike Flanagan
Starring: Karen Gillan, Brenton Thwaites and Rory Cochrane
Genre: Horror
Rating: R for terror, violence, some disturbing images and brief language.
Grade: D

oculus

Photo courtesy of Relativity Media.

The best line from this movie is, “Okay, what’s more likely: that you’re misremembering events from 11 years ago, or that the mirror eats dogs?” But, of course, the mirror really does eat dogs. It also manipulates people within its range to have vivid hallucinations that eventually cause them to commit horrifying deeds. In the case of “Oculus,” Kaylie Russell (Karen Gillan) is convinced that the antique mirror her father (Rory Cochrane) had in his office when she was a child used its supernatural abilities to drive him crazy enough to murder her mother (Katee Sackhoff). It’s really such a stupid premise, I started to wonder if we’ve literally made a horror movie about everything and now there’s nothing left. It would have been much more interesting if Kaylie really was remembering incorrectly and her father was just an insane murderer of his own volition, but no. It was the mirror.

‘The Town That Dreaded Sundown’
Release Date: Oct. 16, 2014
Director: Alfonso Gomez-Rejon
Starring: Addison Timlin, Spencer Treat Clark and Travis Tope
Genre: Horror, Thriller
Rating: R for brutal violence, grisly images, strong sexual content, and language.
Grade: D

townthatdreadedsundown

Photo courtesy of Orion Pictures.

As a sequel/remake/ reboot of the 1976 classic slasher film, “The Town That Dreaded Sundown” had a lot of room to play around with the story and the genre, but it really dropped the ball. The original is based on the true story of a masked serial killer who terrorized the small town Texarkana in the 1940s. The 2014 film picks up the story in the modern day with a return of the Phantom Killer at an annual Halloween screening of the movie at the local drive-in theater. I love meta horror, but “The Town That Dreaded Sundown” didn’t even try to do anything interesting with this reboot. With two horror powerhouses behind the production (Ryan Murphy of American Horror Story fame and Jason Blum of Blumhouse Productions), I expected something more innovative. “The Town That Dreaded Sundown” is just another straightforward slasher without any particularly exciting gory effects and the most ridiculously disappointing resolution imaginable. In fact, it was such a letdown it made me angry.

‘Horns’
Release Date: Oct. 31, 2014
Director: Alexandre Aja
Starring: Daniel Radcliffe, Juno Temple and Max Minghella
Genre: Drama, Fantasy, Horror
Rating: R for sexual content, some graphic nudity, disturbing violence including a sexual assault, language and drug use.
Grade: C

horns

Photo courtesy of Dimension Films and RADiUS-TWC.

The “Horns” script seemed quite true to Joe Hill’s novel, but there’s a lot going on that had to be condensed into a 120-minute film. I wish “Horns” had focused on the areas in which it excelled: black horror-comedy and religious satire. Unfortunately, it had to take a lot of time for scene-setting flashbacks, character-building romance and, y’know, plot-progressing twists and turns. It centers on Ig Perrish (played by Daniel Radcliffe, whom I love), a social pariah who has been accused of murdering his girlfriend Merrin (played by Juno Temple, whom I love). One day, he wakes up with horns sprouting from his forehead and psychic abilities to draw the truth out of people, which he uses to his advantage as he seeks out Merrin’s true killer. Also he can command snakes to do his bidding. There’s a lot going on, most of which is at least entertaining. But I really am sick of the compulsory rape scene in every horror movie.