Tag Archives: choreography

Learn k-pop dance at Dancejoa in Los Angeles

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Dancejoa studio in Koreatown, Los Angeles. SCREAMfmLondon

I’m not even exaggerating when I say that Dancejoa is one of the best things about living in LA. I only wish I had found out about the studio sooner!

It all started when I determinedly decided that I was absolutely going to learn the choreography for G-Dragon and Taeyang’s song “Good Boy.” I did learn it (eventually), but I also learned that dance is perhaps my secret passion in life, and I haven’t quite been the same since. I’ve logged a lot of hours at the studio in the ensuing years, and I like to think I’ve come a long way since I stumbled through my first dance cover video with Dancejoa LA several beats behind everyone else the entire time.


Yireh is an excellent teacher with amazing dancing talent and style. She makes everything look cool and effortless (even when I, myself, am dying and sweating profusely). But most importantly, she is a really effective teacher. Actually, Yireh is one of the best dance teachers I’ve ever had — she breaks everything down so well and teaches so clearly that I never feel confused or left behind even during difficult choreography. The classes are so well-organized and well-run. It’s really a pleasure to attend Dancejoa.

The schedule is also very well thought-out. There are two classes on Tuesdays, two on Thursdays and two on Saturdays. On the weekdays, it’s usually a one-hour girl group dance followed by a one-hour boy group dance. The Saturday classes are a bit longer (one and a half hours) and consist of one k-pop dance and one hip-hop routine.

The songs are broken down and taught in sections spread out over the course of a month so you can learn the entire choreography, which I love!!! You feel so accomplished after learning an entire full-length song. And having four weeks to work on it gives you enough time to digest the lessons and practice at home before coming back to add more.

I also love having so many varied dances to choose from. If you like cutesy Twice dances, they’ve got ’em! If you like super-intricate EXO dances, they’ve got ’em! If you like badass hip-hop dances, they’ve got that too! And if you like it all, you can just come learn everything. The schedule is posted in advance on Facebook.


Last year, Dancejoa moved to a new location. It’s easy to find and has its own (very small) parking lot out back. Some of the classes get quite crowded, so I’d recommend coming early to make sure you can find parking (but what else is new, LA?). There’s also a weird random wall in the middle of the studio that limits the space a lot, but Yireh is great about moving around so everyone can see and splitting big classes into groups so everyone has a good chance to practice.

I really can’t recommend Dancejoa enough. I’ve discovered a love for dance that I didn’t realize I had, and it’s made such a big difference in my life. Thanks, Dancejoa!

Students practicing GD and TOP's "Zutter" choreography at Dancejoa in LA. SCREAMfmLondon

Students practicing GD and T.O.P’s “Zutter” choreography at Dancejoa in LA. SCREAMfmLondon

Dancejoa Dance Studio
3859 W. 6th St., Los Angeles, Calif.
For more information, visit www.dancejoa.com.

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August 23: Architecture, art and more

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View of Mapo-gu from the 34th floor, overlooking the Han River. SCREAMfmLondon

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Infinite kicked off their Infinite Effect world tour with a concert at Olympic Gymnastics Arena in Seoul on Aug. 8. SCREAMfmLondon

  • Before the Infinite concert on Aug. 8, we were caught in a torrential downpour and had to take shelter in the subway station, where concertgoers had set up little makeshift refugee camps to dry out. We were ridiculously drenched, and my Sungkyu stickers got all warped. But everything was wonderful once our seven boyfriends took the stage. They go above and beyond to create a fantastic experience for the audience: flying signed paper airplanes into the crowd, riding cloud-shaped carts around the arena to hand out actual roses to fans, performing unbelievably in-sync choreography (including the famous scorpion dance move during “Before the Dawn”), and Woohyun’s top coming “”accidentally”” unbuttoned. Also, we did the wave! It was the perfect concert.
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Such picturesque architecture in Samcheong-dong. SCREAMfmLondon

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A collection of Amedeo Modigliani’s portraits are on display at Seoul Arts Center from June 26 – Oct. 4. SCREAMfmLondon

  • The Modigliani exhibition is housed on the uppermost floor of the Hangaram Art Museum within the Seoul Arts Center in Seocho-dong. It is organized into seven themes: Paul Alexandre (Modigliani’s first patron), Portraits of Men, Caryatids (based on the female-shaped columns often present in ancient architecture), Jeanne Hébuterne (Modigliani’s lover, a fellow artist), Portraits of Women, Nudes and Moïse Kisling (a friend of Modigliani’s and another fellow artist). The exhibit is well laid-out and emphasizes Modigliani’s portraits as a means of self-reflection. The subjects of his paintings are usually characterized by their long necks and dark, vacant eyes colored in with no pupils. Modigliani is quoted as saying “When I know your soul, I will paint your eyes”  — a quote that is displayed prominently in the gallery alongside his work.

I performed at the 2015 Summer K-pop Festival

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Infinite closes out the 2015 Summer K-pop Festival with a performance of their recent single, “Bad.” SCREAMfmLondon

I hear the roaring applause of thousands of k-pop fans as I’m nailing every moment of my chicken-inspired choreography. I land my final jumps, and the crowd goes wild. Then, I have to hurry off the stage because world-renowned pop superstar Psy is up next.

That’s (basically) (more or less) how it went down when I performed as a backup dancer for Korean comedian Kim Young-chul’s set at the 2015 Summer K-pop Festival on Aug. 4. The four-hour concert boasted performances from artists such as GOT7, Infinite, T-ara, Crayon Pop and Psy.

And me, of course.

SM Entertainment, sign me up

The adventure began around 7 p.m. the night before the concert, when the dancers were all herded en masse through several crowded subway transfers until we reached our stage at Seoul City Hall.

At the venue, we were quickly taught the moves and positioned onstage, where we ran the dance until 9 p.m. We had no idea what song we were dancing to until the next day, but, boy, were we dancing. We danced and danced, were given disapproving looks, and then we danced some more.

The choreographer seemed quite exasperated every time we failed to perform our dance in perfect synchronization, but I’m pretty sure that the steps were different every time we ran through it. I’m also pretty sure that they were making it up as we went along.

He was terribly intimidating (even when he congratulated us on a job well done at the end of the concert). I felt like I was in an audition for a Very Serious entertainment agency. Which was actually super fun for me. I was having a blast. I could do that all day every day. SM Entertainment, sign me up!

SM Entertainment, don’t call me — I’ll call you

The next day, we arrived bright and early to our dance team holding tent backstage while fans were already staking out spots on the lawn to watch their favorite groups.

“We just saw some k-pop stars!” one of the girls exclaimed excitedly as she ran up to our group. “I think it was Infinite!”

‘No way,’ I thought. ‘I am sitting around in this sweltering tent backstage for six hours because I don’t actually have a life, and what else would I be doing? If I was an actual k-pop star, I’d show up like five minutes before I had to be onstage. And I’d demand a dressing room or something.’

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Super Junior’s Zhou Mi gets ready backstage before emceeing the concert on Aug. 4. SCREAMfmLondon

But no sooner had the thought occurred to me than Infinite themselves popped out of their own black tarp tent and made the glamorous journey toward a shared porta-potty. Along the way, they resignedly waved at the jittery fans who were intently watching said journey to the porta-potty.

Amazing! Not only were they, in fact, sitting around in their backstage tent longer than I was, but they also had a lot more pressure surrounding the general porta-potty experience than I have ever dealt with. Possibly, I do not want to be a k-pop star after all. SM Entertainment, don’t call me — I’ll call you.

Make it happen

Once the seats were beginning to fill, we went onstage for our soundcheck. This was the first time we’d heard the song we’d be dancing to — a remix of Kim Young-chul saying “Cheer up, superpower” on an episode of “Infinity Challenge.” It was also the first time we’d met him, but we were pumped. I was pumped. I was ready to roll, ready to party, ready to dance on the very floor where Nam Woo-hyun would also dance.

I felt even better when we came off the stage from our soundcheck, hurrying down the right side of the staircase because Infinite was making their way up the left for their own soundcheck. ‘Yes, this feels right. This is where I belong. Me and Psy — we’re like peers, really.’

Finally, the time came for our official, broadcast-ready performance. We waited patiently in the wings while MCs Zhou Mi of Super Junior, Lee Hong-bin of VIXX and Park Ji-yeon of T-ara gave an introduction. As they passed us on the stairs, Zhou Mi gave us a thumbs-up and whispered, “Fighting!” I grinned. We’re totally peers.

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Why aren’t there any better-quality videos of my moment?! Yours truly, second from the left. SCREAMfmLondon

I felt so alive with all of those confused eyes on me as I wildly flapped my arms in tune to the song. ‘Yep, this is the life,’ I thought. My face was projected on the screens at both sides of the stage as I danced my heart out. I hope Psy saw it, and I hope he appreciates my passion. My face was broadcast on SBS MTV throughout South Korea as I danced my heart out. I hope everybody saw it, and I hope they appreciate my passion.

It went great. The crowd didn’t know what to do with themselves. It was the greatest thing they’d ever seen, I assume.

The Summer K-pop Concert

Exhilarated from the performance, we eventually took our seats in the audience to watch the rest of the concert clutching towels and posters painted with the phrase “I LOVE K-POP.”

It was awesome. Psy was electrifying, and he got the entire crowd up and dancing to “Gentleman” (such a jam) and other hits that shall not be named. He played an unprecedented four songs, and I loved every moment of it. He’s such an incredible entertainer — I’m absolutely certain that I screamed louder for him than any of the boy bands.

GOT7 was awfully super adorable with “Just Right,” which was tragically the only song they performed at the show. The bubbly you’re-perfect-just-the-way-you-are vibe is the cutest and will never fail to warm my heart. I also love the accompanying dance. Watching professionals like GOT7 command the stage really reminded me what dancing is supposed to look like after spending so much time looking at myself dance (or try to, anyway).

Infinite was wonderful, as always. They performed “Bad” from the recently-released mini-album “Reality,” and then closed the show with a more somber ballad. “Bad” is a really awesome song with a theatrical, Hans Zimmer-style introduction and a dark, sexy overtone. It shows off the strengths of several band members — namely Dongwoo, whose rap verse and featured dance were some of the highlights of the performance.

Altogether, I had a blast at the concert. It was one of the most entertaining strange situations I’ve ever inserted myself into. I sincerely hope I get to do it again. SM Entertainment, I’m back onboard.

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Psy performs at the 2015 Summer K-pop Festival. SCREAMfmLondon

Theater: Sejong Center presents ‘Chess’

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The musical “Chess” at the Sejong Center for the Performing Arts in Seoul. SCREAMfmLondon

This June and July, the Sejong Center for the Performing Arts hosts the musical “Chess,” marking its debut in Asia.

The musical was composed in the early 1980s by two former members of ABBA. The story follows a Cold War-era chess tournament between the American grandmaster, Freddie, and the Soviet grandmaster, Anatoly. The two men conflict not only over chess but also over their mutual attraction to Freddie’s manager, Florence. It’s a story of betrayal, ambition and… chess.

I feel like there was a rather weird phase of pop culture interest in chess during the 1980s and ‘90s, traceable back to the brief fame of Bobby Fischer. I definitely studied a disproportionate amount about chess while I was in school (compared to how useful it’s been in life, which is not at all).

During my lifetime, I have seen exactly zero evidence that the paparazzi and/or the general public would ever care about chess championships, but it comes up all the time in literature.

Unfortunately, chess is not actually that exciting as a subject for musical theater.

The Seoul production was basically carried by the ensemble dancers and the spectacular choreography from Seo Byung-goo and Hong Yoo-sun. The cast made interesting use of the stage, set and props to keep each scene at its most visually stimulating. And “One Night in Bangkok” is a total jam. But there’s only so much dancing rooks can do for your show, y’know?

The main cast rotates throughout the week and includes a number of well-known k-pop stars. The performance I attended featured Ken from the band VIXX as Anatoly, Shin Sung-woo as Freddie, and An Si-ha as Florence.

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Fans leave well-wishes for VIXX’s Ken outside of the theater on the day of his performance. SCREAMfmLondon

Ken has a powerful voice, which was particularly evident during his cynical solo song “Where I Want to Be.” This number was definitely one of the highlights of the show and showed off his smooth vocals.

However, Ken’s acting did not seem on par with his singing — he struggled to come across mature enough to accurately portray Anatoly. His musical talent is certain, but his acting failed to bring any emotional depth to the character. He also failed to create any real chemistry with the other actors; certainly not with Florence, for whom he was supposed to feel some heart-wrenching passion.

I’d be curious to see the performance again with a change in cast to see how the different actors would alter the experience, or if “Chess” is just unsalvageable. I dunno. Let’s call it a stalemate.

‘Chess’
175 Sejong-daero, Jongno-gu
Weekdays at 4 and 8 p.m., weekends at 3 and 7 p.m. Tuesday – Sunday through July 19
Tickets range from 40,000  130,000 KRW
For more information, visit www.musicalchess.co.kr.