Monthly Archives: June 2014

Drag roundup: LogoTV’s Drag Race Pride Party

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Laganja Estranja performs at the Metropolitan Nightclub in West Hollywood. Via tiffmc1013/Twitter

On the last night of the LA Pride festival, I powered through the crowds in West Hollywood to LogoTV’s Drag Race Pride Party because of course I would.

Michelle Visage hosted the event in the middle room of the Metropolitan Nightclub. It’s a Vegas-style club where you make an ascent up a stylish flight of stairs toward a few separate rooms of bars and dance floors. While the space was attractive, the sound system was terrible. Or, whoever was running the sound system was terrible. Either way, there were a number of delays, missed cues and issues with the sound levels. That was a bummer, but it was still a delight to drink a $15 mixed drink while watching all of the performers.

Shangela opened the show with an enthusiastic Beyonce medley — particularly impressive considering she broke her leg during a similar show last Halloween while performing her trademark dance move, the death drop.

Yara Sofia and BenDeLaCreme put on equally captivating performances, although I think the success of these numbers was due in large part to their unique costumes. In Yara’s case, her outfit consisted of a wildly realistic nude bodysuit complete with painted-on breasts, a shock of pubic hair and a gigantic penis prosthetic swinging between her legs. It was a sight to behold. BenDeLaCreme performed her pretty cool robot routine to the Peaches song “Lovertits” in a leotard with a light-up breastplate.

The craftsmanship, professionalism and talent among the “RuPaul’s Drag Race” alumni is astounding, and it’s what keeps me coming back to all of these events.

The fastest way to make friends at a drag show, I’ve found, is to talk about how much you love Laganja Estranja. This tested technique has not failed me yet. When I told someone at the Pride Party that I was mostly there to see her, his face lit up.

“I’m so glad you know!” he gushed.

The sacred knowledge that we share, of course, is that Laganja is — by far — one of the best live performers to appear on “Drag Race.” Plus, her fashion is to die for.

At the Pride Party, Laganja stole the show in a matching leotard and turban augmented with peacock feathers. She showed off her dance skills to RuPaul’s season six featured single, “Sissy That Walk” (which is also RuPaul’s best song since 2011’s “Glamazon”), and then cleared a space through the middle of the crowd to extend her performance into the audience. Killed it.

The evening wrapped up with performances from three previous “Drag Race” winners: Raja, Sharon Needles and Jinkx Monsoon. Jinkx’s campy, vaudeville-style fervor was a great end to the show. And Raja should probably not release any more original music. And neither should Latrice Royale, for that matter. In fact, that trend should just slow down in general.

But if presented with the chance to see Laganja live, take it, and remember that you don’t know nothin’.

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Drag roundup: Trannyshack LA at The Dragonfly

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Toxic Waist performs at The Dragonfly in Hollywood. SCREAMfmLondon

It was my birthday, and a drag queen clocked me in the head with a cauldron during a dramatic reenactment of “The Silence of the Lambs.” So, that happened.

Trannyshack LA was the scene of the aforementioned cauldron incident. For the record, I’m pretty sure it wasn’t intentional; she was just generally throwing a cauldron, and my head was in the line of fire. Story of my life.

Since 1996, Heklina has hosted Trannyshack, a regularly-occurring drag event in San Francisco. It’s become a relatively big deal over the years, and the event occasionally takes the show on the road — to LA, for instance.

On May 31, Heklina emceed the event at the Dragonfly Bar in Hollywood. It was one of the last of her events to use the name “Trannyshack” before making the switch over to “T-shack” (at least in the interim). She addressed the issue onstage, explaining that the ultimate point of her show was to be inclusive, and that includes eliminating language that makes others feel oppressed. Although the use of transphobic words has been a divisive issue in the drag community in the past few months, Heklina handled it professionally and with a good attitude. Right on.

As for the show, it was pretty tame (save Toxic Waist, who closed the evening with a great Leatherface-in-a-jockstrap number during which the audience was sprayed with fake blood).

My favorite act was Devan M., who performed a high-energy routine in a “Phantom of the Opera”-style half-face mask and cape. I really appreciate the added androgynous factor of bearded drag queens such as Devan. The trend of wearing facial hair while in drag has been gaining momentum recently, likely influenced by RuPaul’s phenomenal hair and makeup artist Mathu Andersen and by Conchita Wurst, the Austrian drag queen who won the 2014 Eurovision Song Contest.

More traditional drag performances came from Ambrosia Salad and Killer. The “traditional” element of Ambrosia’s act being the lip-sync to Madonna’s “Like a Prayer,” not necessarily the sexy Jesus backup dancers nailed with glittery blood to “YOLO” crosses. Killer brought out a great long-form Judy Garland impression, and there can never be too much Judy Garland.

Also impressive was Cupcake Canne, who performed a “Black Swan”-themed routine entirely on pointe. Although it’s really difficult to see anything that takes place low to the stage at a drag show because everyone in the crowd is about 20 feet tall in gigantic heels and hair.

The special guests of the evening were rapper Cazwell and “RuPaul’s Drag Race” alum Manila Luzon, who joined him onstage for their duet, “Helen Keller.” Cazwell performed “I Seen Beyonce at Burger King,” which is somehow the weirdest, catchiest song in existence. (My favorite verse is “She was looking around for some customer service. / I walked up to her, made her security nervous. / She said, ‘How much for a case of beer?’ / I says, ‘Girl, are you drunk? I don’t work here!’”).

The rest of Cazwell’s set was okay. Meaning, he played “Ice Cream Truck,” and it was the first time I’ve listened to that song without watching the accompanying video. I’m not sure that song should even exist separately from the video.

All head injuries aside, I’m really glad I attended. I feel like this is a pivotal time for drag, and I’m excited to watch the evolution of mainstays such as “the club formerly known as Trannyshack.”