Tag Archives: lesbian

Capsule film reviews: Four horror movies from 2016

‘The Invitation’
Release Date: April 8, 2016
Director: Karyn Kusama
Starring: Logan Marshall-Green, Tammy Blanchard and Michiel Huisman
Genre: Drama, Mystery, Thriller, Horror
Rating: Not Rated
Grade: B+

Photo courtesy of Drafthouse Films.

In “The Invitation,” Will (Logan Marshall-Green) and his girlfriend Kira (Emayatzy Corinealdi) drive deep into the Hollywood Hills to attend a dinner party hosted by Will’s ex-wife Eden (Tammy Blanchard) and her new husband David (Michiel Huisman) at the house Will and Eden used to share. The party is the first time any of their friends have seen them in two years — Will and Eden divorced following the accidental death of their son, and Eden left to join a grief support group in Mexico, where she met David. Throughout the course of the evening, Will becomes increasingly disturbed being back in the house he once shared with a happy family that is no more, and he also begins to grow suspicious of Eden and David, who try to share with the group their new spiritual philosophies that have helped them overcome grief. I like how “The Invitation” slowly turns up the suspense and leaves the audience unsure if there is really something sinister behind Eden’s cultish white dress and David’s calm demeanor, or if it’s just Will suffering from a mental breakdown when confronted with his past. It’s sufficiently creepy and even a bit thoughtful. All-in-all, “The Invitation” is a pretty good thriller.

‘The Neon Demon’
Release Date: June 24, 2016
Director: Nicolas Winding Refn
Starring: Elle Fanning, Jena Malone and Bella Heathcote
Genre: Horror, Thriller
Rating: R for disturbing violent content, bloody images, graphic nudity, a scene of aberrant sexuality, and language.
Grade: B

neondemon

Photo courtesy of Amazon Studios, Broad Green Pictures, Scanbox Entertainment and The Jokers.

“The Neon Demon” is the most talked-about and most polarizing horror movie of the year. For the most part, I really liked it. Kind of a tired story: Jesse (Elle Fanning) is a young girl from a small town hoping to make it big as a model in Hollywood, but Hollywood is, unfortunately, full of Illuminati and lesbian necrophiliacs. It’s a higher budget version of 2014’s “Starry Eyes,” which is a much better film, plot-wise. But don’t come to “The Neon Demon” for the plot: come for the artistic visuals, evil female leads and the always excellent Jena Malone who steals the show as Jesse’s eerily too nice, there’s-gotta-be-something-wrong-with-her mentor Ruby. My main issue with “The Neon Demon” is the weird casting of Elle Fanning as the lead — she’s not charismatic enough to propel the movie on her own, and she’s cute, but the very embodiment of natural beauty? Eh. At least the costumes are fabulous.

‘Train to Busan’
Release Date: July 20, 2016
Director: Yeon Sang-ho
Starring: Gong Yoo, Kim Su-an and Jung Yu-mi
Genre: Action, Drama, Horror
Rating: Not Rated
Grade: A+

train-to-busan

Photo courtesy of Next Entertainment World.

“Train to Busan” is one of the best zombie movies I’ve seen in a long while. The Korean horror film expertly showcases comedic moments, high tension, family drama, romance and truly frightening zombie shots. It’s an excellent movie and one of the best horror films of the year. The story follows Seok-woo (Gong Yoo), an absentee father whose focus on his business has crippled his relationship with his 9-year-old daughter Su-an (Kim Su-an). For her birthday, all Su-an wants is to be reunited with her estranged mother, so Seok-woo begrudgingly agrees to accompany her on the high-speed KTX ride from Seoul to Busan. Unfortunately, the train departs just as the country begins to deteriorate into a zombie apocalypse. Only Busan, the country’s southern port city, is safe, and the survivors must fight to get the train to its final destination. The intense zombie action scenes are top tier (my favorite is a stop in Daejeon where the passengers are faced with a horde of zombie soldiers in military uniform charging up the stairs), but where “Train to Busan” really got me is with its heart. The evolving father-daughter dynamic will suck you in, and the supporting characters are all so compelling. “Train to Busan” is not to be missed.

‘31’
Release Date: Sept. 16, 2016
Director: Rob Zombie
Starring: Sheri Moon Zombie, Malcolm McDowell and Meg Foster
Genre: Thriller, Horror
Rating: R for strong bloody horror violence, pervasive language, sexual content and drug use.
Grade: B-

31

Photo courtesy of Saban Films.

As a diehard Rob Zombie fan, I enjoyed “31” and was pleased to find it more straightforward and accessible than Zombie’s last release, 2012’s “The Lords of Salem.” “31” follows a group of carnival workers who are kidnapped on Halloween 1976 and told by three strangers that they will be entered into a game called 31. During the game, they will have 12 hours to escape from a maze-like warehouse of rooms while various clowns will be sent to torture and kill them. The plot isn’t necessarily anything groundbreaking, but Zombie’s characterizations are always the most entertaining. His villains are excellent, particularly Malcolm McDowell as Father Murder, an aristocrat in a powdered wig who oversees the proceedings and announces the carnies’ odds for survival over a loudspeaker, and Richard Brake as Doom-Head, the final and most effective obstacle in the gang’s way of survival. As always, Sheri Moon Zombie is a badass and a delight, and I love that she’s still the ultimate scream queen, wielding chainsaws in barely-there crop tops at 46.

Film review: The Handmaiden (Agassi)

Kim Tae-ri and Kim Min-hee star in “The Handmaiden.” Photo courtesy of CJ Entertainment.

It’s always been interesting to me how deeply twisted and delightfully macabre Korean cinema can be — in sharp contrast to the conservative cuteness in popular television dramas. And no one has mastered the perverse and gory in this genre like director Park Chan-wook, who brought the world “Oldboy,” “Sympathy for Mr. Vengeance” and, most recently, “The Handmaiden.”

His latest creation takes place in 1930s Korea, during the Japanese occupation of the country. Lady Hideko (Kim Min-hee) is a beautiful but frail heiress living on an expansive estate with her tyrannical, book-collecting uncle Kouzuki (Cho Jin-woong). When she hires Sook-hee (Kim Tae-ri) to be her new maid, she has no idea that the woman is secretly a double agent, raised from childhood as a pickpocket and chosen by a conman (Ha Jung-woo) to help him seduce the heiress and steal her fortune.

Although it runs for nearly two and a half hours, “The Handmaiden” never seems to drag and each scene keeps the audience anticipating more. The first half of the film moves along at a pleasant pace as Sook-hee and Hideko begin to get to know each other. The building sexual tension between the two women is masterfully executed, and Tae-ri is particularly charismatic in her role as the endearing criminal-with-a-heart-of-gold.

handmaiden

Photo courtesy of CJ Entertainment.

When the film finally reaches its peak of excitement, it never relents. There are nonstop twists that constantly change the audience’s perception of the characters’ alliances, as well as flashbacks and revelations that reveal deeper levels to every element of the story. It’s a thrill to watch and try to keep pace with the film’s progression.

And when it gets grisly (because of course it has to), it does not disappoint. The climactic conclusion is absolutely satisfying and every bit as fucked up as is expected of Park Chan-wook.

“The Handmaiden” is also filmed beautifully — each scene is a pleasure to observe. The scenery is complemented with skillful framing and camera angles that complete the film’s artistic aesthetic. “The Handmaiden” is a great thriller and pleasing to the eye as well.

I love the kind-of feminist focus on the powers of the two female heroines, as well as the unique love story that develops between them. My only real complaint about the film is that the lesbian romance is so completely shot for the male gaze it’s a bit cringe-worthy in parts. The entirety of “The Handmaiden” is pretty kinky, and it’s clear a straight male director was behind the helm.

But, hey, no one could claim this film is not aesthetically exceptional, and the story is quite an exhilarating ride. I highly recommend “The Handmaiden.”

‘The Handmaiden’
Release Date: June 1, 2016
Director: Park Chan-wook
Starring: Kim Min-hee, Ha Jung-woo and Kim Tae-ri
Genre: Drama, Romance
Rating: Not Rated
Grade: A

Capsule film reviews: Even more foreign LGBT movies

‘Night Flight’ (South Korea)
Release Date: Aug. 28, 2014
Director: Leesong Hee-il
Starring: Kwak Si-yang, Lee Jae-joon and Choi Jun-ha
Genre: Drama
Rating: Not Rated
Grade: A-

nightflight

Photo courtesy of Finecut.

“Night Flight” is a very well-done story of loneliness and survival. It follows three former friends who have grown apart during high school. Gi-taek (Choi Jun-ha) uses comic books to escape from real life where he is bullied by his classmates, Gi-woong (Lee Jae-joon) tries to distance himself from everyone and expresses himself only through fighting, and Yong-ju (Kwak Si-yang) is realizing his sexuality and the feelings he’s had for Gi-woong since middle school. The seeming hopelessness of overcoming the teenage experience is always achingly sad, and it’s particularly well illustrated in this film. “Night Flight” is perfectly paced and thoroughly explores the relationships between each of the characters. Although it’s quite upsetting and violent throughout, it provides a satisfying ending. The least successful element of the film is its odd and out-of-place soundtrack — especially during the end credits, where the poignant final scene is cut off with the jarring sound of some jaunty indie folk song for some reason unbeknownst to me.

‘Blue is the Warmest Color’ (France)
Release Date: Oct. 9, 2013
Director: Abdellatif Kechiche
Starring: Léa Seydoux, Adèle Exarchopoulos and Salim Kechiouche
Genre: Drama, Romance
Rating: NC-17 for explicit sexual content.
Grade: A-

blueisthewarmestcolor

Photo courtesy of Wild Bunch.

“Blue is the Warmest Color” has been one of the most critically acclaimed LGBT films in recent years, and it’s really pretty good. It’s a great, long (long, long) movie with the world’s longest, most in-depth sex scene. It’s almost comical how long and in-depth the sex scenes are in “Blue is the Warmest Color,” but it’s fitting because every scene is quite long and in-depth. I know it’s a very American thing to emphasize, but, damn, this movie is long. The story follows Adèle’s (Adèle Exarchopoulos) coming-of-age. She begins as a 15-year-old high school student struggling to convince herself she’s interested in boys, but eventually realizes she’s much more interested in an older, blue-haired painter named Emma (Léa Seydoux). The film artfully and thoroughly follows Adèle and Emma through the highs and lows of a first love. “Blue is the Warmest Color” is realistic — often harshly. It’s a well-told story with a strong ending, though, so it’s obvious to see why it’s become so beloved since its 2013 release.

‘Schoolboy Crush’ (Japan)
Release Date: Aug. 6, 2007
Director: Kôtarô Terauchi
Starring: Yoshikazu Kotani, Atsumi Kanno and Yuuki Kawakubo
Genre: Drama
Rating: Not Rated
Grade: D

schoolboycrush

Photo courtesy of TLA Releasing.

Wow, what a wild ride. Although “Schoolboy Crush” bills itself as some sort of sexy, twisted romance taking place in an all-boys boarding school in Japan, it’s actually more like three entire seasons of a soap opera condensed into a brisk 88 minutes. Not to be confused with the gay porn of the same name, “Schoolboy Crush” follows Aoi (Yoshikazu Kotani), a teacher who discovers that an escort he recently slept with is a new student in his class. To say that literally everything happens in this movie is not even that much of an exaggeration. There’s some kidnapping, suicide, bullying, stalking, prostitution, blackmail, love triangle, comas, tragic family backstory, marine biology… There’s even a very exciting scene where somebody gets beaten with a candelabra inside the church. So much zany stuff happens, but “Schoolboy Crush” is still remarkably boring because they hardly even get to the actual romance that was supposed to be central to the plot. At least, I think that’s what the movie was supposed to be about.

‘Free Fall’ (Germany)
Release Date: May 23, 2013
Director: Stephan Lacant
Starring: Hanno Koffler, Max Riemelt and Katharina Schüttler
Genre: Drama
Rating: Not Rated
Grade: D

freefall

Photo courtesy of Edition Salzgeber.

“Free Fall” is a German film about Marc (Hanno Koffler), a police officer in training, who begins having a secret relationship with a fellow officer despite living with his pregnant girlfriend. I feel like I should keep this short because you’ve surely read this review before. Everybody has seen this movie before. It plays out exactly as it always does in these kinds of movies: Marc is very conflicted about his newfound feelings for men. He tries to deny them, but is unable to resist. He acts like an asshole to everybody. His girlfriend becomes upset. So does his boyfriend. Everything eventually unravels. It’s made well enough, but “Free Fall” is super predictable and doesn’t have anything new to offer. The lack of diversity and creative storytelling in queer movies continues to frustrate me. Why bother continuing to make the same movie over and over again? If you’ve seen one, you’ve seen them all. Skip “Free Fall.”

Capsule film reviews: Four more horror movies

‘Contracted’
Release Date:
Nov. 23, 2013
Director: Eric England
Starring: Najarra Townsend, Caroline Williams and Katie Stegeman
Genre: Thriller, Drama, Horror
Rating: Not Rated
Grade: A

contracted

Photo courtesy of BoulderLight Pictures and Southern Fried Films.

There are a lot of things to love about “Contracted”: the excellent special effects makeup that succeeds in creating some gross-out body horror scenes, the overarching allegory, the unconventional take on the genre, the sociological commentary. Although it gets off to a slow start with pretty weak acting, it soon hits its stride and is fascinating until the end. The story starts out evoking an old urban legend that I have even heard happened to some girl who knows a friend of a friend — Samantha (Najarra Townsend) is a lesbian who is drugged and sexually assaulted by a man at a party, and she quickly begins displaying symptoms of a strange sexually-transmitted infection that doctors cannot identify. She tries to carry on without acknowledging what happened to her, but the effects become increasingly difficult to hide. The film steadily ups the ante as it delves more deeply into Samantha’s life and finally culminates with a shocking final scene.

‘Compliance’
Release Date:
Aug. 17, 2012
Director: Craig Zobel
Starring: Dreama Walker, Ann Dowd and Pat Healy
Genre: Crime, Drama, Thriller
Rating: Rated R for language and sexual content/nudity.
Grade: B

5a_photo_compliance

Photo courtesy of Magnolia Pictures.

Well, “Compliance” on its own isn’t really that great of a movie. However, it’s a good complement to go along with reading about the real-life cases on which the movie is based, which I would highly recommend doing. The movie follows Becky (Dreama Walker), a teenage cashier at a fast food restaurant, and her manager Sandra (Ann Dowd). When Sandra receives a phone call from a man claiming to be a police officer, she barely hesitates to follow his orders to detain Becky, and the situation continues to escalate until Becky is stripped naked and sexually assaulted by Sandra’s fiancée Van (Bill Camp). What makes “Compliance” worth watching is the knowledge that this is a totally true story — and that it happened more than 70 times in many different states. The story brings to mind Yale University’s Milgram experiment on obedience to authority figures, during which volunteers readily gave increasingly powerful electric shocks to innocent strangers at the command of an “authority figure.” So, like I said, “Compliance” is not altogether a fabulous movie filled with mind-blowing acting, but the story is so thought-provoking that it’s worth looking into.

‘In Their Sleep’
Release Date:
Jan. 27, 2010
Director: Caroline du Potet and Éric du Potet
Starring: Anne Parillaud, Arthur Dupont and Thierry Frémont
Genre: Horror
Rating: Not Rated
Grade: C+

in-their-sleep

Photo courtesy of Delante Films and Banque Populaire Images 9.

“In Their Sleep” is a French horror film that probably would have been better had the main narrative twist not been glaringly obvious from the beginning of the action. The film is constructed cleverly with dream sequences slipped into the storyline, a nonlinear timeline and substantial flashbacks at opportune moments. Anne Parillaud succeeds at portraying Sarah as a sympathetic and emotionally vulnerable heroine, and Arthur Dupont is excellent as the twisted Arthur. The film has all the makings of an interesting addition to the horror canon, but it plays out exactly as it is expected to without taking risks or maintaining the suspense.

‘The Shrine’
Release Date:
July 15, 2011
Director: Jon Knautz
Starring: Cindy Sampson, Aaron Ashmore and Meghan Heffern
Genre: Horror
Rating: Not Rated
Grade: F

the-shrine-6

Photo courtesy of Brookstreet Pictures.

“The Shrine” is pretty terrible. I knew it was going to be pretty terrible when, one minute, we’re all in the United States, and the next, the film is suddenly taking place in Poland with absolutely no interlude between the two settings. It’s really pretty boring with run-of-the-mill, badly-acted American tourists wandering aimlessly through unfamiliar woods in an attempt to suss out a mystery. The only mildly interesting moment takes place more than halfway through the film, after the Americans have been captured by Satanic cultists and have escaped. And even these goofy special effects don’t make the movie or its letdown of a “twist” conclusion worthwhile.

Capsule film reviews: Four horror movies from 2013

‘The Lords of Salem’
Release Date:
April 26, 2013
Director: Rob Zombie
Starring: Sheri Moon Zombie, Judy Geeson and Bruce Davison
Genre: Horror, Thriller
Rating: R for disturbing violent and sexual content, graphic nudity, language and some drug use.
Grade: C+

the-lords-of-salem-4-013

Photo courtesy of Anchor Bay Films.

It pains me to say, but as much as I love and admire the talents of both Sheri Moon and Rob Zombie, I was not a big fan of “The Lords of Salem.” I do enjoy the corresponding Rob Zombie track, as well as the movie score that was penned by Rob Zombie guitarist John 5. The movie itself, however, misses the mark quite a bit. The story centers on Heidi (Moon Zombie), a recovering drug addict who works as a DJ at a rock ‘n roll radio station. When she plays a strange record that she receives from a band called The Lords of Salem, she begins having creepy Satanic visions that are traced back to a curse from the Salem witch trials. The premise sounds really cool, and there are some great artsy shots of priests masturbating with giant dildos and naked old witches and goats’ head masks and all kinds of weird shit. But the film doesn’t really come together as a whole, and these interesting sequences come across a little too obscure.

‘Curse of Chucky’
Release Date:
Aug. 2, 2013
Director: Don Mancini
Starring: Fiona Dourif, Brad Dourif and Danielle Bisutti
Genre: Horror, Thriller
Rating: R for bloody horror violence and language.
Grade: C

CurseOfChucky

Photo courtesy of Universal Studios Home Entertainment.

“Curse of Chucky” was less cheesy than most of the previous installments in the “Child’s Play” franchise, but I don’t know why anyone would want that. The series reached its peak of cheesiness with 1998’s “Bride of Chucky,” which is still definitely the best film of the bunch. As for the “Curse of Chucky,” there was too much spooky ambiance and too few Chucky one-liners. I am, however, so incredibly glad that this film was made rather than a reboot or remake of the original “Child’s Play,” as was initially intended. I also appreciate that the film stars Fiona Dourif, the real-life daughter of Brad Dourif (Charles Lee Ray/the voice of Chucky). I was also pleasantly surprised that the movie focused on a female hero in a wheelchair and two lesbian/bisexual characters. I just didn’t think there was enough Chucky silliness. But I do hope they continue making “Child’s Play” movies for a long time coming.

‘The Jeffrey Dahmer Files’
Release Date:
Feb. 15, 2013
Director: Chris James Thompson
Starring: Andrew Swant, Pamela Bass and Pat Kennedy
Genre: Documentary
Rating: Not Rated
Grade: C

dahmer

Photo courtesy of Good / Credit Productions.

A documentary rather than a horror movie, “The Jeffrey Dahmer Files” is nonetheless horrible. However, this not a very well-filmed nor well-made movie. The dramatic reenactments are pretty goofy and unrealistic — particularly a scene that depicts Dahmer (Andrew Swant) carrying a set of mannequin legs out to the trunk of a taxi that was so silly I’m still unclear on its purpose. There are also a lot of inexplicable fade-to-black transitions that were rather bothersome. But, aside from the filmmaking, there are some interesting aspects to this documentary. The file footage is compelling, as is its unique focus. The documentary features interviews with only three people, providing a clear look into their lives and how they were impacted by the Dahmer case — an unusual perspective that almost made up for many of the filmmaking missteps.

‘You’re Next’
Release Date:
Aug. 23, 2013
Director: Adam Wingard
Starring: Sharni Vinson, Nicholas Tucci and Wendy Glenn
Genre: Horror, Suspense, Thriller
Rating: R for some sexuality/nudity, language and strong bloody violence.
Grade: D

Youre-Next-Axe-Clip

Photo courtesy of Lionsgate.

The plot twists in “You’re Next” are terribly predictable, which makes the whole thing pretty disappointing and left me wanting a lot more. The carnage is pretty standard (save a choice bit involving a blender and someone’s still-thinking brains — that was a little off the wall), and the suspense is pretty lacking as the villains simply aren’t strong enough to make much impact. However, Sharni Vinson (“Step Up 3D”) is badass as Erin and does a strong job carrying the movie on her own. Some of the dialogue and action is amusing, particularly regarding the ill-fated family dynamic. And the movie ends on a good note with an almost slapstick final scare.

Capsule film reviews: Four foreign LGBT movies

‘Plan B’ (Argentina)
Release Date: March 27, 2009
Director: Marco Berger
Starring: Manuel Vignau, Lucas Ferraro and Mercedes Quinteros
Genre: Comedy, Drama, Romance
Rating: Not Rated
Grade: A+

photo-Plan-B-2009-5

Photo courtesy of Rendez-vous Pictures and Oh My Gomez! Films.

“Plan B” is a great film — a Spanish-language romantic comedy with a strong emotional, dramatic element. The pacing is perfect as the plot progresses toward an excellent and satisfying conclusion. The storyline is almost Shakespearean in its use of plotting and scheming, zany high jinks, and secret identities: Manuel Vignau excels as Bruno, who is set on exacting revenge after his girlfriend (Mercedes Quinteros) leaves him for another man, Pablo (Lucas Ferraro). First, he aims to befriend Pablo, infiltrating his world and possibly setting him up with another woman. But, when that doesn’t work, he decides to go with “plan B,” which is to just do the seducing himself. But as silly as the set-up is, the story is sweet and romantic with effective rising tension leading to a touching resolution. The script is well-written, the acting believable, and, again, this film is a great one.

‘Water Lilies’ (France)
Release Date: May 17, 2007
Director: Céline Sciamma
Starring: Adèle Haenel, Alice de Lencquesaing and Warren Jacquin
Genre: Drama
Rating: Not Rated
Grade: B-

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Photo courtesy of Balthazar Productions.

This French film centers on three girls during the summer they are 15 years old. Primarily, the focus is on Marie (Pauline Acquart), who is captivated by Floriane (Adèle Haenel), the captain of the girls’ synchronized swimming team. And, although Marie is dealing with her first personal sexuality crisis, she’s quite often expressionless and emotionless, which drags the film on a bit. More interesting are the other two girls, Floriane (who is negatively perceived as promiscuous by her other classmates, doesn’t get along well with girls and is anxious to lose her virginity to some creep) and Anne (Louise Blachère, who is Marie’s heterosexual childhood friend she finds herself now drifting away from). The minimalistic cinematography is a little boring, but the storyline certainly is not, and “Water Lilies” is an interesting look at female sexual awakening.

‘Eyes Wide Open’ (Israel)
Release Date: Feb. 5, 2010
Director: Haim Tabakman
Starring: Ran Danker, Zohar Strauss and Tzahi Grad
Genre: Drama
Rating: Not Rated
Grade: C

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Photo courtesy of Peccadillo Pictures.

Unfortunately for me, I had to start and stop this movie several times in order to make it through. I wanted so badly to not find it boring, but I managed to do it anyway. “Eyes Wide Open” is a film, in Hebrew, that centers on an Orthodox Jewish community in Jerusalem. Zohar Strauss stars as Aaron, a married father of four, who hires Ezri (Ran Danker) to work as an apprentice in his butcher shop and eventually falls for him. The consequent crisis of faith and social ostracizing are the most compelling elements of the film, posing questions such as, “Is Aaron’s faith hurting or helping him? Is following his heart a good decision or a bad one?” But the acting is just so-so. Neither Danker nor Strauss is particularly compelling or convincing in their respective roles. Also, you know what’s weird about this movie? The promotional picture on the cover features a guy who is not really even in it (he appears in two scenes, I think).

‘North Sea Texas’ (Belgium)
Release Date: November 2, 2012
Director: Bavo Defurne
Starring: Thomas Coumans, Nina Marie Kortekaas and Nathan Naenen
Genre: Drama
Rating: Not Rated
Grade: C-

North-Sea-Texas16

Photo courtesy of Kinepolis Film Distribution and Strand Releasing.

There was probably a time I would have loved “North Sea Texas,” a Belgian coming-of-age film about a boy living with his good-for-nothing lounge singer/accordion player mother. Pim (Jelle Florizoone) carries off some amazingly angsty scenes dressing in his mother’s clothing and collecting mementos that remind him of the neighbor boy, Gino (Mathias Vergels). His mother (Eva Van der Gucht) does some lousy parenting, and Gino does some lousy boyfriending as he struggles with his own sexuality and his bleak family situation. It’s all very run-of-the-mill gay drama stuff, and that’s why I found this film to be so tedious. It’s well-acted, and it’s even emotionally-captivating. I just feel like I’ve seen this movie a million times over, and there are so many more diverse and interesting queer stories that could be told instead.