Tag Archives: drag show

RPDR’s Kim Chi slays Seoul debut at SKRT in Itaewon

“One day, I would love to be able to perform in South Korea and actually have people come out to see me.”

20160925_022651-1

Kim Chi performs at SKRT in Itaewon, Seoul on Sept. 24. SCREAMfmLondon

About an hour before doors opened at the Itaewon nightclub SKRT for Mad Bambi’s third drag ball in Seoul, the line already stretched down the block and around the corner. By 11 p.m., the line had grown beyond the fire station at the nearby intersection, down the street and out of sight. Forty-five minutes after the doors opened, tickets were sold out.

Seoulites walking past would stop and stare at the huge crowd. “What is the line for?” they would ask.

“We’re waiting for Kim Chi,” we’d respond. They would continue to stare.

“All these people are waiting in line for some kimchi?”

“No, this person on the poster is Kim Chi, a man who dresses as a woman.”

“…That’s a man?”

The attraction of the evening was, of course, Kim Chi — an anime-inspired, conceptual drag queen and runner-up on season eight of “RuPaul’s Drag Race.” Born in the USA but raised in South Korea, Kim Chi has a special place in the hearts of Korean fans who turned up en masse to support her debut on the Seoul drag scene.

I’ve never been to such a crowded drag show. I missed half the voguing waiting in line out front, and strained to see over the crowd during the opening performances of local queens Nikki Ashes, Charlotte Goodenough and Cha Cha.

20160925_022856

Kim Chi performs for fans at SKRT in Itaewon, Seoul. SCREAMfmLondon

Finally, Kim Chi arrived onstage to the Dixie Chicks’ “Sin Wagon,” twirling her red skirt and tipping a wide-brimmed hat. Kim is a queen known for her incredible looks and makeup talent, so it was a thrill to see her work up close as we all sweated and danced together to the DJ’s tunes that ranged from Lady Gaga and Beyoncé to their K-pop equivalents HyunA and CL.

Kim Chi spoke to the audience in both English and Korean, expressing her joy and gratitude for the warm reception. During her set, Kim performed English and Korean lipsyncs, as well as her RPDR trademark song, “Fat, Fem & Asian,” which is a tongue-in-cheek response to the marginalization of anyone fat, femme or Asian in the gay community.

It was very exciting to see Kim Chi’s triumphant return to Seoul after her rise to stardom on RPDR. It was exciting to see such an excellent turnout despite South Korea’s less-than-accepting stance on homosexuality.

20160611_181203

Seoul’s gay pride parade this June. SCREAMfmLondon

At the annual gay pride parade in Seoul every summer, religious protesters surround the event, preach over loudspeakers and occasionally try to put a stop to the Pride events. In previous years, Christian groups have laid down in the street to stop the parade and, last year, attempted to prevent the event from even receiving its permits from the city.

But the Korean LGBT community carries on, with role models like Kim Chi paving the way. Her drag is captivating and cutting-edge, and she never shies away from her Korean heritage. On “Drag Race,” Kim Chi stood out from previous Asian contestants for not simply joking about racial stereotypes but instead embracing her Korean roots and using that connection to her full advantage. One standout moment came when Kim appeared on the main stage in a beautiful traditional hanbok as a tribute to her mother.

Kim Chi’s sold-out performance at SKRT is hopefully a sign of more good things to come.

Advertisements

Drag roundup: LogoTV’s Drag Race Pride Party

BpqgFZkCAAAGa_B

Laganja Estranja performs at the Metropolitan Nightclub in West Hollywood. Via tiffmc1013/Twitter

On the last night of the LA Pride festival, I powered through the crowds in West Hollywood to LogoTV’s Drag Race Pride Party because of course I would.

Michelle Visage hosted the event in the middle room of the Metropolitan Nightclub. It’s a Vegas-style club where you make an ascent up a stylish flight of stairs toward a few separate rooms of bars and dance floors. While the space was attractive, the sound system was terrible. Or, whoever was running the sound system was terrible. Either way, there were a number of delays, missed cues and issues with the sound levels. That was a bummer, but it was still a delight to drink a $15 mixed drink while watching all of the performers.

Shangela opened the show with an enthusiastic Beyonce medley — particularly impressive considering she broke her leg during a similar show last Halloween while performing her trademark dance move, the death drop.

Yara Sofia and BenDeLaCreme put on equally captivating performances, although I think the success of these numbers was due in large part to their unique costumes. In Yara’s case, her outfit consisted of a wildly realistic nude bodysuit complete with painted-on breasts, a shock of pubic hair and a gigantic penis prosthetic swinging between her legs. It was a sight to behold. BenDeLaCreme performed her pretty cool robot routine to the Peaches song “Lovertits” in a leotard with a light-up breastplate.

The craftsmanship, professionalism and talent among the “RuPaul’s Drag Race” alumni is astounding, and it’s what keeps me coming back to all of these events.

The fastest way to make friends at a drag show, I’ve found, is to talk about how much you love Laganja Estranja. This tested technique has not failed me yet. When I told someone at the Pride Party that I was mostly there to see her, his face lit up.

“I’m so glad you know!” he gushed.

The sacred knowledge that we share, of course, is that Laganja is — by far — one of the best live performers to appear on “Drag Race.” Plus, her fashion is to die for.

At the Pride Party, Laganja stole the show in a matching leotard and turban augmented with peacock feathers. She showed off her dance skills to RuPaul’s season six featured single, “Sissy That Walk” (which is also RuPaul’s best song since 2011’s “Glamazon”), and then cleared a space through the middle of the crowd to extend her performance into the audience. Killed it.

The evening wrapped up with performances from three previous “Drag Race” winners: Raja, Sharon Needles and Jinkx Monsoon. Jinkx’s campy, vaudeville-style fervor was a great end to the show. And Raja should probably not release any more original music. And neither should Latrice Royale, for that matter. In fact, that trend should just slow down in general.

But if presented with the chance to see Laganja live, take it, and remember that you don’t know nothin’.

Drag roundup: Trannyshack LA at The Dragonfly

IMG_20140611_121524

Toxic Waist performs at The Dragonfly in Hollywood. SCREAMfmLondon

It was my birthday, and a drag queen clocked me in the head with a cauldron during a dramatic reenactment of “The Silence of the Lambs.” So, that happened.

Trannyshack LA was the scene of the aforementioned cauldron incident. For the record, I’m pretty sure it wasn’t intentional; she was just generally throwing a cauldron, and my head was in the line of fire. Story of my life.

Since 1996, Heklina has hosted Trannyshack, a regularly-occurring drag event in San Francisco. It’s become a relatively big deal over the years, and the event occasionally takes the show on the road — to LA, for instance.

On May 31, Heklina emceed the event at the Dragonfly Bar in Hollywood. It was one of the last of her events to use the name “Trannyshack” before making the switch over to “T-shack” (at least in the interim). She addressed the issue onstage, explaining that the ultimate point of her show was to be inclusive, and that includes eliminating language that makes others feel oppressed. Although the use of transphobic words has been a divisive issue in the drag community in the past few months, Heklina handled it professionally and with a good attitude. Right on.

As for the show, it was pretty tame (save Toxic Waist, who closed the evening with a great Leatherface-in-a-jockstrap number during which the audience was sprayed with fake blood).

My favorite act was Devan M., who performed a high-energy routine in a “Phantom of the Opera”-style half-face mask and cape. I really appreciate the added androgynous factor of bearded drag queens such as Devan. The trend of wearing facial hair while in drag has been gaining momentum recently, likely influenced by RuPaul’s phenomenal hair and makeup artist Mathu Andersen and by Conchita Wurst, the Austrian drag queen who won the 2014 Eurovision Song Contest.

More traditional drag performances came from Ambrosia Salad and Killer. The “traditional” element of Ambrosia’s act being the lip-sync to Madonna’s “Like a Prayer,” not necessarily the sexy Jesus backup dancers nailed with glittery blood to “YOLO” crosses. Killer brought out a great long-form Judy Garland impression, and there can never be too much Judy Garland.

Also impressive was Cupcake Canne, who performed a “Black Swan”-themed routine entirely on pointe. Although it’s really difficult to see anything that takes place low to the stage at a drag show because everyone in the crowd is about 20 feet tall in gigantic heels and hair.

The special guests of the evening were rapper Cazwell and “RuPaul’s Drag Race” alum Manila Luzon, who joined him onstage for their duet, “Helen Keller.” Cazwell performed “I Seen Beyonce at Burger King,” which is somehow the weirdest, catchiest song in existence. (My favorite verse is “She was looking around for some customer service. / I walked up to her, made her security nervous. / She said, ‘How much for a case of beer?’ / I says, ‘Girl, are you drunk? I don’t work here!’”).

The rest of Cazwell’s set was okay. Meaning, he played “Ice Cream Truck,” and it was the first time I’ve listened to that song without watching the accompanying video. I’m not sure that song should even exist separately from the video.

All head injuries aside, I’m really glad I attended. I feel like this is a pivotal time for drag, and I’m excited to watch the evolution of mainstays such as “the club formerly known as Trannyshack.”

Live: ‘RuPaul’s Drag Race’ Battle of the Seasons

548496_10152330431752985_241414686_n

Willam, Detox, Michelle Visage, Pandora Boxx, Ivy Winters, Carmen Carerra, Sharon Needles, Alaska Thunderfuck and Manila Luzon perform in “RuPaul’s Drag Race” Battle of the Seasons. Via Pandora Boxx/Facebook

On Feb. 6, “RuPaul’s Drag Race” Battle of the Seasons brought eight performers from the reality television show, as well as host Michelle Visage and RuPaul himself, to Club Nokia in downtown Los Angeles for a phenomenal display of theatricality.

Individually, Willam, Alaska Thunderfuck, Pandora Boxx, Sharon Needles, Detox, Manila Luzon, Carmen Carerra and Ivy Winters all took the stage to show off their individual talents at least twice.

Interspersed between performances were videos of the stars backstage and on the road, as well as promotional material from the sixth season of “RuPaul’s Drag Race,” which will premiere on Feb. 24. The entire event was incredibly seamless and professional. But with a lot of dick jokes.

While I would deem the whole evening a success, some performances stood out more than others. My jaw actually dropped in awe at Ivy Winters, who juggled gigantic knives while wearing a tall, silver-horned helmet and walked on stilts to Little Mix’s “Wings.”

Alaska wowed me with her singing talent and impressive vocal range during an impassioned cover of Eric Carmen’s “All By Myself” (a nod, perhaps, to announcing the breakup with longtime boyfriend Needles late last year), as well as her original song “Ru Girl.”

Detox and Willam were fantastic as usual as two thirds of DWV (missing fellow drag queen Vicky Vox, who has not appeared on “Drag Race”) while performing their parody songs “Chow Down (at Chick-fil-A)” and “Boy is a Bottom.” Detox, especially, is not a bad rapper, and her black light shoes were fantastic, although her solo numbers were considerably less interesting. Willam, however, looked amazing, performed flawlessly and had a commanding stage presence throughout. But, of course.

And Needles, my personal favorite and the fifth season winner of “Drag Race,” was as hilarious, creepy and sexy as I’ve always dreamed she would be. For her first number, she was carried onstage in a coffin before launching into “Call Me on the Ouija Board” from her 2013 album “PG-13.”  It’s a really, really great goth-pop song with a catchy hook, smart lyrics full of tongue-in-cheek references to classic horror movies and a super polished sound. I actually haven’t stopped listening to it since. In the song, Needles declares, “I’ll be your Carol Anne, / I’ll be your pentagram. / Let’s dabble in the black arts.” Onstage, Needles picks up a dollar bill that was thrown at her and takes a few bites out of it before throwing it back.

Fun aside, there was also talk about the growing popularity of the show and its increasing influence on creating “drag queen society,” which is not entirely an exaggeration. The show and its contestants appeal to a wide range of audience members, reaching many underrepresented demographics. The wide appeal of fun, kitschy drag queens has allowed for stars that use the platform for political advocacy.

Carerra, who came out as a transgender woman after competing on the third season of “RuPaul’s Drag Race,” has since become a very public proponent for transgender equality. In January, she appeared alongside “Orange is the New Black” star Laverne Cox on Katie Couric’s talk show to speak about transgender issues, and last year, an online petition aimed at persuading Victoria’s Secret to have Carerra as its first transgender model gathered around 45,000 signatures.

Luzon, also a competitor from season three, has been pretty involved in AIDS awareness since appearing on the show. She and other “Drag Race” alumni appear regularly in public service announcements on Logo TV promoting safe sex and HIV testing.

Fittingly enough, the Battle of the Seasons show took place just as I’ve been following another story of drag queen activism unfolding overseas. On Feb. 1, Irish drag queen Panti Bliss spoke (amazingly effectively and eloquently) about gay rights and oppression in Ireland. Shortly thereafter, a video of the speech garnered such international attention that it has been discussed everywhere from Ireland’s houses of parliament to Russia, where anti-gay legislation was famously passed in 2013 to prohibit “propaganda” in support of “non-traditional” sexual orientation.

All of this just makes me feel like there should be way more drag queens occupying political office.