August 23: Architecture, art and more

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View of Mapo-gu from the 34th floor, overlooking the Han River. SCREAMfmLondon

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Infinite kicked off their Infinite Effect world tour with a concert at Olympic Gymnastics Arena in Seoul on Aug. 8. SCREAMfmLondon

  • Before the Infinite concert on Aug. 8, we were caught in a torrential downpour and had to take shelter in the subway station, where concertgoers had set up little makeshift refugee camps to dry out. We were ridiculously drenched, and my Sungkyu stickers got all warped. But everything was wonderful once our seven boyfriends took the stage. They go above and beyond to create a fantastic experience for the audience: flying signed paper airplanes into the crowd, riding cloud-shaped carts around the arena to hand out actual roses to fans, performing unbelievably in-sync choreography (including the famous scorpion dance move during “Before the Dawn”), and Woohyun’s top coming “”accidentally”” unbuttoned. Also, we did the wave! It was the perfect concert.
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Such picturesque architecture in Samcheong-dong. SCREAMfmLondon

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A collection of Amedeo Modigliani’s portraits are on display at Seoul Arts Center from June 26 – Oct. 4. SCREAMfmLondon

  • The Modigliani exhibition is housed on the uppermost floor of the Hangaram Art Museum within the Seoul Arts Center in Seocho-dong. It is organized into seven themes: Paul Alexandre (Modigliani’s first patron), Portraits of Men, Caryatids (based on the female-shaped columns often present in ancient architecture), Jeanne Hébuterne (Modigliani’s lover, a fellow artist), Portraits of Women, Nudes and Moïse Kisling (a friend of Modigliani’s and another fellow artist). The exhibit is well laid-out and emphasizes Modigliani’s portraits as a means of self-reflection. The subjects of his paintings are usually characterized by their long necks and dark, vacant eyes colored in with no pupils. Modigliani is quoted as saying “When I know your soul, I will paint your eyes”  — a quote that is displayed prominently in the gallery alongside his work.
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