Tag Archives: found footage

Capsule film reviews: Four horror movies from 2015

‘It Follows’
Release Date: March 13, 2015
Director: David Robert Mitchell
Starring: Maika Monroe, Keir Gilchrist and Daniel Zovatto
Genre: Horror, Mystery, Thriller
Rating: R for disturbing violent and sexual content including graphic nudity, and language.
Grade: C+

itfollows

Photo courtesy of RADiUS-TWC and Dimension Films.

“It Follows” has definitely been one of the most-hyped horror movies this year, but it unfortunately doesn’t live up to those expectations. In the grand tradition of sexually-transmitted monsters in horror films, “It Follows” is about a girl, Jay (Maika Monroe), who has sex with her boyfriend and then realizes that by doing so, he has passed a curse onto her. There will just be a creepy person that only she can see walking steadily toward her at all times. If it catches her, she dies, and the only way to distance herself from it is to pass it on to someone else. Bummer deal. The film is shot well, and some of the scenes of “it” following her are genuinely creepy and unsettling. The movie begins to fall apart at the end, though, as Jay and her friends attempt to defeat “it.” The movie doesn’t have a strong conclusion at all, which leaves the audience feeling dissatisfied after watching.

‘Spring’
Release Date: March 20, 2015
Director: Justin Benson and Aaron Moorhead
Starring: Lou Taylor Pucci, Nadia Hilker and Francesco Carnelutti
Genre: Horror, Romance, Sci-fi
Rating: Not Rated
Grade: B+

spring

Photo courtesy of Drafthouse Films and FilmBuff.

I enjoy horror-romance almost as much as I enjoy horror-comedy, so I was excited to check out Justin Benson and Aaron Moorhead’s “Spring” (they also directed 2013’s “Resolution,” which I enjoyed). “Spring” is quite good as well (with a few caveats). After his mother’s death, Evan (Lou Taylor Pucci) takes a spontaneous finding-himself trip to Italy, where he starts working on a small farm and meets a beautiful woman named Louise (Nadia Hilker) that he begins dating. Of course, there has to be a catch when beautiful, exotic women show an interest in down-on-their-luck American dudes, and Louise’s hidden secret is both creepy and intriguing. “Spring” is Lovecraftian in its horror, but it’s mostly romantic. Which is my main complaint: I just don’t buy the romance. There is no way Evan is the best person she’s ever met. No way! Louise is such a complex, interesting character, but his main redeeming quality is that he still really likes her even when he discovers her grotesque secret. Eh, she could do way better.

‘Creep’
Release Date: June 23, 2015
Director: Patrick Brice
Starring: Mark Duplass and Patrick Brice
Genre: Drama, Horror
Rating: R for brief violence and language.
Grade: A-

creep

Photo courtesy of The Orchard.

I actually got quite a kick out of “Creep.” It’s a simple, independent found-footage horror film featuring only two actors. Patrick Brice and Mark Duplass not only star in the film, they also wrote the story. Additionally, Brice directed and Duplass co-produced it alongside Jason Blum of Blumhouse fame. This creates a real personal touch to the movie and allows the audience to really get to know the strange two characters. Duplass is excellent in his role as Josef, a man who places an ad on Craigslist for a videographer to help him film a message for his unborn son. Brice is less impressive but still alright as Aaron, the unlucky artist who answers the ad and becomes involved in Josef’s life. There are some really tense quiet moments, but overall, the film is pretty amusing with sarcastic jump scares and the increasingly absurd connection between Josef and Aaron. The conclusion is absolutely perfect, and I definitely recommend this movie.

‘Cooties’
Release Date: Sept. 18, 2015
Director: Jonathan Milott and Cary Murnion
Starring: Elijah Wood, Alison Pill and Rainn Wilson
Genre: Action, Comedy, Horror
Rating: R for horror violence and gore, language including sexual references, and some drug use.
Grade: B-

Photo courtesy of Lionsgate Premiere.

Elijah Wood has produced and starred in some great horror movies in the past few years — “Grand Piano,” “Maniac,” “A Girl Walks Home Alone at Night,” “The Boy.” He also produced and stars in “Cooties,” a goofy horror-comedy in which infected chicken nuggets served as school lunch turn elementary school students into zombies across the nation, leaving a group of teachers to fight for their lives. Wood is pretty funny as Clint Hadson, a substitute teacher who would rather be working on his novel than working with children. The movie definitely has some failed attempts at humor — the same run-of-the-mill stuff you’d see on “Saturday Night Live.” But it’s overall pretty entertaining to watch the mismatched group of teachers fight their way through the monstrous children. “Cooties” is a satisfactory movie, but it’s not going to become one of my favorites.

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Capsule film reviews: Four horror movies from 2014

‘Only Lovers Left Alive’
Release Date: April 11, 2014
Director: Jim Jarmusch
Starring: Tilda Swinton, Tom Hiddleston and Mia Wasikowska
Genre: Drama, Horror, Romance
Rating: R for language and brief nudity.
Grade: A

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Photo courtesy of Sony Pictures Classics.

“Only Lovers Left Alive” is more of a vampire art film than a horror movie, but I’m including it anyway. It’s a slow-paced, beautifully-shot romance following two centuries-old vampires as they continue to gravitate back toward each other. Tilda Swinton as Eve has an amazing, commanding presence on screen, and Tom Hiddleston as Adam is well-matched. Together, the pair searches for fresh sources of blood to drink in between discussions about music, art, the current state of humankind, and the experiences they’ve had over the years (playwright Christopher Marlowe — played by John Hurt — is an old friend and fellow vampire). The film’s soundtrack is a strong complement to the gorgeous cinematography, which spans locations such as Detroit, Michigan and Tangier, Morocco. “Only Lovers Left Alive” is amusing, charming and an altogether delightful little film about a love that really endures everything.

‘The Sacrament’
Release Date: May 1, 2014
Director: Ti West
Starring: Joe Swanberg, AJ Bowen and Amy Seimetz
Genre: Horror, Thriller
Rating: R for disturbing violent content including bloody images, language, and brief drug use.
Grade: B+

sacrament

Photo courtesy of Magnolia Pictures/Magnolia Home Entertainment.

“The Sacrament” is found-footage horror done right, as it tells a fictionalized account of the 1978 Jonestown Massacre. The story follows three “VICE” reporters as they travel to Eden Parish, a mysterious religious commune located in the remote wilderness, where one reporter’s sister has been supposedly thriving after recovering from drug addiction. The presence of the film crew and their probing questions seem to disrupt the equilibrium of the sect and force its leadership to a violent breaking point. “The Sacrament” is a pretty satisfying horror film for any cult enthusiasts, and it effectively creates an environment of high tension leading up to a tremendous, explosive conclusion. The only part that really drags is the interview with Father (Gene Jones), the cult leader, who is given way too much screen time to ramble on and on about his beliefs. But such are cult leaders, yeah?

‘The Taking of Deborah Logan’
Release Date: Oct. 21, 2014
Director: Adam Robitel
Starring: Jill Larson, Anne Ramsay and Michelle Ang
Genre: Horror, Thriller
Rating: R for disturbing violent content, language, and brief nudity.
Grade: D-

takingofdeborah

Photo courtesy of Eagle Films/Millennium Entertainment.

This was a terrible disappointment. I thought “The Taking of Deborah Logan” was going to be about an elderly woman who appears to have Alzheimer’s disease but is, in fact, turning into a zombie, but the actual movie was a lot more convoluted and a lot less logical than that. The first half of the film is found-footage horror at its worst — completely pointless and unoriginal “Paranormal Activity”-style scares in the middle of the night as a team of filmmakers plan to study the effects the degenerative disease has on the lives of a woman and her daughter. When the truth finally begins to unfold, the increasingly ridiculous plot twists are revealed hurriedly and accepted unquestioningly (and somehow still captured on film although the guise of the documentary had long since become shaky). There’s only one moment of really good creepy imagery at the very end, but you’re better off just looking at a .gif and skipping “The Taking of Deborah Logan.”

‘The Babadook’
Release Date: Nov. 28, 2014
Director: Jennifer Kent
Starring: Essie Davis, Noah Wiseman and Daniel Henshall
Genre: Drama, Horror, Thriller
Rating: Not Rated
Grade: A+

the-babadook

Photo courtesy of Cinetic Media/eOne Films International/IFC Films.

“The Babadook” is a great achievement for modern horror. It is mentally and emotionally disturbing — scary in a way that transcends gore and relies entirely on an increasing sense of dread. “The Babadook” is just supernatural enough to leave the audience delightfully and horribly mystified: how much horror is real and how much is just in our own twisted minds? There are phenomenal performances all around. Essie Davis stars as Amelia, a widowed single mother who is trying her best to raise her young son Samuel (Noah Wiseman) and maintain her sanity after her husband’s violent death. Wiseman also gives a stellar performance as the weird little kid who is obsessed with building weapons and fighting monsters, which only further isolates the family from the outside world. Everything about “The Babadook” is well executed and eerie. And it leaves you with something interesting to think about, which is the best way to end a film.