Tag Archives: horror anthology

Capsule film reviews: Four horror movies from 2017

‘Get Out’
Release Date: Feb. 24, 2017
Director: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams and Bradley Whitford
Genre: Horror, Mystery, Thriller
Rating: R for violence, bloody images and language including sexual references.
Grade: A+

Photo courtesy of Universal Pictures.

Obviously, I loved “Get Out.” If you somehow have not seen and loved “Get Out” by now, I hope you do so immediately. What more can be said about this hugely successful movie? It’s easily the best horror film of 2017 and one of the defining horror films of our generation. So many things about “Get Out” are brilliantly executed, thanks to Jordan Peele’s excellent writing and directing talents. It’s frightening, savvy and thought-provoking — so topical it’s inspired countless analyzations, memes and major award nominations. The film follows Chris (Daniel Kaluuya), a black photographer, who is going to meet his white girlfriend Rose’s (Allison Williams) family for the first time. He quickly notices something off about the countryside neighborhood, the father who is swift to brag about voting for Obama, and the only two other black people present — a highly-strung maid (Betty Gabriel) and a silent groundskeeper (Marcus Henderson). As the visit goes on, the film’s clever twists and turns lead the viewer on a terrifying and all too real journey. Best of all is the brilliant conclusion and electrifying final scene that seems to succinctly sum up the film’s overall message.

‘XX’
Release Date: Feb. 17, 2017
Director: Jovanka Vuckovic, Annie Clark, Roxanne Benjamin and Karyn Kusama
Starring: Natalie Brown, Melanie Lynskey and Breeda Wool
Genre: Horror
Rating: R for horror violence, language and brief drug use.
Grade: C

Photo courtesy of Magnet Releasing.

I enjoy horror anthologies for a lot of reasons. I appreciate the short story format, and I love the opportunity to see multiple directors’ takes on the genre. “XX” is a 2017 horror anthology featuring the work of only female directors, which is also cool. It would’ve been cooler if the shorts were better, but what can you do? The best piece is “The Birthday Party,” also known as “The Memory Lucy Suppressed From Her Seventh Birthday That Wasn’t Really Her Mom’s Fault (Even Though Her Therapist Says It’s Probably Why She Fears Intimacy).” This short was written and directed by indie musician Annie Clark, who performs under the stage name St. Vincent. Starring Melanie Lynskey as neurotic housewife Mary, “The Birthday Party” is the most put-together and well-acted story. It’s darkly funny, slightly creepy and thoroughly entertaining. The scariest piece is the anthology’s most simple, Roxanne Benjamin’s “Don’t Fall,” which is straightforward in its depiction of a group of friends who encounter a demonic creature while camping. They hear it, then it gets ‘em, and that’s it. The end. Karyn Kusama, who brought us “The Invitation” last year, presents “Her Only Living Son,” a complex piece that could absolutely be expanded into a full-length feature tackling the idea of Rosemary’s baby growing up to be Rosemary’s pubescent teenager. And, finally, Jovanka Vuckovic attempts an adaptation of a Jack Ketchum short story with “The Box.” It’s a thought-provoking and eerie story, but it’s poorly executed and the acting is abysmal.

‘Raw’
Release Date: March 10, 2017
Director: Julia Ducournau
Starring: Garance Marillier, Ella Rumpf and Laurent Lucas
Genre: Drama, Horror
Rating: R for aberrant behavior, bloody and grisly images, strong sexuality, nudity, language and drug use/partying.
Grade: A

Photo courtesy of Focus World.

“Raw” is a great horror film. It’s so disturbing and bloody that viewers reportedly fainted during early screenings, but it’s also very relatable! There are some really sick, depraved scenes that are all kinds of fun for gore aficionados, and some excellent character development to elevate the story beyond the surface level. Justine (Garance Marillier), a lifelong vegetarian raised in an all-vegetarian family, is heading off for her first semester at the same veterinary school her older sister Alexia (Ella Rumpf) attends. She is shocked by the unfamiliar environment and struggles to fit in. During a hazing ritual for incoming freshman, Justine is pressured to eat raw meat and finally does so after seeing her sister do the same. Unfortunately, this small taste awakens a dark thirst inside her for more. Like “Ginger Snaps” before it (which equated girls’ coming of age to becoming a werewolf), “Raw” appropriately compares cannibalism to female adolescence. Despite the strict protectiveness of her upbringing, Justine eventually finds a way to become free and explore her own identity. She is no longer able to suppress her inevitable growing desires — both sexual desires and the desire to eat human flesh. It’s an interesting film and a nicely-done take on the monstrosity of young adulthood.

‘It’
Release Date: Sept. 8, 2017
Director: Andy Muschietti
Starring: Jaeden Lieberher, Bill Skarsgård and Sophia Lillis
Genre: Drama, Horror, Thriller
Rating: R for violence/horror, bloody images and language.
Grade: C

Photo courtesy of Warner Bros. Pictures.

“It” was definitely the high-budget, must-see horror film of the year, but I wasn’t too impressed. I was hoping this remake would fill in some of the gaps where the 1990 Stephen King adaptation was lacking (there were a lot), but it didn’t really do that. The 2017 “It” mostly excelled in its visuals. Bill Skarsgård’s Pennywise the Dancing Clown is fabulously constructed and aesthetically impressive with his creepy, lurky smile and a costume ruffled for the gods. Several of the film’s phenomenal sets seem ready to be transported directly to Universal Studios for a Halloween Horror Nights maze. But the plot was as convoluted as ever. Basically, a group of youngsters have to work together to defeat a mysterious evil being that lives in the town’s sewer system, dresses in a clown costume and kidnaps children. Why does no one mention how strange this story is? It’s super weird and makes no sense for this monster to appear as a clown. Like, WHY is it a clown? In the original novel, It is actually a shapeshifting demon that takes the form of your greatest fear, which is an important bit of explanation that is never, ever brought up in the film. I guess they’re just assuming everyone’s greatest fear is a clown with a gigantic forehead?

Capsule film reviews: Four horror anthologies

‘V/H/S’
Release Date:
Oct. 5, 2012
Director: Glenn McQuaid, Ti West, Joe Swanberg, David Bruckner and Adam Wingard
Starring: Sophia Takal, Joe Swanberg and Kate Lyn Sheil
Genre: Horror, Suspense, Thriller
Rating: R for pervasive language, graphic nudity, bloody violence, some drug use and strong sexuality.
Grade: A

v-h-s-1

Ti West’s “Second Honeymoon.” Photo courtesy of Magnet Releasing.

The thing that is particularly great about “V/H/S” is the short story format: it is comprised of five completely unrelated horror vignettes of all styles ranging from the supernatural to typical slasher killers. Each individual story is interesting in its own way, and the time frame is just enough to make them captivating and creepy without going overboard and ruining it. I have a difficult time choosing a favorite, but I love the title of Joe Swanberg’s offering, “The Sick Thing That Happened to Emily When She Was Younger.” The worst part of the film is the attempt at an overarching narrative to tie all of the stories together. The continuing storyline is uninteresting, distracting and unnecessary.

‘The Theatre Bizarre’
Release Date:
Jan. 27, 2012
Director: Buddy Giovinazzo, Tom Savini, Jeremy Kasten, Richard Stanley and David Gregory
Starring: Udo Kier, Virginia Newcomb and Amanda Marquardt
Genre: Horror
Rating: Not Rated
Grade: F

theatrebizarre

Photo courtesy of Severin Films.

“The Theatre Bizarre” was a big disappointment. The film is an anthology of six short stories tied together with a semi-interesting, somewhat-creepy overarching narrative. Only two of the six are at all tolerable: “I Love You” and “The Accident,” although neither of which could be considered at all scary, and “The Accident” is certainly not horror. The rest of the poorly-written, poorly-acted stories seem to fight incredibly hard to be considered the worst of the bunch. In “Mother of Toads,” a guy goes to an old French woman’s house to read The Necronomicon because why not and then proceeds to have sex with a giant toad monster. What the fuck. “Vision Stains” is too preachy; “Sweets” tries way too hard to be esoteric; “Wet Dreams” is awfully boring, and considering there’s a shot of a giant insect’s pinchers protruding from a vagina, that’s quite a feat.

‘V/H/S 2’
Release Date:
July 12, 2013
Director: Gregg Hale, Eduardo Sanchez, Simon Barrett, Adam Wingard and Jason Eisener
Starring: Kelsy Abbott, Lawrence Levine and Adam Wingard
Genre: Horror, Suspense, Thriller
Rating: Not Rated
Grade: D

VHS2

Gareth Huw Evans and Timo Tjahjanto’s “Safe Haven.” Photo courtesy of Magnet Releasing.

Since I enjoyed the first “V/H/S” movie and love the horror anthology format, I was excited to give this sequel a try. However, it turned out to be a letdown. Seemed promising at first: the overarching narrative this time follows a private investigator and his girlfriend who find a collection of creepy VHS tapes in a college student’s apartment while on the job. This narrative is a lot stronger and more compelling than that of the first “V/H/S” movie. Where this one goes wrong, however, is with the ensuing short stories. More supernatural than the stories in the first film, these come off hokey and aren’t scary. “Safe Haven,” about an Indonesian cult, would have been a great story had it stuck to one idea, but it instead devolves into silliness when it reveals a demonic creature that just looks like a puppet on a stick. The only good story was “A Ride in the Park,” which employs innovative filming techniques to tell of a zombie apocalypse from a unique perspective.

‘Little Deaths’
Release Date:
March 11, 2011
Director: Simon Rumley, Andrew Parkinson and Sean Hogan
Starring: Holly Lucas, Jodie Jameson and Kate Braithwaite
Genre: Horror
Rating: Not Rated
Grade: B

littledeaths

Simon Rumley’s “Bitch.” Photo courtesy of Imagination Worldwide/Image Entertainment.

“Little Deaths,” a UK horror anthology, immediately starts off on the right foot by not attempting to tie its three unrelated stories together with an overall narrative. The pièce de résistance of the set is the third offering, “Bitch,” because it features a sadistic woman with a pushover boyfriend, kinky sexual deviancy and some mysterious, creeping fear. I wasn’t crazy about the ending, but I really appreciate the depravity. The other two stories are less impressive but pretty good nonetheless. The first, “House and Home,” begins effectively menacingly, but it allows for a rather goofy twist ending. The second, “Mutant Tool,” is quite interesting and if not a bit convoluted. Altogether, “Little Deaths” is a pretty solid anthology, and I wish there had been room for a few more stories.