Tag Archives: post-apocalyptic

Capsule film reviews: Four horror movies from 2018

‘Cam’
Release Date: Nov. 16, 2018
Director: Daniel Goldhaber
Starring: Madeline Brewer, Patch Darragh and Imani Hakim
Genre: Horror, Mystery, Thriller
Rating: Not Rated
Grade: A-

Photo courtesy of Netflix.

As someone who recently got all my shit stolen (everything from cell phone to Gmail and Instagram accounts), I both enjoyed and deeply related to Netflix’s original thriller “Cam.” It’s not until something terrible happens that you realize how much of your life is online and how quickly you can lose it all — which is exactly what we learn in “Cam” as we follow the heroine Alice (Madeline Brewer), a camgirl whose online identity is everything to her. As she’s rising in rank on a popular camming site called Free Girls Live, desperately trying to crack the top 50 with increasingly daring broadcasts, Alice suddenly loses access to her account. But that’s not all. Her account has been taken over by an eerie doppelgänger who performs under her name and has her audience fooled. The film follows Alice’s frantic race to figure out what’s happened to her account before she loses her carefully curated online presence, her reputation, her job and perhaps even her life. There have been numerous horror films attempting to show us the dangers of our technological world, but few, like “Cam,” which acknowledge how our online selves are now almost essential extensions of our lives.

‘A Quiet Place’
Release Date: April 6, 2018
Director: John Krasinski
Starring: Emily Blunt, John Krasinski and Millicent Simmonds
Genre: Drama, Horror, Mystery
Rating: PG-13 for terror and some bloody images.
Grade: B

Photo courtesy of Paramount Pictures.

Relying heavily on a creepy musical score, visual cues and emotive acting from its leads, “A Quiet Place” cements itself as one of the year’s most inventive sci-fi/horror films. The story takes place in a post-apocalyptic world that has been taken over by horrible creatures that attack using their strong sense of hearing. The few humans who’ve survived the takeover — including Evelyn (Emily Blunt), Lee (John Krasinski) and their children (Millicent Simmonds and Noah Jupe) — have learned to adapt to new lives scavenging for supplies in abandoned cities and going about day-to-day business while making as little noise as possible to avoid detection. It’s a testament to the filmmaking that “A Quiet Place” can be so compelling and emotionally-driven without much dialogue beyond some hushed conversations. There are a few good moments of suspense and tension, but the film’s biggest strength is the human element. It is especially interesting to see the older children beginning to grow up in this oppressive environment and struggle to find their places in it. Their… quiet places in it.

‘Hereditary’
Release Date: June 8, 2018
Director: Ari Aster
Starring: Toni Collette, Alex Wolff and Milly Shapiro
Genre: Drama, Horror, Mystery
Rating: R for horror violence, disturbing images, language, drug use and brief graphic nudity.
Grade: C+

Photo courtesy of A24.

“Hereditary” was supposed to be the horror movie on 2018. I love a good fucked up family drama, so I was all hyped up, which only left me disappointed in the end. Toni Collette does deliver a strong performance as Annie Graham, an artist and mother trying to deal with the aftermath of her own mother’s recent death. Likewise, Alex Wolff is excellent in his role as Peter Graham, Annie’s teenage son, whose pain and confusion help propel the story. Early on in the film, the audience is expecting to learn of the dark secrets Annie’s mother was hiding until her death, but this suspense is never satisfied until the very last scene in the film and then it’s such a letdown. That conclusion could have been much more fucked up if it was only handled with more subtlety and finesse. While the plot of “Hereditary” leaves a lot to be desired, it is beautifully shot and well put-together. I particularly enjoyed the gruesome death scene (I thought, “All right, now here we go!” but the movie never really picked up from there), and I loved the detail of the twisted miniature scenes Annie builds in her art studio to represent family memories, good and bad. “Hereditary” might be worth a watch for these reasons, but it’s not worth two.

‘Unsane’
Release Date: March 23, 2018
Director: Steven Soderbergh
Starring: Claire Foy, Joshua Leonard and Jay Pharoah
Genre: Drama, Horror, Mystery
Rating: R for disturbing behavior, violence, language and sex references.
Grade: D

Photo courtesy of Bleecker Street and Fingerprint Releasing.

I watched “Unsane” on an airplane — it was a 20-hour flight, and I was desperately working my way through every form of entertainment available to me. It was so bad, I was shocked beyond belief when I reconnected to WiFi and found out that this film was actually taken seriously by critics. Here’s the cool thing: like Sean Baker’s phenomenal “Tangerine,” “Unsane” was filmed entirely on an iPhone. Unfortunately for director Steven Soderbergh, it’s already been established that great films can be shot using minimal equipment, and that novelty alone is not enough to make “Unsane” a great film. “Unsane” centers on Sawyer (Claire Foy), a woman who seeks treatment at a mental health facility after being persistently tormented by a stalker. When she absently signs some documents at the appointment, she unknowingly commits herself to stay at the facility, and her attempts to escape only make her a bigger target for the staff and other patients. The story prompting us to question who is really crazy? is one we’ve seen in films — much better films — a thousand times before. The acting is over-the-top, and the ending is ridiculous. If you’re stuck on an airplane with “Unsane,” I recommend you play Tetris instead.