Tag Archives: itaewon

RPDR’s Kim Chi slays Seoul debut at SKRT in Itaewon

“One day, I would love to be able to perform in South Korea and actually have people come out to see me.”

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Kim Chi performs at SKRT in Itaewon, Seoul on Sept. 24. SCREAMfmLondon

About an hour before doors opened at the Itaewon nightclub SKRT for Mad Bambi’s third drag ball in Seoul, the line already stretched down the block and around the corner. By 11 p.m., the line had grown beyond the fire station at the nearby intersection, down the street and out of sight. Forty-five minutes after the doors opened, tickets were sold out.

Seoulites walking past would stop and stare at the huge crowd. “What is the line for?” they would ask.

“We’re waiting for Kim Chi,” we’d respond. They would continue to stare.

“All these people are waiting in line for some kimchi?”

“No, this person on the poster is Kim Chi, a man who dresses as a woman.”

“…That’s a man?”

The attraction of the evening was, of course, Kim Chi — an anime-inspired, conceptual drag queen and runner-up on season eight of “RuPaul’s Drag Race.” Born in the USA but raised in South Korea, Kim Chi has a special place in the hearts of Korean fans who turned up en masse to support her debut on the Seoul drag scene.

I’ve never been to such a crowded drag show. I missed half the voguing waiting in line out front, and strained to see over the crowd during the opening performances of local queens Nikki Ashes, Charlotte Goodenough and Cha Cha.

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Kim Chi performs for fans at SKRT in Itaewon, Seoul. SCREAMfmLondon

Finally, Kim Chi arrived onstage to the Dixie Chicks’ “Sin Wagon,” twirling her red skirt and tipping a wide-brimmed hat. Kim is a queen known for her incredible looks and makeup talent, so it was a thrill to see her work up close as we all sweated and danced together to the DJ’s tunes that ranged from Lady Gaga and Beyoncé to their K-pop equivalents HyunA and CL.

Kim Chi spoke to the audience in both English and Korean, expressing her joy and gratitude for the warm reception. During her set, Kim performed English and Korean lipsyncs, as well as her RPDR trademark song, “Fat, Fem & Asian,” which is a tongue-in-cheek response to the marginalization of anyone fat, femme or Asian in the gay community.

It was very exciting to see Kim Chi’s triumphant return to Seoul after her rise to stardom on RPDR. It was exciting to see such an excellent turnout despite South Korea’s less-than-accepting stance on homosexuality.

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Seoul’s gay pride parade this June. SCREAMfmLondon

At the annual gay pride parade in Seoul every summer, religious protesters surround the event, preach over loudspeakers and occasionally try to put a stop to the Pride events. In previous years, Christian groups have laid down in the street to stop the parade and, last year, attempted to prevent the event from even receiving its permits from the city.

But the Korean LGBT community carries on, with role models like Kim Chi paving the way. Her drag is captivating and cutting-edge, and she never shies away from her Korean heritage. On “Drag Race,” Kim Chi stood out from previous Asian contestants for not simply joking about racial stereotypes but instead embracing her Korean roots and using that connection to her full advantage. One standout moment came when Kim appeared on the main stage in a beautiful traditional hanbok as a tribute to her mother.

Kim Chi’s sold-out performance at SKRT is hopefully a sign of more good things to come.

Theater: Blue Square presents ‘In the Heights’

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Seoul’s production of “In the Heights” in the Samsung Card Hall at Blue Square. SCREAMfmLondon

“In the Heights” is a much-acclaimed musical centered on a Dominican-American neighborhood in Washington Heights in New York City. So you might’ve guessed why it’s slightly weird to see this musical put on in Seoul in the Samsung Card Hall at Blue Square.

Seoul’s “In the Heights” production is highly entertaining, of course. The cast even impressively weaves Spanish and English (as well as hip-hop and salsa dancing) into the all-Korean script. The show is executed flawlessly: the singing is superb, the acting is charming and the dancing is lively. All it is lacking is the emotional connection, because so much of the story is deeply connected to the characters’ ethnic backgrounds.

The original Broadway production of “In the Heights” was written by Lin-Manuel Miranda, who won several Tony Awards for his music, lyrics and acting and is currently performing on Broadway as Alexander Hamilton in the hip-hop musical “Hamilton” for which he also wrote the music and lyrics.

“In the Heights” centers on Usnavi, a character born in the Dominican Republic and named after a US Navy ship (one of the first things his parents saw in America). With his comic relief sidekick, Sonny, Usnavi runs a bodega that is frequented by the neighborhood residents.

These include: Benny, the aspiring businessman who works as a dispatcher at the cab company and is the play’s only non-Latino character; Nina, who has returned home for the summer to reveal to her parents that she dropped out of Stanford University; and Vanessa, a hairstylist who dreams of getting an apartment of her own and moving away from the Barrio.

The Seoul production features a rotating group of k-pop stars and actors in the lead roles. The performance I attended saw Infinite’s Jang Dong-woo and Kim Sung-kyu as Usnavi and Benny, Oh So-yeon as Vanessa and Kim Bo-kyung as Nina.

The cast’s talent and passion is unquestionable. The best moments are the musical’s large, ensemble numbers that fully utilize the backup dancers — “Carnaval del Barrio,” “Blackout” and “96,000,” during which the entire neighborhood comes out to fantasize about winning $96,000 in the lottery.

The main cast was, overall, very impressive. So-yeon and Bo-kyung both demonstrated powerful vocals (although Vanessa is an infinitely more interesting character than Nina, who is kind of a drag).

Dongwoo and Sungkyu were incredibly charming in their roles. Dongwoo had great comedic timing and command of the stage, and Sungkyu developed excellent chemistry with his co-stars and was very likeable throughout. It was a pleasure to watch them explore the personalities of their characters. However, this was the first time in my life I’ve ever seen fans rush the stage at the end of a musical theater production, like we were about to open up the mosh pit. I was all but clutching my pearls.

It was worth it, though. “In the Heights” is a good show, and although it makes less sense overseas than it would in the US, the Seoul cast and crew have done nice work with the material. I hope we’ll get to see “Hamilton” next!

‘In the Heights’
294 Itaewon-ro, Yongsan-gu
Weekdays at 8 p.m., weekends at 2 and 6:30 p.m. Tuesday – Sunday through November 22
Tickets range from 70,000 – 130,000 KRW
For more information, visit www.interpark.com.