To close their summer season, Shakespeare Orange County cordially invites the audience aboard the goofiest opera-singing pirate ship around with a uniquely intimate production of Gilbert and Sullivan’s “The Pirates of Penzance.”
Director Peter Uribe, whose background in rock operas includes a six-month tour of the UK working on a Pete Townshend-approved production of The Who’s “Quadrophenia,” said he hopes to infuse Shakespeare OC’s debut musical with this kind of energy.
“The kind of mantra we live by is, ‘This is not your great-grandmother’s Pirates of Penzance,’” he said. “A big fight scene happens that’s kind of an homage to The Who and ‘Quadrophenia.’ We have a sound cue: at the count of four or five, the lights all go out, and it’s just Roger Daltrey screaming at the apex of ‘Won’t Get Fooled Again.’ The lights just go black, that all happens, the lights come back up, and the fight’s over.”
“Penzance” is more of a comic opera that is best known for one specific song (“I am the very model of a modern major-general, / I’ve information vegetable, animal and mineral,” etc.), but Shakespeare OC hopes to show Southern California theatergoers how entertaining it is in its entirety. Because the 1879 opera is now in the public domain, the cast has had more freedom to reshape the material for today’s audiences.
“We’ve thrown in every gag we can,” Uribe said. “While we’re pretty faithful to the script, I encourage the actors the entire time, ‘Any time you see a space for a joke, improv a joke. If it makes me laugh three times in a row and it’s somewhat appropriate, it can stay in the show.’ It’s been kind of fun to work fast and loose with the script.”
The opera’s storyline follows Frederic, a 21-year-old who has just completed an apprenticeship aboard a pirate ship. However, as Frederic is preparing to be on his way (hopefully alongside the Major-General’s beautiful daughter Mabel), the Pirate King discovers a loophole: because Frederic was born on leap year, he won’t technically turn 21 for many more decades and has to rejoin their crew.
Alex Bodrero, who plays the Pirate King in Shakespeare OC’s production, said he’s enjoyed combining elements of serious opera with the comedy of “Penzance.”
“This is probably the most classical singing I’ve done in a long time, despite it being such a crazy, off-the-wall show,” he said. “It’s an interesting dichotomy. It’s got that legit thing while having fun like you’re on the playground in elementary school.”
For “Penzance,” Shakespeare OC decided to make the most of the expansive Garden Grove stage: instead of utilizing all 500 seats in the amphitheater, they will include audience seating right there in the midst of it.
“I don’t think people know what to expect when they’re going to come see this,” said Nikolai Fernandez, who plays Frederic in the production. “What’s exciting about that is you’re going to have audience members who are uncomfortable and look away when you’re trying to talk to them and invite them in, and you’re going to have audience members who want to, like, jump up and be a part of it when you give them that permission.”
In recent years, Shakespeare OC has been working to make classic theater productions more accessible to the local community. Earlier this season, a production of “Romeo and Juliet” staged its famous ball scene as a traditional Mexican quinceañera, and the Montagues delivered their lines in Korean. Uribe hopes “Penzance” will prove that musical theater also has a place in the OC.
“The stigma is that in LA, everything is better, but [Uribe] really brings a lot that you won’t find anywhere else to the theater,” Fernandez said, “and I think that’s a huge reason why I decided to commute down here two hours every day to be a part of it.”
‘The Pirates of Penzance’
12762 Main St., Garden Grove, Calif.
7:30 p.m. Thursday – Sunday through Sept. 26
Tickets are $20
For more information, visit www.shakespeareoc.org.